Ipolytarnóc是匈牙利的一个小村庄，在与斯洛伐克的边界附近，有一个由典型的农业环境中的简单家庭房屋组成的稀疏定居点。灯塔馆是作为艺术项目Field of sparks中的一项干预措施而创建的，该项目旨在使这个 “被遗忘 “的地理区域更具吸引力和推广性。到目前为止，艺术节一直专注于对周边国家的艺术干预，但在很大程度上，这是一个将概念设计理念转化为纯艺术装置的问题。
Ipolytarnóc is a small rural village in Hungary, with a sparse settlement of simple family houses typical for this agrarian environment, near the border with Slovakia. The Lighthouse pavilion was created as an intervention within the art project Field of sparks, which seeks to make this “forgotten” geographical area more attractive and promotional. Until now, the festival has focused on artistic interventions in the surrounding country, but to a large extent, it was a matter of transforming conceptual design ideas into pure artistic installations.
然而，今年，艺术节的创始人提出了将村子中间的一个废弃的农庄改造成一个艺术住宅的想法，在那里建造一个用于研讨会或小型活动的亭子。我们的目的是创造一个功能性的空间，但同时增加审美价值。
This year, however, the founders of the festival came up with the idea of transforming an abandoned farmstead in the middle of the village into an artistic residence, where a pavilion for workshops or smaller events was to be built. The intention was to create a functional space, but with added aesthetic value.
我们认为这个亭子是对功能和美学的一种人类学解释。亭子的形式是基于区域特征，但将它们转化为当前的环境。
We perceive the pavilion as an anthropological interpretation of functionality and aesthetics. The form of the pavilion is based on regional characteristics but transforms them into the current context.
主导元素是烟囱，它一直是房子里生活的信号。同时，在我们的构思中，我们把它转化为一个信号塔–一个标志着大陆边界或文明的灯塔，并把它放在一个广告牌的位置，像当地道路上的广告。我们改变了每个房子的一个不可分割的类型元素–家，并赋予它新的含义。总的来说，我们全面地认识到它是一个点，表示一个聚会的地方，一个社会化的地方，一个家的地方，或者一个社区的地方。一个被照亮的灯光预示着村庄的文化活动。
The dominant element is the chimney, which has always signalized life in the house. At the same time, in our conception, we transform it into a signal tower – a lighthouse, which marks the mainland border or civilization, and put it in the position of a billboard, like an advertisement on a local road. We transform an inseparable typological element of every house, home and give it a new meaning. Overall, we comprehensively perceive it as a point denoting a place of meeting, a place of socialization, a place of home, or a place for the community. An illuminated light signals cultural activity in the village.
这种拟议的形式不应该是不显眼的，相反，应该是有吸引力的和高度视觉的。美学被转移到结构中，并将光烟囱横梁的平庸静态方案变成图形和视觉模式。我们正在创造一个功能性装饰品的概念，其中光烟囱作为一个视觉吸引者，也作为一个格子梁。由于这一点，它的中心不需要柱子，因为由五个横向框架组成的框架结构被这个格子大梁垂直地加强了。
This proposed form should not be inconspicuous but, on the contrary, attractive and highly visual. Aesthetics is transferred to the structure and turns the banal static scheme of the light chimney beams into a graphic and visual pattern. We are creating the concept of a functional ornament, where the light chimney as a visual attractor also serves as a lattice girder. Thanks to this no columns are needed in its center, as the frame construction consisting of five transverse frames is reinforced perpendicularly by this lattice girder.
这个装置是在匈牙利Ipolytarnóc的Visegrad基金的资助下，在Field of Sparks Artweek期间建造的。
This installation was built during Field of Sparks Artweek with the financial support of the Visegrad Fund in Ipolytarnóc, Hungary.
Architects: Grau Architects
Area: 36 m²
Year: 2021
Photographs: Filip Marčák
Lead Architects: Andrej Olah, Filip Marčák, Matej Kurajda, Jana Filípková, Alexandra Májska, Simona Fischerová, Miroslava Mišurová, Marek Krátky
Client:Field of Sparks Artweek
City:Ipolytarnóc
Country:Hungary