在Therme Vals完成一年后,著名的极简主义建筑师Peter Zumthor完成了布雷根茨艺术馆的设计。位于奥地利布雷根茨的Kunsthaus博物馆总是处于不断变化的状态,总是改变其展览空间以适应国际当代艺术。Zumthor的极简主义设计使其空间与展览中的艺术相适应,创造了艺术与建筑之间共存的关系,并重新定义了这种关系。

A year after the completion of Therme Vals , renowned minimalist architect, Peter Zumthor completed the design of Kunsthaus Bregenz . The Kunsthaus museum in Bregenz, Austria is always in a constant state of flux always changing its exhibition spaces to accommodate international contemporary art. Zumthor’s minimalist design adapts its spaces to the art that is showcased in its exhibits creating a coexisting and redefining relationship between art and architecture.

布雷根茨艺术馆的永久收藏有两个主要原则:艺术建筑档案和当代艺术收藏,这与不断变化的展览空间相辅相成。博物馆努力成为艺术与建筑的交汇点,向文化和国际影响开放。
“艺术博物馆矗立在康斯坦茨湖的灯光下。它由玻璃和钢材以及浇筑的混凝土石块组成,赋予了建筑内部的质感和空间构成。从外面看,这座建筑就像一盏灯。它吸收了天空、湖面的霞光变化,它根据视线角度、日光和天气的变化,反射出光线和色彩,并给人以内在生命的暗示。” – Peter Zumthor

The Kunsthaus Bregenz has two main principles to their permanent collection: archives of art architecture and a collection of Contemporary art, which complements the changing exhibition spaces. The museum strives to be the intersection of art and architecture that opens itself to culture and international influence.
“The art museum stands in the light of Lake Constance. It is made of glass and steel and a cast concrete stone mass which endows the interior of the building with texture and spatial composition. From the outside, the building looks like a lamp. It absorbs the changing light of the sky, the haze of the lake, it reflects light and colour and gives an intimation of its inner life according to the angle of vision, the daylight and the weather.” – Peter Zumthor

极简主义的结构就像一个灯箱,吸收、反射和过滤整个外墙和整个建筑的光线。 当阳光或室内照明照亮外墙时,外墙蚀刻的半透明玻璃会发光,成为建筑的一个动态部分,因为它根据光线、时间、天气和周围的环境做出不同的反应。

The minimalist structure stands as a light box that absorbs, reflects, and filters light across the façade and throughout the building. The facades etched, translucent glass glows as it is illuminated by the sunlight, or the interior lighting, becoming a dynamic part of the building as it reacts differently according to the light, time of day, weather, and the surrounding context.

玻璃幕墙所捕捉到的光线通过一个采光罩过滤,采光罩捕捉并分布在画廊空间中。 光源在画廊空间内创造了大气条件,与外部有条件的关系,反之亦然。

The light that is captured by the glass façade gets filtered through a light plenum that catches and distributes the light through the gallery spaces. The plenum creates atmospheric conditions within the gallery spaces that have a conditional relationship with the exterior, and vice versa.

博物馆的内部与外部的简洁和极简主义美学相得益彰。 画廊空间由材料组成,设计简约,但在细节和气氛条件上效果显著。 墙面和地面是由抛光混凝土制成,而过滤了来自羽管的光线的天花板则是由磨砂玻璃制成。 室内的基本材料给画廊空间带来了一种质朴、冷峻的感觉,这对容纳空间内工作的艺术作品是有效的。 当光线从顶棚进入时,抛光的混凝土仿佛被冲刷掉,让封闭的画廊充满了光线。

The interior of the museum complements the exterior simplicity and minimalist aesthetic. The gallery spaces are composed of materials that are minimal in design, but highly effectual in detail and atmospheric conditions. The walls and floor are made of polished concrete, and the ceiling, that filters the light from the plenum, is made of frosted glass. The basic materials of the interior give the gallery spaces a stark, cold feeling that works to accommodate the art working in the space. When the light enters through the plenum, the polished concrete seems to dematerialize and wash away allowing for the closed off galleries to become flooded with light.

室内设计是艺术和建筑之间的融合,虽然在材料和构图上有很大的不同,但漫射的自然光和中性的材料调色板的混合组合,共同构成了一个当代艺术博物馆,在这里,艺术和建筑都不会掩盖其他。

The interior works as a fusion between art and architecture that although extremely different in materiality and composition, the mixture of combination of diffused natural light and the neutral material palette come together cohesively as a contemporary art museum where art nor architecture overshadow the other.

建筑结构是极简主义的,只有三面墙支撑着博物馆和所有的楼板。 三面混凝土墙围住了画廊空间,并将流通空间分割到建筑的周边,创造了一个隐蔽和开放的建筑。

The buildings structure is minimalist and reductive in the sense that only three walls support the museum and all of its floor plates. The three concrete walls enclose the gallery spaces and section off the circulation spaces to the perimeter of the building creating a building of seclusion and openness all in one.

与Therme Vals一起,布雷根茨艺术馆将彼得-祖姆托尔推到了建筑极简主义的最前沿,同时也是建筑学科的主导创作力量。

Along with Therme Vals, the Kunsthaus Bregenz put Peter Zumthor at the forefront of architectural minimalism, as well as a dominant creative force in the discipline of architecture.

建筑师:Peter Zumthor
年份:1997年
照片:Flickr User: Kradeki, Flickr User: mightymightymatze, Courtesy of Wikimedia Commons
城市:BREGENZ
国家:奥地利
Architects: Peter Zumthor
Year: 1997
Photographs: Flickr User: Kradeki, Flickr User: mightymightymatze, Courtesy of Wikimedia Commons
City: BREGENZ
Country: Austria