碳中和的真实性 – Âpé烤鸡酒吧试图为标准化的、21世纪初的租借外壳提供真实性，这是一种普遍存在的、经常具有挑战性的类型，今天在我们的城市中占主导地位。Yakitori，字面翻译为烤鸟，仍然是最传统和最有效的烹饪做法之一。鸡肉、动物或蔬菜（在其现代解释中）的每个部分都被利用，从心脏到大腿、肝脏和脖子。这是一种解构的行为，以不浪费的方式将各部分组成。

Carbon Neutral Authenticity – Âpé Yakitori Bar attempts to provide authenticity to a standardized, early 2000s tenancy shell, a prevalent and often challenging typology that today dominates our cities. Yakitori, literally translated as a grilled bird, remains one of the most traditional and efficient practices of cooking. Each individual part of the chicken, animal, or vegetable (in its modern interpretation) is utilized, from the heart to the thigh, liver, and neck. It is the act of deconstruction to base constituent parts without wastage.

Âpé，在古代阿伊努语中是火的意思，是一个围绕基础的设计，构成元素是碳中性或负性的，设置在一个发光的钠橙色环境中，是对传统的阿伊努日本家庭的核心、炉灶和纽卡斯尔港口的钠灯光芒的点头。在以前的项目中与该客户合作，如SUSURU，我们获得了控制项目中所有资本的机会。为此，我们对该项目的规范成为一种资助机制，以支持早期的、创新的材料制造商创造碳负性材料。该项目的财富被输送到开发或供应作为生物修复、碳封存和/或循环经济一部分的材料的公司。

Âpé, which is ancient Ainu Japanese for fire, is a design predicated around the base, constituent elements, that are carbon neutral or negative, set within a glowing sodium orange setting, a nod to the heart of a traditional Ainu Japanese home, the hearth, and the glow of sodium lights along the harbor of Newcastle. Having worked with this client on previous projects, such as SUSURU, we were afforded the opportunity to control all capital within the project. To that end, our specification for the project became a funding mechanism to support early-stage, innovative material fabricators creating carbon-negative materials. The wealth of the project was channeled into companies developing or supplying materials that exist as part of bioremediation, carbon sequestration, and/or the circular economy.

指定的材料的一个缩影是。

菌丝体，生长在农工业副产品和废料上，作为生物修复过程的一部分，被塑造成隔音板。来源于Mogu。
从废弃的菠萝叶中提取的纤维素纤维，在生长过程中从大气中封存碳，同时防止碳的进一步释放，否则菠萝叶会被烧毁，被制作成 “皮革 “包覆的长椅和品牌资产。来源于Piñatex。
橡胶木，作为采伐橡胶的废弃副产品，扩大了材料的生命周期，从大气中封存碳，同时防止通常通过燃烧木材发生的碳释放。用于家具。
碳中性石头，由切割多达20种天然石头产生的灰尘副产品制成，用于表面。
现有的蒸压加气混凝土经过轻度打磨或保持原状，未完成，防止了进一步的材料采购，同时减少了用于墙面的建筑垃圾。

A snapshot of materials specified were:

Mycelium, grown on agro-industrial by-products and waste material, as part of the bioremediation process, fashioned as acoustic panels. Sourced from Mogu.
Cellulose fibre extracted from waste pineapple leaves, sequestering carbon from the atmosphere during growth, whilst preventing further release of carbon where the leaves would have otherwise been burnt, fashioned as a “leather” clad bench seat and branding assets. Sourced from Piñatex.
Rubberwood, sourced as the discarded by-product of the harvesting of rubber, expanding the material life cycle, sequestering carbon from the atmosphere, whilst preventing carbon release that would usually occur through the burning of the timber. Utilised for furniture.
Carbon-neutral stone, made from the dust by-product produced by the cutting of up to 20 various natural stones, utilized for surfaces.
Existing autoclaved aerated concrete lightly sanded or left in its as-found state, unfinished, preventing further material resourcing, whilst mitigating construction waste utilized for walling.

这些非常基本的元素材料，从菌丝体到纤维素纤维，自豪地坐在一个暴露出过去的租约的外壳中。电线、管道、油漆和服务仍然暴露在外，不仅显示了技术空间的内部运作和相邻的租户，而且还加强了坐在曾经是一个非常工业化的城市中。这也减轻了不可持续的、无菌的感觉。利用材料来覆盖和隐藏的方法。

These very base element materials, from mycelium to cellulose fiber, sit proudly in a shell that exposes the tenancies of the past. Wires, pipes, paint, and services remain exposed, to not only show the inner workings of technical space and tenancies adjacent but also to reinforce sitting within what was once a very industrial city. This also mitigates the unsustainable, sterile. The approach of utilizing material to cover and hide.

就像火是原料和食物之间的催化元素一样，我们用发光的主要形式夸大了租户外壳的比例，它包含并综合了空间内的所有元素。我们的目标是让Âpé的设计提供一个有凝聚力的、真实的空间，强调材料碳中和的重要性，强调我们的祖先对可持续发展的教导，以及总的来说，对居住的积极体验。

Like fire being the catalyzing element between ingredient and meal, we exaggerate the proportion of the tenancy shell with primary forms that glow, which encompass and synthesize all elements within the space. Where ingredient becomes meal becomes sustenance, it is our aim that Âpé’s design provides a cohesive, authentic space that highlights the importance of material carbon neutrality, teachings of sustainability from our ancestors many times removed, and overarchingly, a positive experience for inhabitation.

Architects: Prevalent
Area : 200 m²
Year : 2022
Photographs :Jan Vranovský
Manufacturers : Piñatex, Mogu, NewMat
Lead Architect : Ben Berwick
Builder : Scope Commercial Construction
Mechanical Engineers : Marline
Acoustic Engineers : Spectrum Acoustics
Student Of Architecture : Josh Healey
Signage : Domus Vim
City : Newcastle
Country : Australia