“Hallasan山、Sanbangsan山、低矮的山丘和Oreum在宽敞的绿色地毯上轻轻坐下……当我看到安静、低矮、漫长的Cheongsu-ri gotjawal，它有时似乎很远，有时似乎很近，我的精神似乎被净化了，尽管我自己。我坐在一个坚实而小巧的方形混凝土盒子旁边。” 在客户文本中。我想要一个房子，但不是一个当代的普通住宅。我希望在住宅中呈现一个新的休息，作为一个包含思想以及物理空间的空间。这个项目代表了对当代住宅空间休息的探究，也是思想和心灵以及身体可以得到休息的空间的开始。

“Hallasan Mountain, Sanbangsan Mountain, low hills, and Oreum seat themselves softly on a spacious green carpet… When I see the quiet, low, and long Cheongsu-ri gotjawal, which sometimes seems to be far away and sometimes seems to be near, my spirit seems to be purified in spite of myself. I’m sitting beside a solid and small square concrete box.” In client text. I wanted a house, but not a contemporary common residence. I desired that a new rest at a residence as a space containing ideas as well as physical spaces would be presented. This project represents an inquiry into rest in contemporary residential spaces, and the beginning of spaces in which the mind and heart as well as the body can get a rest.

场地。场地俯瞰着济州岛Cheongsu-ri山下的Gotjawal。从这里可以看到三板山，转过头就能看到哈拉山和乌鲁木。这片土地上的建筑，光是环境就足够丰富。在新空间的休息首先从这个美丽的地方开始。建筑的结构必须简单地只与该地的环境相结合。济州岛是一个仍然留给我们的美丽的岛屿，也是一个具有强烈自然气息的岛屿。在环顾济州岛时，我们发现任何形式都不如自然，任何材料在自然面前都是软弱的。这里的建筑应该是谦逊的。

Site. The site overlooks gotjawal down the hill of Cheongsu-ri, Jeju. Sambangsan Mountain is seen beyond it, and Hallasan Mountain and Oreum are found when turning your head. This land, on which the architecture was built, is rich enough with its environment alone. Rest in the new space begins first at this beautiful site. The architecture had to be structured simply only with the environment of the site. Jeju is a beautiful island still left to us, and an island of strong nature. While looking around Jeju, it was found that any form is inferior to nature, and that any material is weak in front of nature. Architecture here should be humble.

简单朴素的休息。简单朴素的休息，梦想着在花团锦簇的乡间小木屋。在一个小范围内的两间卧室和一个客厅及厨房是为简单的日常生活而设计的，并且只保留了它们的最低功能。其空间的结构和形式打算在简单模块的基础上构成空间，并从不对称的平衡中找到舒适。在拆除内部空间的天花板后，暴露在外面的上梁与突出的墙壁一起成为形式的一部分。空间的发展是基于外部空间的（排空）和内部空间的（填充）之间的关系。从（抽空的）庭院开始，空间延伸到（填充的）个人空间，并通过每个（填充的）个人空间与（抽空的）个人外部空间相遇。每个个人空间都面对着济州岛的象征性元素（三板山、Hallasan、Gotjawal、石墙）。独立的个人外部空间是用于思考和朗诵的休息空间。

Simple plain rest. Simple and plain rest that dreams of a small cottage in the flowery countryside. Two bedrooms and a living room and kitchen within a small area were designed for simple daily life, and only their minimum functions were maintained. The structure and form of its space intend to compose the space based on simple modules and to find comfort from equilibrium in asymmetry. The upper beam exposed to the outside after removing the ceiling of the inner space becomes part of the form together with the protruded walls. The space evolves based on the relationships between the (emptied) exterior spaces and the (filled) interior spaces. Starting from the (emptied) courtyard, the space extends to (filled) personal spaces, and meets with (emptied) personal exterior spaces through each of the (filled) personal spaces. Each personal space faces the symbolic elements (Sanbangsan, Hallasan, gotjawal, stone walls) of Jeju. The independent personal exterior spaces are spaces of rest for thinking and reciting.

红院和图恩马鲁。(空的)院子是所有空间的开始，是排除周围环境的个人外部空间。如果你沿着一段水泥墙经过走廊，就会进入红色（scoria）院子。从外面看的建筑是粗糙的灰色混凝土块，目的不是为了吸引眼球，而是为了成为周围自然的背景。只是大自然的元素变得更加清晰，光和影都出来了。这就是前面提到的这个地方的建筑态度。

Red Courtyard and Toenmaru. The (emptied) courtyard is the beginning of all spaces, and is a personal exterior space excluding the surrounding environment. If you pass the hallway along a stretch of concrete wall, you will enter the red (scoria) courtyard. The architecture viewed from the outside is a rough greyish concrete block, and was intended not to attract eyes, but to become the background of surrounding nature. Just the elements of nature become clearer, and light and shadow come out. This is the aforementioned architectural attitude at this site.

然而，当你一踏进院子，红色的（scoria）院子就成了住宅空间的开始，代表了动态生活空间的象征。空旷的空间只包含了红色的地板和蓝色的天空，并容纳了各种项目，被混凝土制成的toenmaru所包围，并将成为日常生活中的个人思考空间。混凝土制成的 “天丸 “是一个可以随时方便地坐在上面的地方，是内部和外部的分界线，也是一个过渡性的空间，为了进入内部，需要有一定的难度才能坐上去。希望它能发挥适合当代生活的新功能，就像它曾经是建筑的一个元素一样。这个混凝土toenmaru的院子，是舒适的，也是不舒服的，将变成浪漫的休息。

However, as soon as you step into the courtyard, the red (scoria) courtyard becomes the beginning of residential spaces and represents the symbol of dynamic living space. The emptied space embraces only the red floor and the blue sky, and accommodates various programs, with being surrounded by toenmaru made of concrete, and will become the space of personal thinking in daily life. The toenmaru made of concrete is a place to sit on conveniently at any time, is the boundary between the inside and the outside, and is a transitional space that requires some difficulty to get on in order to enter the inside. It is hoped that it will perform a new function appropriate for contemporary life just as it used to be an element of architecture. The courtyard of this concrete toenmaru, which is comfortable and also uncomfortable, will turn into romantic rest.

粗糙的墙壁和抛光的地板–向外延伸的墙壁流向各自的独立空间。个人的（充实的）内部空间和（空虚的）外部空间是由墙壁形成的。流动的外部空间的光线沿着延伸的墙壁进入到内部墙壁。在日常生活中，内墙会通过水泥抹灰的粗糙表面，与光线一起显示出各种纹理。济州岛的红色火山岩被打碎成小块，和瓦砾一起填满院子，成为天麻和室内地板的一部分。它和混凝土一起被放置在地板上，地板被磨平，露出红色的焦土断面。

Rough wall and Polished floor – The walls stretching out to the outside flow into their own respective independent spaces. Personal (filled) interior spaces and (emptied) exterior spaces are formed by the walls. Light flowing the exterior spaces along the extending walls enters up to the inside walls. In daily life, the inside walls will show various textures, together with light, through the rough surfaces of cement plastering finish. The red scoria, a volcanic rock, in Jeju is broken into small pieces, fills the yard together with rubble, and becomes part of toenmaru and inside floor. It is placed, together with concrete, into the floor, which is ground to reveal the red cross-section of scoria.

这样的地板被设计成具有济州岛的地方性和材料性，虽然没有木地板或装饰瓷砖所提供的舒适性，但在空间的某个地方可以感受到。因此，建筑是由最小的材料组成的，并且是为了尽可能地显示每一个属性而完成的。我们希望材料能够在济州岛的环境中自然地老化，不管是好的还是坏的材料的特性。希望建筑能在很长一段时间内平和地融入这个地方的自然，日常生活能在简单的空间内扩展到相连的小外部空间。此外，希望我在任何时候都能走到自己的红色院子里，享受季节、天空、星星和济州岛。

Such a floor was designed to have the placeness of Jeju and the material, though not comfort provided by the wooden floor or the deco tile, felt somewhere in the space. On this wise, the architecture was composed of minimum materials and was finished so that every property might be revealed as far as possible. It was hoped that materials would be aged naturally within the environment of Jeju with the very properties of the materials, whether good or bad. It is hoped that the architecture will be placidly assimilated into nature at this location over a long time, and that daily life will expand into connected small exterior spaces within simple space. In addition, It is hoped that I will go out to my own red courtyard at any time and enjoy the seasons, the sky, stars, and Jeju.

Architects: Moreless Architects
Area : 84 m²
Year : 2018
Photographs :Lee Tecsu
Structural Engineer : Eden Structure
Mechanical And Electrical Engineer : I-eco ENG
Architect In Charge : Youngsoo Kim
Landscape Designer : Lee Dogun
Site Area : 871㎡
Total Floor Area : 84.52 ㎡
Constructions : KR Design
City : Jeju-si
Country : South Korea