工作室就是城市。
该项目提出了一个室内外关系及其物质化的练习，极限（质量/不透明）和连续性（开放/透明）的想法。在场地前提议的半公共广场作为一条街道侵入工作室，在密集的矩形棱镜（”建筑”）之间展开，并向 “内部庭院 “开放，成为一个绘画空间。
The studio is the city.
The project proposes an exercise in the indoor-outdoor relationship and its materialization, the idea of limit (mass / opacity) and continuity (openness / transparency). A semi-public square proposed in front of the site invades the studio as a street that unfolds between dense rectangular prisms (“buildings”), opening into an “interior courtyard” a space to paint.
这些 “建筑”，3个混凝土体量，容纳了工作室的功能项目（办公室、图书馆、准备室、服务、储藏室和一个夹层）。当他们离开这个项目时，其密集和盲目的墙壁从外部划定了 “街道 “和 “广场”，设置了一种有盖的棚子，艺术家在那里作画。虽然不透明的面孔划定了功能和用途，但其开放和透明的面孔向内部庭院和花园开放，消解了内部和外部、建筑和场地之间的界限。
These “buildings”, 3 volumes in concrete, house the functional program of the studio (office, library, preparation room, services, storage and a mezzanine). When they leave the program, its dense and blind walls externally delimit the “street” and “square”, setting a kind of covered shed where the artist paints. While the opaque faces delimit functions and uses, its open and transparent faces open onto internal courtyards and gardens, dissolving the boundaries between interior and exterior, between building and site.
长椅和连续的台面跨越边界，说明了这种连续性。建筑的体积，推断出屋顶的边界，也有助于消解边界。另一方面，墙的线条限制了这种退缩的一部分，在广场（公共空间）和庭院（私人空间）之间建立了一个坚实的边界。
Benches and continuous counter tops cross borders, stating that continuity. The volume of the building, extrapolating the boundary of the roof, also contributes to dissolve the border. The line of the wall, on the other hand, limits part of this retreat, establishing a solid boundary between the square (public void) and the courtyard (private void).
Architects: AR Arquitetos
Year: 2012
Photographs：Maíra Acayaba
Structures:Reyolando Brasil
Construction:Lazzatti Engenharia
Locksmith:Doitschinoff Serralheria
Site Area:200 m²
Project Architects:Marina Acayaba, Juan Pablo Rosenberg
Collaborator:Paloma Delgado
City:São Paulo
Country:Brazil