由Florian Idenburg和Jing Liu以及艺术家Sebastiaan Bremer策划,在Storefront for Art and Architecture的蓝图邀请艺术家和建筑师通过蓝图这一媒介来思考起源这一主题。蓝图的概念–一种令人怀念的媒介–意味着一种计划和意图。该展览是对过去的评估,并提出了未来的发展轨迹。

Curated by Florian Idenburg and Jing Liu, and artist Sebastiaan Bremer, Blueprint at Storefront for Art and Architecture invited artists and architects to reflect on the theme of origination through the medium of the blueprint. The notion of the blueprint – a nostalgic medium – implies a plan and intention. The show is an assessment of the past and suggests a trajectory for the future.

作为展览的一部分来实现,我们的装置将画廊的外墙收缩包裹起来,将Holl-Acconci的外表变成一个连续的、起伏的表面。由此产生的内部空间为观众提供了一个亲密的空间,让他们看到艺术家的思想。

Realized as part of the exhibition, our installation shrink-wraps the gallery’s façade of varied and irregular openings, transforming the Holl- Acconci exterior into one continuous and undulating surface. The resulting interior provides an intimate space for the viewer to see the mind of the artist.

对于这个装置,我们挪用了一种 “搁置 “技术。这种 “把东西收起来 “的技术通常用于一系列的应用,从暂停建筑工地上的工作到保存船只和坦克。在《蓝图》中,我们用这种技术来重新评估 “店面 “建筑的初衷:一个公共领域的激活者和煽动者。与其说是保护,不如说这种收缩膜重新激活了现有的Holl-Acconci装置,并揭示了其可渗透皮肤背后的活动。

For the installation, we appropriated a “mothballing” technique. The technique to “put things away” is typically used in a range of applications from suspending work on construction sites to preserving ships, and tanks. For Blueprint, we use the technique to reevaluate the original intent of the architecture of Storefront: an activator and agitator of the public realm. Rather than conserve, this shrink-wrap reinvigorates the existing Holl- Acconci installation and reveals the activities happening behind its permeable skin.

Architects: SO-IL
Area : 80 m²
Year : 2015
Photographs :Iwan Baan
Collaborators (Fabrication Consultant) : Atlantic Shrinkwrap, Dustin Hoover
Client : Storefront for Art and Architecture
Team : Florian Idenburg, Max Hart Nibbrig
City : New York
Country : United States