Aera是一家位于Rosenthaler Platz的无麸质面包制造商和咖啡馆，建筑二人组Gonzalez Haase AAS为其设计的空间充分利用了其突出的位置，让人无法忽视。新店的整个深度通过一个大的店面窗口可见，使其丰富的青金石蓝色内部成为中心舞台。

For the second Berlin branch of Aera – a gluten-free bread manufacturer and café located at Rosenthaler Platz – the architecture duo Gonzalez Haase AAS designed a space that takes full advantage of its prominent location by being impossible to overlook. The entire depth of the new store is made visible through a large storefront window, allowing its rich Lapis Lazuli blue interior to take centre stage.

将70平方米的空间从过去的层层叠叠中解放出来，露出了3.8米高的天花板，并允许从13米长的墙的前面看到整个空间的长度。没有使用镶嵌的墙壁或边缘。一个对角线的柜台从入口处一直延伸到商店的尽头，将空间划分为两个功能区，并引导游客沿着商店的长度从进入到下单，然后接受他们的订单。统一的纹理和颜色，这个长长的混凝土柜台在视觉上与地板和墙面融为一体，由于其比例和尺寸，成为房间的有机组成部分。

Freeing the 70m2 space from the layers of the past revealed a ceiling of 3.8m in height and allowed the length of the space to be viewed in its entirety from the front of the 13m long wall. No inlaid walls or edges were used. A diagonal counter, which runs from the entrance to the end of the shop, divides the space into two functional areas and guides the visitor along the length of the store from entering to placing and then receiving their order. Uniform in texture and colour, this long concrete counter visually merges with both floor and wall surfaces, becoming an organic part of the room due to its proportions and size.

单调的混凝土被均匀地涂成80厘米长的条状，以强烈的青金石蓝色嵌入整个空间，使整个房间成为一个空间雕塑，与它的大胆色彩密不可分。冈萨雷斯-哈斯（Gonzalez Haase AAS）为该空间设计的家具是实心橡木，而烘焙食品的架子是由电抛光不锈钢制成。进入的自然光改变了蓝色的强度，表面从光泽到哑光，取决于一天中的时间、天气和观察者的位置。有时光比暗多，而其他的则相当辉煌和强烈。

Monotone concrete was applied evenly in 80cm strips in an intense Lapis Lazuli blue colour embedded so consistently throughout the space that the room as a whole becomes a spatial sculpture, inseparable from its bold colour. The furniture designed by Gonzalez Haase AAS for the space is of solid oak while the shelving for baked goods is made of electropolished stainless steel. The incoming natural light alters the intensity of the blue and the surfaces from glossy to matt depending on the time of day, the weather and the position of the observer. Sometimes more light than dark and others rather brilliant and intense.

颜色本身的灵感来自于17世纪的绘画，最值得注意的是扬-维米尔的绘画和他对光线和物质结构的再现的兴趣。维米尔对光与影的绘画印象特别深刻，冈萨雷斯-哈斯也是如此，在一天的时间里，光与影的变化完全改变了空间。像他那个时代的许多画家一样，维梅尔使用的调色板非常有限。他的调色板与当代艺术家的调色板的唯一显著区别是大量使用天然群青（纯青金石），而不是更实惠的天青石。天然群青是由粉碎的半宝石青金石的粉末制成。这种蓝色被维米尔广泛运用，颜色极其丰富，在任何画作中都能占据主导地位。

The colour itself is inspired by paintings from the 17th century, most notably those of Jan Vermeer and his interest in the reproduction of light and material structures. Vermeer was particularly impressed by the painting of light and shadow, as was Gonzalez Haase by the space, completely transformed by light and shadow over the course of the day and light’s progression. Like many painters of his time, Vermeer used a very limited palette. The only significant difference between his palette and those of his contemporary artists was the extensive use of natural ultramarine (pure lapis lazuli) instead of the more affordable azurite. Natural ultramarine is made from the powder of the crushed semi-precious stone lapis lazuli. The blue was applied extensively by Vermeer and is extremely rich in colour, dominating the palette of any painting it is applied to.

“强大、统一的色彩方案作为绘画的背景，让真正的主题真正进入它自己。再加上直接安装在天花板上的LED照明灯条和从窗前透进来的自然光，我们创造了一个充满活力的、充满光线的空间，使精美的面包和烘焙食品成为焦点。它们的暖金色作为一个互补的、点缀的元素出现在一个明显突出的空间。”–朱迪斯-哈斯
建筑师故意玩弄期望，通过不寻常的材料和大胆的色彩方案，创造出一个令人惊讶同时又和谐的空间。

“The powerful, uniform colour scheme works as the background of a painting, allowing the true subject to really come into its own. Coupled with the LED lighting strips mounted right onto the ceiling and the natural light that filters in through the window front, we created a vibrant, light-filled space that brings the fine bread and baked goods into focus. Their warm-gold colour appears as a complementary, punctuated element in a space that clearly stands out. ” – Judith Haase
The architects deliberately play with expectations to create a surprising and at the same time harmonious space through unusual material and a bold colour scheme.

Architects: Gonzalez Haase Architects
Area: 70 m²
Year: 2021
Photographs: Thomas Meyer / Ostkreuz
Designer :Gonzalez Hasse AAS
City:Berlin
Country:Germany