当我还是个孩子的时候,我抓了一些鳉鱼,把它放在水槽里。如果我现在处于同样的情况,我将由一个鱼缸。当一个鱼缸被称为鱼缸时,它将被当作鱼缸使用。这是一个简单的概念,但水槽也可以被称为鱼缸,因为它具有与鱼缸类似的功能。当你给一个物体起了一个名字,它就继承了这个名字的功能,但如果你设计一个没有名字的地方,那么它就可以通过发生的活动自由发展自己的名字。

When I was a child I caught some killifish and kept it in a sink. If I was in the same situation now I will by a fish tank. When a fish tank is called a fish tank it will be used as a fish tank. This is a simple concept, but the sink could have been called a fish tank as it had similar function as a fish tank. When you give a name to an object it inherits the function of the name, but if you design a place without a name then it is free to develop its own name by the occurring activities.

Café/day位于离静冈县沼津市火车站5分钟车程的一个安静的住宅区内。该项目是对位于一栋两层楼的底层的居酒屋(日本风格的酒吧)的两个单元进行改造。

Café/day is located within a quiet residential area five minutes from the train station of Numazu-shi, Shizuoka. The project was to renovate two units of a Izakaya (Japanese style bar) located on a ground floor of a two story building.

建筑物前面有停车场、一条道路和一所驾驶学校,感觉这条道路一直在延伸。观察驾校时,有很多黄色的汽车,甚至配置驾驶道的杆子也是黄色的。黄色是非常有影响力的,周围的特征影响了咖啡馆的设计。

In front of the building there are car parks, a road, and a driving school and it felt like the road continued forever. When observing the driving school, there were a lot of yellow cars and even the poles that configured the driving lane was yellow. The color yellow was very influential and the surrounding feature influenced the design the café.

我们的计划是通过拆除聚会墙将居酒屋的两个单元变成一个大空间,并有选择地拆除部分墙体以打开空间。柜台、照明设备和固定家具被涂成单一颜色,使其变得抽象,并从空间中抹去居酒屋的名字。唯一使用的新材料是用于地板的沥青。它被延续到店内,用白线标明室内外的界限。该咖啡馆能够将自己打造成一个真正的开放式咖啡馆。

The plan was to make the two units of Izakaya into one big space by demolishing the party wall and to selectively demolish parts of the wall to open up the space. The counter, lighting fixtures, and fixed furniture were painted a single color to make it abstract and erase the name of Izakaya from the space. The only new material that was used was asphalt for the flooring. It was continued into the shop with white lines marking the boundaries between the interior and exterior. The café was able to establish itself as a truly open café.

家具也结合了户外空间的特点。长椅的设计模仿了公共汽车站的长椅,而对于沙发,汽车座椅被修改和改变,成为了一个沙发。我们设计的空间使酒吧柜台成为书架,居酒屋本身成为一个咖啡馆,聚会、交谈和喝咖啡的活动使它更像一个咖啡馆。

The furniture also incorporates characteristics of the outdoor space. The bench was designed to mimic a bus stop bench and for the sofa, the car seats were modified and changed to become a sofa. We designed the space so that the bar counter becomes book shelves, and the Izakaya itself to a café and the activities of gathering, talking and drinking coffee made the it more like a café.

我们以一种矛盾的方式使用了名字的力量,并找到了一种新的方法,一个翻新工程的设计过程。我们想在未来的设计过程中,从没有名字开始。

We used power of names in a paradoxical manner and found a new approach, a design process in renovation works. We would like to start with no names in the process of designing in the future.

Architects: Suppose Design Office
Area : 73 m²
Year : 2010
Photographs :Toshiyuki Yano
City:NUMAZU
Country:Japan