20世纪70年代，奥特尔-艾歇尔根据他的 “黑白城市”（”Stadt in Schwarz und Weiß”）的形象，为阿尔高州的伊斯尼市开发了一个企业设计。一系列136个象形图，以黑白两色描绘了这个城市、景观和地区。从那时起，艾歇尔的作品既没有失去它的锐利性，也没有失去它的表现力，今天仍然构成了该镇企业形象的一个组成部分。

During the 1970s Otl Aicher developed a corporate design for the city of Isny im Allgäu, based on his image about a „city in black and white“ („Stadt in Schwarz und Weiß“). A series of 136 pictograms, portray the town, the landscape, and the region in black and white. Since then the work of Aicher has lost neither its sharpness nor its expressiveness and today still forms an integral part of the town‘s corporate identity.

在艾歇尔的100周年生日之际，英西镇也在庆祝这一事件。在位于公共空间的临时建筑中而不是在城堡内的市政画廊中举办这一活动是一个重要的决定，也是 “艾舍尔 “项目的结果。该展览可以从5月到10月22日在Isny im Allgäu看到。

On the occasion of Aicher‘s 100th birthday anniversary, the town of Insy is also celebrating this event. To host this event in a temporary building located in the public space rather than in the Municipal Gallery inside the Castle was an important decision and a consequence of the project “aichermagazin“. The exhibition can be seen from May to October 22 in Isny im Allgäu.

临时建筑位于Kurpark，这是一个绿色的公共空间，就在历史悠久的城墙外，这是一个休闲区，全天都有令人愉悦的不同观众。公园中间有一个平台，全年用于各种活动：今年夏天它将举办 “Aichermagazin “活动。

The temporary building is located in the Kurpark, a green public space just outside the historical city walls, a recreational area that hosts a pleasingly diverse audience throughout the day. A platform is located in the middle of the park that is used for various events throughout the year: this summer it will host the “aichermagazin”.

临时意味着可逆转，它意味着在特定的时间内，作为一个客人在场。虽然现有的平台慷慨地提供了支持和基础，但新的建筑将自己与之相抵，并转向。它以寻求对话为优先，从而表达了独立性。建筑是缩小的，它是一个空间序列，它是木头，它是黑色的。一个单一的、中央的房间被一个凉棚所包围，凉棚是地板和天花板之间的一层，由细长的支架支撑着，与地形略微分离。

Temporary means reversible, it means being present for a given time, as a guest. Although the existing platform graciously provides support and a foundation, the new building places itself offset and turned in relation to it. It seeks dialogue as a priority, thus expressing independence. The architecture is reduced, it is a spatial sequence, it is wood, and it is black. A single, central room is enclosed by a pergola, a layer between floor and ceiling, held by slender supports and slightly detached from the terrain.

一个斜坡向小路延伸，它引入，它邀请：任何人都可以跟随，徘徊，和循环。凉棚用黑色框住了视觉领域，引导着人们的目光。它展示了自然和城市，它是一个散步、逗留、讲故事的地方。进入中心，最终改变了焦点。专注于空间和展览，人们发现艾歇尔作为一个设计师和一个人，在荨麻和一个框住天空的大开口之间。

A ramp stretches towards the path, it introduces, it invites: whoever may follow, wanders around, and circulates. The pergola frames the visual field with black, guiding the gaze. It shows nature and the city, it is a place for strolling, lingering, for stories. Entering the center ultimately changes the focus. Concentrating on space and exhibition, one finds Aicher as a designer and a person, between nettles and a large opening that frames the sky.

展览和建筑根据它们被体验的光线而改变。在暮色中，在阳光下，在雨中：它们是不断变化的，总是开放的。没有入口，没有门，没有光，没有屋顶。在半年的时间里，对每个人都是如此。

Exhibitions and architecture change based on the light in which they are experienced. In the twilight, in the sunshine, and in the rain: they are ever-changing and always open. There is no entrance, no door, no light, no roof. For half a year, for everyone.

Architects: Atelier Sunder-Plassmann, Schnell&co architekulabor
Area : 55 m²
Year : 2022
Photographs :Mikael Blomfelt
Lead Architects : Malte Sunder-Plassmann ( Atelier Sunder-Plassmann) ; Lenz Schnell (schnell&co)
City : Breggia
Country : Switzerland