塔斯马尼亚设计公司在伦敦工艺周上首发了Brodie Neill的新中心桌ReCoil。ReCoil使用从塔斯马尼亚湖泊水下收获的Hydrowood木材制作，邀请我们进行一次重新想象的旅程，继续Neill对重新定义我们与材料和自然界关系的探索。
ReCoil通过岛屿的粗犷之美和天然木材，表达了与地方、时间和身份的联系。这张高度抛光的椭圆桌子由水曲柳下脚料制成，显示出从蜂蜜到焦黄的丰富色调，赞美塔斯马尼亚岛原生的珍贵木材，如胡恩松、桉树、塔斯马尼亚橡树、芹菜顶松、黄樟树、桃金娘和黑木。
水力木业是世界上最早的水下林业作业之一，它从为水电大坝淹没的天然森林中回收多年来无法获取的水下木材。通过PEFC认证和道德采购，Hydrowood有一个与众不同的故事和特点，Neill在ReCoil中倡导单板工业的副产品。

Premiering at London Craft Week, Design Tasmania presents Brodie Neill’s new centrepiece table, ReCoil. Crafted with Hydrowood timber harvested underwater from Tasmania’s lakes, ReCoil invites us on a journey of the reimagined, continuing Neill’s quest to recontextualise both our relationship with materials and the natural world.
ReCoil expresses a connection to place, time, and identity, through the island’s rugged beauty and natural timbers. This highly polished, elliptical table made from Hydrowood veneer off-cuts, displays rich tones from honey to burnt umber that celebrate precious timbers native to Tasmania such as Huon pine, Eucalyptus, Tasmanian Oak, Celery Top Pine, Sassafras, Myrtle and Blackwood.
Hydrowood is one of the world’s first underwater forestry operations that reclaim submerged timber, inaccessible for years, from natural forests flooded for hydroelectric dams. PEFC certified and ethically sourced, Hydrowood has a story and character like no other, with Neill championing the by-products of the veneers industry in ReCoil.

回收的木材在Stamford Hill的Reliance Veneers工厂被切割成单板。然后从他的伦敦工作室，尼尔手工卷起超过三公里的木皮，在一个密集的手工过程中，暗示了一个完整的循环。该图案向珍贵的老树的年度生长环形结构致敬。
“布罗迪说：”世界上的废物很多，有无限的潜力可以回收利用。”我们不再需要在收获自然资源的过程中牺牲环境。我的意图是，通过这些作品，开始关于重新认识我们拥有的东西的对话。最重要的是，它是关于创造希望的对象”。
尼尔主要作品的回顾展 “Continuum “在精炼的设计中展示了对升级、回收和材料循环性的探索。ReCoil是2021-2022年英国/澳大利亚季的一部分，这是一个跨越两国文化交流的重要项目，由非营利性设计倡导者塔斯马尼亚设计公司和Hydrowood公司与塔斯马尼亚政府合作提出。

The reclaimed timbers were cut into veneers at Stamford Hill’s Reliance Veneers factory. Then from his London studio, Neill hand-coiled over three kilometres of the veneers, in an intensive handmade process suggestive of coming full circle. The pattern pays homage to the annual growth ring formations of the treasured old growth trees.
“The world of waste is plentiful, with limitless potential to recycle,” says Brodie. “No longer do we need to sacrifice the environment in the harvesting of its natural resources. My intention, through these works, is to start conversations about recontextualising what we have. Above all, it’s about creating objects of hope.”
A retrospective of Neill’s major works, Continuum, shows alongside to explore the upcycled, recycled, and material circularity, within refined designs. ReCoil is presented as part of the UK/Australia Season 2021 – 2022, a major programme of cultural exchange taking place across the two countries, presented by not-for-profit design advocates Design Tasmania with Hydrowood in partnership with the Tasmanian Government.

Designer：Brodie Neill
Year：2021
Photographys：Mark Cocksedge ,Angela Moore
City：London
Country：United Kingdom