Can Bordoy–大房子和花园–是一家拥有24个房间的小酒店，它位于马略卡岛帕尔马的历史中心，拥有一个宏伟的花园、游泳池、水疗中心和全景露台。它是对一栋2500平方米的废弃建筑进行的彻底改造，在它500多年的历史中，曾被大量干预。该物业最独特的元素之一是它的花园，不仅因为它的大小，而且因为现有植被的丰富性和古老性。该项目最重要的干预措施之一是向城市打开花园的大门，直到现在绝大多数人都不知道，并让它从入口的庭院和街道上看到。
Can Bordoy -Grand House & Garden- is a small 24 room hotel with a magnificent garden, swimming pool, spa and panoramic terrace, located in the historic center of Palma de Mallorca. It is a complete renovation of a 2,500m2 abandoned building that had been heavily intervened throughout it’s more than 500 years of history. One of the most distinctive elements of the property is its garden, not only because of its size but because of the richness and antiquity of the existing vegetation. One of the project’s most important interventions has been opening the doors of the garden, until now unknown by the vast majority, to the city and giving it visibility from the entrance courtyard and from the street.
拟议的方案旨在唤起人们对房屋而非酒店的访问体验。因此，客户不是在酒店接待处，而是在房子的入口大厅见面，我们找到的不是一个餐厅，而是一个住宅餐厅，房间和客厅就像你在老房子里找到的那些，等等。该项目谨慎地保留了在建筑中发现的浪漫和颓废的气氛，并刻意与不同时代的干预和元素形成对比。它是对现有百年建筑杂交的尊重性干预，保持了过去的痕迹，避免了虚假地恢复房子从未拥有的辉煌过去。
The proposed program is intended to evoke the experience of visiting a house more than a hotel. Therefore, rather than being at hotel reception, the clients meet at the entrance hall of the house, instead of a restaurant we find a residential dining room, the rooms, and living rooms are like those you would find in an old house, etc. The project carefully preserves the romantic and decadent atmosphere found in the building and is deliberately contrasted with interventions and elements from different epochs. It is a respectful intervention with the existing centenary architectural crossbreeding, maintaining the traces of the past and avoiding a false recovery of a glorious past that the house has never had.
灵感来自于日本传统的金杉技术–用金粉等贵重材料修复破损的古董瓷器，从而获得一个不掩盖断裂的修复件，其结果是一个可能比破损前的陶瓷更有价值的作品–该项目并不假装隐藏现有建筑的异质折衷主义，而是调和并庆祝不同层次的历史，明确强调新的干预措施，这是赋予房屋新用途所必须的。
Inspired by the traditional Japanese technique of Kintsugi – the art of repairing broken antique porcelain with a precious material, such as gold dust, and thus obtaining a repaired piece that does not hide the fracture and whose result is a piece that may have even more value than the ceramic before breaking- the project doesn´t pretend to hide the heterodox eclecticism of the existing building, but instead conciliate and celebrate the different layers of history and clearly highlight the new interventions that have been necessary to give the house its new use.
一系列的建筑策略在整个建筑中被设计和开发，作为与现有建筑对话的戏剧性和独特的当代干预措施的集合。大的天鹅绒窗帘掩盖了房间里的新浴室，创造了一个场景，浴室正好是新的场景；而不是隐藏这个新的元素，它的使用被庆祝。在底层，一条绿色的植被走廊侵入了餐厅，将花园与庭院和街道连接起来。
A series of architectural strategies were designed and developed throughout the building as a collection of theatrical and distinctive contemporary interventions in dialogue with the existing building. Large velvet curtains disguise the new bathrooms in the rooms creating a scenography where the bathroom happens to be the new set; instead of hiding this new element its use is celebrated. On the ground floor, a green corridor of vegetation invades the dining rooms connecting the garden with the courtyard and the street.
在主楼梯上，天窗被水淹没，成为一个带有透明底部的小水池，通过水创造出一种光的游戏，使楼梯充斥着腐蚀性的反射……家具是项目的一个非常重要的部分。建筑的折衷主义反映在家具的选择上，这些家具来自不同的时代和起源。古老的作品与精心挑选的现代家具共存，还有OHLAB专门为Can Bordoy设计的床和酒吧系列的定制家具。
In the main staircase, the skylight is flooded with water becoming a small pool with a transparent bottom that creates a play of light through the water, flooding the staircase with caustic reflections… The furniture is a very important part of the project. The eclecticism of the architecture is reflected in the selection of furniture with pieces from very different eras and origins. Antiquarian pieces coexist with contemporary furniture carefully selected and with bespoke furniture designed by OHLAB specifically for Can Bordoy as a collection of beds and bars.
Architects: OHLAB
Area : 2500 m²
Year :2019
Photographs :José Hevia
Manufacturers : AutoDesk, Dornbracht, Agape, Fontini, Inbani
Lead Architects : Jaime Oliver, Paloma Hernáiz
Design Team : Jaime Oliver, Paloma Hernáiz, Rebeca Lavín, Silvia Morais, Laura Colomer, Amaia Barazar, Manuela Sánchez, Lara Ortega, Eusebiu Spac, Tomislav Konjevod, Eleni Oikonomaki, Katerina Kotsampasi, Nikola Kozhuharov, Stela Dineva, Rosa Fuentes, Joana Aguilera, Amalia Stavropoulou
Clients : Mikael Hall
Structure : Hima Estructuras
Engineering : Ingenio consultores
Landscaping : Salva Cañís
Masterplan : OHLAB
Acoustic : Tafor Consulting
Archaeologist : Elvira González
Artistic Work : Pedro Oliver
Graphic Design : Studio Roses
City : Palma
Country : Spain