“Celebration for change”是MO博物馆主要展览的主题，讲述了作为个人或社会转型状态的盛宴。立陶宛艺术家创作的大量摄影作品被边缘性的概念凝聚在一起。它是一个仪式性的空间，象征着过渡、门槛、转变和回归。这些方面被展览的建筑所诠释，为参观者创造了一个连贯的场景。. 展览由三个主要部分组成，具有独立的空间氛围。通过展览的线性运动是指一种仪式，并有助于结构大量的作品。这样的布局揭示了不同作者和时期之间的联系。
“Celebration for change” is the topic of MO museum main exhibition that speaks about the feast as a state of personal or social transformation. A wide selection of photographs created by Lithuanian artists is united by concept of liminality. It is a ritual space to signify transition, threshold, transformation, and return. These aspects are interpreted by the architecture of the exhibition, creating a coherent scenario for visitors. . The exhibition consists of three main sections with an individual space atmosphere. Linear movement through the exhibition refers to a ritual and helps to structure a large amount of works. Such a layout reveals connections between different authors and periods.
展览从一个平静的小规模建筑体开始，暗示了桌子。这个符号代表了传统的个人庆祝活动，通常有桌子的元素。水平面逐渐转变为垂直墙，张力增加，曾经的开放空间变得压抑。从个人庆典到国家庆典的过渡随之而来。参观者进入了一个严格结构的区域，家庭物品的规模被意识形态的物质表达所取代。然而，这个系统有一个裂缝，通向自由，通向一个有 “Žalgiris “投影的空间，在那里，国家的主题有了新的意义。投影的规模和黑暗甚至让那些已经通过严格结构的参观者感到兴奋。在这一时刻之后，自由的主题溢出了混乱。
Exhibition starts with a calm small scale architectural volume with a hint to the table. This symbol stands for traditional personal celebrations that usually has element of table. The horizontal plane gradually transforms into a vertical wall, the tension grows and the once open space becomes oppressive. The transition from personal to national celebration follows. A visitor enters a zone of strict structure, the scale of the household object is replaced by a material expression of ideology. However this system has a crack which leads to liberty, to a space with a projection “Žalgiris” in which the national motif takes on a new meaning. The scale of the projection and the darkness excites even the visitors who have passed the strict structure. After this moment, the theme of freedom spills into chaos.
描绘自由散落在空间中的亚文化生活的展品群以不同的形式呈现，它们的个人特征也是如此。最终，个人摄影作品被逼近。在获得新的经验后，参与者专注于（返回）自己。空间结构将观众置于中心位置，现在他有能力进行摄影的行为。离开展览时，要通过同样的桌子，只是在另一边。在回到起点后，问题出现了，变化是否已经发生了？
Groups of exhibits depicting the life of subcultures scattered freely in space are presented in different forms, as are their individual characters. Eventually, the personal photography are approached. After gaining new experience, the participant concentrates (returns) on himself. The spatial structure places the viewer in the center position, now he has the ability to perform the act of photography. Leaving the exhibition leads through the same table, only on the other side. After returning to the starting point the question arises whether change has taken place?
Architects: ŠA atelier
Area: 1000 m²
Year: 2021
Photographs: Norbert Tukaj
Clients:Mo museum
Exhibition Curators:Ugnė Paberžytė, Tomas Pabedinskas
Consulting Curator:Arvydas Grišinas
Consultant :Egidija Ramanauskaitė
Graphic Designer :Gytis Skudžinskas
Exhibition Installation :Dominykas Šavelis
City:Vilnius
Country:Lithuania