物体和多重–‘AWESOME185’有一个个人成功的形象。这片土地曾经是一个偏远而不利的地区。然而，釜山海云台的神话已经逐渐扩大，这个地方也成为釜山Centum City的入口。住宅区最大的制约因素是拥有阳光的权利。建筑师们明智地考虑这种拥有阳光的权利，以找到形状和建筑的实用性。AWESOME185 “项目也试图克服拥有阳光的权利、道路和特殊情况（山、Centum 2区的发展）。
Object and Multiple – ‘AWESOME185’ has an image of individual success. The land was once a remote and unfavorable area. However, the myth of Haeundae in Busan has gradually expanded, and this place has also become the entrance to Centum City in Busan. The biggest constraint in residential areas is the right to have sunlight. Architects consider this right-to-have-sunlight wisely to find the practicality of shape and architecture. The project ‘AWESOME185’ also sought to overcome the right-to-have sunlight, roads, and special circumstances (mountain, development of Centum 2 district).
虽然’AWESOME185’是一个公司建筑，但直接作为公司建筑使用的空间不应该很大。这是因为客户的需求是要比作为公司大楼的空间有更多的租赁空间。然而，办公大楼的形象不能被放弃。公司大楼的入口和使用应该与租赁大楼不同。所以，创造一个特殊的入口方式，让每一层的空间和体量形象尽可能地显示出每个租赁空间的个性，已经成为一个起点。
Although ‘AWESOME185’ is a company building, the space used directly as a company building should not be very large. This is because the client’s demand was that there would be more rental space than the space used as the company building. However, the image of the office building could not be abandoned. The entrance and use of the company building should be different from the rental building. So, creating a special entry method and allowing the space and volume images of each floor to reveal the individuality of each rental space as much as possible has become a starting point.
入口是侧向的，低矮的墙和建筑形成一个缺口。穿过入口，到达主大厅，有一个院子，院子里有一棵大树。这就是这片土地的中心。建筑的使用者每天都可以看到树、外太空和建筑的和谐。
The entrance is sideways, and the low wall and building create a gap. Passing through the entrance and reaching the main lobby, there is a courtyard with a large tree. This is the center of this land. Users of the building can see the harmony of the tree, outer space, and building every day.
每个物体都是开放的，可以有多个，而且这些物体必须能够转化为某人的定制空间。所以，我把空间分成箱体，并把它们堆起来，扭曲，把外部空间（露台）放在中间。这也是一种 “间隔 “的方式。就像一个公司的主要业务（送货、物流）的形象一样，箱状物的堆积已经成为建筑的形象，并以区别于周围区域的体量来完成。这种方法也是回应阳光权的有用方法，与周围环境相区别，并确立了自己作为引领未来发展的建筑。
Each object was open to multiple, and the objects had to be able to be transformed into someone’s customized space. So, I divided the space into boxed masses, and piled them up and twisted and put the outer space (terrace) in between. This was also a way of ‘Spacing’. Like the image of a company’s main business (delivery, logistics), the accumulation of boxed mass has become an image of the building and is completed with a volume differentiated from the surrounding area. This method was also useful as a way to respond to the right-to-have sunlight, was differentiated from the surroundings, and established itself as an architecture leading to future development.
Architects: Architects Group RAUM
Area : 524 m²
Year : 2021
Photographs :Yoon Joon-hwan
Manufacturers : Bosung Stone, Hyundai L&C, Sun Auto Door, Taekwang Door
Partner Architect : Jeongmin No
Design Team : Shin An, Seongchul Yu, Jeongok Yoon, Jien Kwak, Dayeong Kim, Ahyun Im, Jiyeon Cheon, Yena Kim, Yujin Choi, Eunji Go
City : Haeundae
Country : South Korea