这个项目是一些无意识与大量钦佩混合的结果。无意识来自于客户方面，Can Kenji团队的Neus和Kenji，将他的新日本餐厅 “居酒屋 “委托给一个从未设计过餐厅，甚至没有去过日本的团队。钦佩的是我们对一个未知的文化，因为钦佩。
This project is the result of some unconsciousness mixed with a lot of admiration. The unconsciousness came from the side of the clients, Neus and Kenji of Can Kenji team, commissioning his new Japanese restaurant “izakaya” to a team that had never designed a restaurant and not even been in Japan. The admiration is ours to a culture as unknown as admired.
哪一个是我们的日本？电子游戏和东京的灯光，弗兰克-劳埃德-赖特的日本，在爱的情绪中，他们令人钦佩的传统是定期重建一些寺庙，以保留其感官的触觉和嗅觉，杉本的房子，当然还有谷崎的《赞美》。
Which one is our Japan? The one of the videogames and the lights of Tokio, the Japan of Frank Lloyd Wright, in the mood for love, their admired tradition of periodically rebuilt some temples to preserve the touch and smell for its sensorial perception, the House of Sugimoto and of course In Praise with Shadows of Tanizaki.
所有这些，没有任何秩序或野心，与Peter Zumthor的Atmospheres的健康痴迷相结合，最终成为AIUEnO。
All of that, without any order or ambition, joint to a healthy obsession for the Atmospheres of Peter Zumthor had end to be AIUEnO.
后来，从街道到内部的85厘米的跳跃，这时厕所开始发挥优势，几乎从底部空间移动到前面，承担了餐厅的寓意和光线的突出，同时提供了必要的可及性。
Later came the 85cm jump from the street to the inside, that’s when the toilets started to play making a virtue of disadvantage moving from almost the bottom space to the front assuming the allegorical and light prominence of the restaurant and at the same time providing the essential accessibility.
这些材料是什么？橡木、正字、地毯而不是榻榻米、陶瓷和灯光，比灯光更闪耀……在不同的高度上，在整个空间内如此地跳舞，有金色的反射和深蓝色的主体，几乎是黑色。
The materials? Oak, the Shōji, carpet at the expense of tatami, the ceramic and the lighting, of shines more than lights… insinuations dancing so quite all over the space, at different highs, with golden reflections and a dark blue body, almost black.
座位有两个，第一个是全景式的对角线，朝向另一个，从视觉上连接了之前的分离；还有两个桌子，一个是受保护的（几乎是隐藏的），另一个是共享的，有13条腿，以备不时之需。
To seat down 2 bars, the first one panoramic in descending diagonal towards the other one, connecting visually what the preexistence separated; and 2 tables, one protected (almost hidden) and the other shared, with 13 legs just in case.
但直到开幕前一个月，当Kenji和他的团队在塑料薄膜后面的厨房里，我们才回到了我们的地方。AIUEnO的艺术发生在火堆之间，我们刚刚在他的菜肴的令人愉快的质量周围建立了空气。祝你胃口好… Itadakimasu!
But it wasn’t til 1 month before the opening, when Kenji and his team castled inside the kitchen behind a plastic membrane, that we returned to our place. The art of AIUEnO happens between fires and we have just built the air around the delightful quality of his dishes. Bon Appétit… Itadakimasu!
Architects: MIEL Arquitectos
Area : 75 m²
Year : 2015
Photographs :Asier Rua
Constructor : GRUPBCN SL
City：BARCELONA
Country：Spain