这是一个连续视频投影的房间，用于记录Christian Boltanski在阿塔卡马沙漠中制作的一个巨大但脆弱的装置。这个雕塑作品有两个同心圆柱体和两个隧道状的延伸部分，意在侵蚀它自己的形象，以重新演绎一个内在的景观。它是一个光线昏暗、不透明的无缝室，足够粗糙，以便唤起原来记录装置的遥远地方。
This is a room for a continuous video projection, for the documentation of a monumental but fragile installation made by Christian Boltanski in the Atacama Desert. With two concentric cylinders and two tunnel-like extensions, this sculptural piece is meant to erode its own figure in order to re-enact an inner landscape. It is a dimly lit, opaque and seamless chamber, rough enough so as to evoke the original distant place where the installation was recorded.
事实上，最小的圆柱体的半径是由一个微调的设备和沉浸在投影图像中的观察者的精确距离来定义的。另一个圆柱体，作为从外到外的可逆路径的结果，可能被解读为记录的景观投射在内部角落的遗留物。在某种程度上，很难理解一个小建筑如何能在其适度的内脏中包含一个巨大的景观。在这里，看似对周围花园的防御性姿态，其实不过是现实与虚构之间狡猾而短暂的重叠的避风港。
The radius of the smallest cylinder is, in fact, defined both by a fine-tuned equipment and by the precise distance of an observer immersed in the projected image. The other cylinder, as a consequence of the reversible path to go from outside to outside, might be read as a leftover of the inner corner in which the recorded landscape is projected. It is somehow difficult to understand how a small building can contain a massive landscape in its modest entrails. Here, what seems to be a defensive gesture towards the surrounding garden is no other than a haven for the devious and fleeting overlap between reality and fiction.
Architects: Pezo von Ellrichshausen
Area : 50 m²
Year : 2017
Photographs :Pezo von Ellrichshausen, Marc Domage
Collaborators : Diego Perez, Teresa Freire, Shota Nemoto
Authors : Mauricio Pezo, Sofia von Ellrichshausen
Constructor : Jacky Cremona, So.Ré.Bat S.A.
Client : Christian Boltanski
Production : Solo Galerie, Christian Bourdais, Eva Albarran
City : Vitry-sur-Seine
Country : France