该干预项目旨在将巴塞罗那c/Trafalgar的一个现有空间改造成一个展览馆，将该空间理解为一个记忆的地方，其中所有的元素（大陆和展览内容）在时间上作为可逆和可变的覆盖物。
The intervention aims to transform a pre-existing space into an exhibition gallery on c/Trafalgar in Barcelona, understanding the space as a place of memory, where all the elements (continent and exhibition content) act as reversible and mutable overlays in time.
该项目被设想为一个随着时间推移的开放性转变过程，第一阶段从根本上质疑白立方的格式，并邀请人们思考当代展览空间应该是什么样子。因此，该提案试图创造一个特定的场地–远离一个通用的白色信封–包括场地的痕迹和记忆，避免以一种珍贵的方式对待现有的。
The project is conceived as an open transformation process over time, the first phase radically questions the format of the white cube, and invites to reflect on what a contemporary exhibition space should look like. The proposal, therefore, seeks to create a specific site – away from a generic white envelope – including traces and memory of the site, avoiding treating the existing in a precious way.
为了回应这种将展览空间作为永久转变中的叙事场所的想法，我们选择了技术和规范解决方案的物质性和文学性，以一种直接和明确的方式呈现，从而使建筑项目的过程可见和有意义。空间的表现力和它的身份是作为对现有法规和必要的建筑过程的回应而呈现的。
Responding to this idea of exhibition space as a place of narrative in permanent transformation, it has been chosen that the materiality and literality of the technical and normative solutions, is presented in a direct and explicit way, thus making visible and meaningful the processes of the architectural project. The expressiveness of the space and its identity is presented as a response to existing regulations and the necessary construction processes.
所有的元素都遵循这一逻辑，并反过来可逆性，出现在其建设性的裸体中。火灾保护是在用石膏板建造的涂料中具体化的，目的是为了留下它自己的物质性。这使现有的柱子保持完整，随着时间的推移受到保护和封装。照明系统也引入了自己的形式逻辑，与现有的指导方针保持距离，其余的元素看起来像现成的，与现有的对话，等待新的痕迹和 “空间重叠 “的使用，就像一个调色板。
All the elements follow this logic and in turn of reversibility, appearing in its constructive nudity. Fire protection is materialized in the construction of coatings with gypsum panels intended for this purpose, leaving its own materiality. This keeps the existing columns intact, protected and encapsulated over time. The lighting system also introduces its own formal logic by distancing itself from the existing guidelines, the rest of the elements appear as ready-made in dialogue with the existing one waiting for new traces and uses of the ‘space overlap like a palimpsest.
Architects: MAIO
Area: 110 m²
Year: 2019
Photographs: José Hevia, Aleix Plademunt
Principals:Anna Puigjaner, Maria Charneco, Guillermo Lopez, Alfredo Lérida
Team:Simone Marcolin, Giulia Balconi, Martí Amargós
Client:Dilalica
Structure:Oriol Palou
City:Barcelona
Country:Spain