总部位于圣保罗的Pascali Semerdjian Arquitetos对公寓装修并不陌生，他们最近完成了一个项目，为他们所在城市最标志性的住宅楼之一。这座住宅位于圣保罗的一座20世纪60年代早期的公寓楼内，它们更新了其中世纪的现代主义，体现了当代优雅的审美和业主的个性。
进入公寓后，您会看到一个小的，特殊的前庭剥落的油漆，裸露的砖墙和街头艺术家如BLU和Interesni Kazki的古怪艺术品，渲染出波西米亚风格的城市氛围，圣保罗精致现代主义充当过道之间的过渡空间。

São Paulo based Pascali Semerdjian Arquitetos are no strangers to apartment renovations having recently completed a project for one of the most iconic residential building in their city. For this residence, which is located in an early 1960s apartment building in São Paulo, they have updated its mid-century modernism to reflect both an aesthetic of contemporary elegance and its owners’ personality.
Upon entering the apartment, you are greeted by a small, idiosyncratic vestibule of peeling paint, exposed brick walls and quirky artwork by street artists such as BLU and Interesni Kazki that elicits a bohemian, urban vibe, serving as a transitional space between the chaotic streets of Sao Paulo and the refined modernism of the rest of the interiors.

公寓的核心是开放式起居室，设有休息室，电视室，用餐区和厨房，布局需要拆除几面墙。为了在不牺牲其开放性的情况下将厨房区域与其他空间区分开来，建筑师们使用了颜色和纹理，切断了镶木地板，并用延伸到墙壁和天花板的小六角形白色瓷砖代替了厨房。全白色橱柜和电器从视觉上更加放大了空间。
在客厅的一侧，一个极简设计的定制书柜展示了业主的文学和艺术收藏。由非常薄的金属板制成，漆成白色，货架沿着墙壁延伸，只是被门打断，两个木制壁龛形状像亚美尼亚教堂的窗户，如苏联导演谢尔盖帕拉亚诺夫在亚美尼亚的电影中所描绘的那样“ 石榴的颜色 “，暗指业主的遗产。

The apartment’s core is the open-plan living room with serves as lounge, TV room, dining area and kitchen, a layout that required several walls to be torn down. In order to delineate the kitchen area from the rest of the space without sacrificing its openness, the architects have used colour and texture, cutting off the parquet flooring, and replacing it with small hexagonal white tiles that extend to the walls and ceiling enveloping the kitchen’s notional volume. The all white cupboards and appliances amplify the visual separation even more.
Taking over one side of the living room, a bespoke bookcase of minimal design showcases the owners’ literary and artistic acquisitions. Made out of very thin metal sheets and painted white, the shelves stretch along the length of the wall only to be interrupted by the door and two wooden niches shaped like Armenian church windows as portrayed in Soviet director Sergei Parajanov’s Armenia-based film “The Colour of the Pomegranate”, an allusion to the owners’ heritage.

在空间的另一侧，建筑师设计了一个细长的大理石和木材互锁体积控制台，并在天花板下方悬挂着较小的版本。控制台的设计，纯粹的中世纪现代主义，反映了这个房间的家具选择的流行美学。这些设计师的选择包括Hans Wegner的灰色Papa熊椅，白色的B runo Mathsson的Pernilla椅，Frederik Kayser的Rocking Chair和Peter Hvidt的Minerva Coffee Table。由建筑师与ETEL Interiores合作设计的云启发式软垫沙发作为补充以及来自巴西艺术家和日本摄影师的作品，生活空间将怀旧与现代融为一体。
客厅的简约和折衷主义感受延伸到卧室的室内设计，其中包括独特的带衬垫皮革床头板，悬浮式床头灯和金属支架上的两块石板。

On the other side of the space, the architects have designed a slim console of interlocking volumes of marble and wood with a smaller version hanging below the ceiling. The console’s design, pure mid-century modernism, reflects the prevailing aesthetic of the furniture selection for this room. With a clear preference for mid-century Scandinavian designers, the designers’ picks include Hans Wegner’s Papa Bear Chairs in grey, Bruno Mathsson’s Pernilla Chair in white, Frederik Kayser’s Rocking Chair andPeter Hvidt’s Minerva Coffee Table. Complemented by a cloud inspired padded sofa designed by the architects in collaboration with ETEL Interiores, and artworks from Brazilian artists and Japanese photographers, the living space eclectically merges the nostalgic and the contemporary.
The minimal and eclecticism sensibility of the living room extends to the bedroom’s interior design that features a distinct padded leather headboard, suspended bedside lamps, and two stone slabs on metallic supports that the architects designed as night stands, exemplifying their unique design perspective.

Design studio : Pascali Semerdjian Arquitetos
Photography: Ilana Bessler
yaer:2015