作为一个拥有世界上最多穆斯林的国家之一,伊斯兰教在印度尼西亚的发展经历了广泛的历史。伊斯兰教在该国的发展至今,受到影响的事情之一是印度尼西亚传统文化的影响,使礼拜场所的建筑风格变得丰富多彩。位于西爪哇Jatinangor的Al Huda清真寺是新设计的清真寺之一,它代表了当地的历史价值。

As a country with one of the largest numbers of Muslims in the world, the development of Islam in Indonesia emerges through an extensive history. One of the things that have been affected by the coming of Islam in the country until now is the development of the lush architecture of houses of worship as the result of Indonesian traditional culture exposure. One of the newly designed mosques that represent vernacular historical values is Al Huda Mosque in Jatinangor, West Java.

从一开始,清真寺的主人就表达了他的愿望,希望这个项目能够成为一个能够在这样一个人口密集的地区容纳宗教活动的地方。此外,这座以前具有业主家族历史价值的清真寺有望成为该地区的新标志。胡达清真寺的设计承诺来作为一个舒适的礼拜场所的绿洲。这些设计都是全新的,但其中大部分都保留了原有的形式。这座建筑没有采用一般清真寺所特有的圆顶形状,而是采用了19世纪前印尼清真寺所采用的设计。这个设计当然反映了当时爪哇或印尼传统清真寺设计的一个常见例子。

From the beginning, the owner of the mosque expresses his aspiration for this project to become a place that can accommodate religious activities in such a highly-populated area. Furthermore, the mosque which previously had historical values of the owner’s family is expected to become a new icon in the area. The design of the Al Huda Mosque undertakes to come as an oasis of a comfortable house of worship. The designs are brand-new, but most of them are preserving their original form. Instead of adopting the dome shape that is the characteristic of mosques in general, this building adopts a design that was applied to Indonesian mosques before the 19th century. The design certainly reflects a common example of the traditional Javanese or Indonesian mosque design at that time.

这座建筑呈方形,有一个叠加或重叠的热带屋顶。这种屋顶显示出与爪哇和巴厘岛的印度佛教文明的木结构有许多相似之处。屋顶结构的设计是越高越小,这意味着信仰、伊斯兰和卓越。这座清真寺建筑的正面、背面和侧面提供了一个长廊,以应对热带气候,在需要时也可以作为祈祷区。外墙隔断图案上的现代书法使这个区域发挥了重要作用,成为引导游客进入清真寺内的墙壁。

This building has a square shape with a stacked or overlapping tropical roof. This roof shows numerous similarities to the wooden structures of the Hindu-Buddhist civilizations in Java and Bali. The design of the roof structure is the higher the smaller, which means Faith, Islam, and Excellence. The front, back, and sides of this mosque building provide a veranda to deal with the tropical climate that can also function as a prayer area when needed. The presence of modern calligraphy on the facade partition pattern makes this area play a significant role as a wall that guides the visitor to enter the area inside the mosque.

宁静祥和的内部环境–一楼的祈祷室由一堵墙引导,墙边是一个反光的水池。水具有给建筑空间带来安宁的力量,被应用于这座清真寺。沐浴区是开始祈祷的主要部分,它也面临着一个大的玻璃砖墙,可以用自然光照亮房间,但保持人们的隐私。二楼的祈祷室内部采用了暴露房间的宏伟设计,该设计有三个屋顶结构,高度可达10米。在米哈伊拉墙上,还直观地展示了阿斯玛尔-胡斯纳的99个现代书法格子,创造了一个宏伟的空间,激发了更有价值的精神体验。

Serene And Peaceful Interior – The prayer room on the first floor is directed by a wall cantered on one perspective point which is bordered by a reflective water pool. Water which has the power to give tranquillity to the architectural spaces is applied to this mosque. The ablution area which is the main part to start the prayer is also faced with a large glass block wall that can illuminate the room with natural light, but keep the people’s privacy. The interior of the prayer room on the second floor uses a design that exposes the grandeur of the room which is designed with three roof structures with a height of up to 10 meters. On the mihrab walls, there is also a visual display of 99 modern calligraphy grids of Asmaul Husna, creating a magnificent space to stimulate a more valuable spiritual experience.

材料和施工过程的挑战 – 胡达清真寺使用当地的砖、柚木和卵石与赤土相结合。这些材料大多来自旧清真寺被拆除时的废墟,目的是为了让旧建筑的情感价值在新的形成中仍然存在。在实施过程中,这座清真寺的建设过程与COVID-19大流行病的爆发同时进行。因此,在设计上做了一些调整,比如洗手设施的安装,后来被设计成一个单元,并在进入建筑前的区域增加了洗浴设施。这是为了遵守预定的卫生协议而做出的反应,也是入口处立面的一个独特的设计产品特征。总的来说,胡达清真寺的设计旨在将传统的元素和价值与现代的建筑理念相结合,创造出一个现代的清真寺设计。

Materials And Construction Process Challenges – Al Huda Mosque uses local bricks, teakwood, and pebbles combined with terracotta. Most of these materials are from the ruins of the old mosque when it is demolished with the aim that the sentimental value of the old building is still present in the new formation. In its implementation, this mosque construction process took place at the same time as the outbreak of the COVID-19 pandemic. Therefore, there were several design adjustments, such as the handwashing facilities installment which was then designed to be integrated into a single unit with additional ablution facilities in the area before entering the building. This is a response to comply with the predetermined health protocol and is a unique design product feature of the entrance facade. Overall, the design of the Al Huda Mosque is intended to combine traditional elements and values with a modern building philosophy to create a contemporary mosque design.

Architects: JXA Studio
Area : 1603 m²
Year : 2021
Photographs :KIE
Manufacturers : Arturo Flakes Multicolor, Cisangkan Roof, Conwood, Jayaboard Gypsum, Niro Granite Indonesia
Lead Architect : Ruky Rukmono
General Contractor : Estatura.id
Project Managers : Egi Restiadi
Structure Engineers : Utep Rahmat
Landscape : JXA Studio
City : Jatinangor
Country : Indonesia