就像奏鸣曲形式，一种由变奏组成并以尾声结束的音乐结构，人通过不可避免的死亡之路意识到生命的有限性。如果把死亡作为生命循环的一个自然和必要的部分来拥抱，我们就可以理解，拥抱死亡的建筑实际上是在模仿生命。
Like the sonata form, a musical structure consisting of variations and ending with a coda, men become aware of the finite life through the unavoidable path towards death. If death is embraced as a natural and essential part of the cycle of life, we can understand that architecture embracing death in fact imitates life.
为了在感受自己的精神存在的同时让人回忆起美丽的分手，有必要保持静止。通过让和平进入静谧的空间，参观者将感受到天空和光、风和水。我们将通过在拥抱死亡的空间内增加感官，感受到与生命境界的联系。
To bring recall the beautiful breakup while feeling one’s spiritual existence, it is necessary to maintain stillness. By allowing peace to enter the tranquil space, visitors will feel the sky and light, wind, and water. We will feel connected with the realm of life through the addition of the senses within the space that embraces death.
这个项目位于公墓的中心，是一个被小型墓群包围的室外炭疽房。8个炭疽房被放置在2个院子之间，以帮助我们花时间观察和放松。通过创造一个熟悉的规模空间与陌生的进口石头的感觉，预计将创造一个亲密和陌生的印象。
This project, located in the center of the cemetery, is an outdoor charnel house surrounded by a small tomb complex. 8 charnel houses are placed in between the 2 courtyards to help us take time to observe and relax. By creating a familiar scale space with an unfamiliar sense of imported stones, it is expected to create an impression of intimacy and unfamiliarity.
围绕着骨灰盒的自然界只能在墙壁上方观看。因此，可以感觉到存在于我们周围的元素：广阔无边的天空，云的运动，以及风和水的声音。建筑体验的真实性–在感受的同时唤醒对逝者的记忆–是这个项目的目的。
The nature surrounding the ossuary can only be viewed above the walls. Therefore, the elements that exist around us can be sensed: the vast and boundless sky, movement of the clouds, and sounds of the wind and water. The reality of the architectural experience -revitalizing memories of the deceased along with the sensations- is the aim of the project.
Architects: Studiozt
Area : 1649 m²
Year : 2017
Photographs :Young Chae Park
Lead Architect : Dongwon Kim
Design Team : Mina O, Eunsun Park, Hyemin Lee
City : Seongnam-si
Country : South Korea