CIRCUM暗示了 “包围 “的原始行为，从而 “创造一个地方”。这样，在区分内部（系统）和外部（环境）的基本操作中，界限第一次被标记出来，从而以这种基本姿态构成了建筑的第一种形式。一个区分但不分离的操作，建立了一个多孔的交流领域，就像一个细胞墙一样；构成了一个原始的建立场所的方式，并保护了这个城市微系统的内部和外部之间可能产生的交流行为。

CIRCUM alludes to the primitive act of “enclosing” and thus “creating a place”. In this way, in the elementary operation of differentiation between what is inside (system) and what is outside (environment), the limit is marked for the first time, thus constituting, with this elementary gesture, the first form of architecture. An operation that differentiates, but does not separate, establishing a porous communicative sphere, as if it were a cellular wall; constituting a primitive way of founding place and safeguarding the communicative acts that may arise between the inside and the outside of this urban microsystem.

因此，我们的意图是开启关于封闭空间的不确定性的讨论，它可以包含无数的行为，所有这些行为都来自于内部和外部的交流机会。因此，CIRCUM旨在成为一个急需的空间 “不确定主义 “的寓言，超越了设计一切的不可遏制的欲望。其目的是在洛格罗尼奥的埃布罗公园内产生一个新的动态场景，目的是将公园的公共空间转变为一个活跃的社会空间，一个相遇和交流的场景，在其短暂的性质中，产生新的流动，社会性的角落和自发的占有。使用的主要材料是木材，利用27块Garnica公司的Laudio Deco松木胶合板（250 x 125厘米），将其分成12.5 x 250厘米和12.5 x 25厘米的碎片，这样操作就不会产生任何不必要的浪费，从而百分之百地利用了材料的能力。基于这种切割，一个单一的模块被配置，连续重复，最终赋予CIRCUM身体，它以其自身分组的密度工作。这个模块从材料本身提出的建设性的诚实中得到解决，暴露了允许其建设的物理力学：从木材的交织，暗示了传统干燥中使用的乡土堆积，到其基础所需的重量，在这种情况下是倒置的，配置了一个空中基础，它从地面出来，悬挂在模块本身的重心。

The intention, then, is to open up the discussion about the indeterminacy of the enclosed space, which can contain innumerable acts, all of them arising from the communicative chance between the inside and the outside. CIRCUM, therefore, aims to be an allegory for the much-needed spatial “indeterminism”, over and above the uncontainable desire to design everything. The aim is to generate a new dynamic scenario inside the Ebro Park in Logroño, with the purpose of transforming the public space of the park into an active social space, a scenario of encounters and exchanges, which in its ephemeral nature, generates new flows, corners of sociability and spontaneous appropriation. The main material used was wood, making use of 27 panels of Laudio Deco pine plywood by Garnica (250 x 125 cm), which are divided into pieces of 12.5 x 250 cm and 12.5 x 25 cm, so that the operation does not generate any unnecessary waste, thus taking advantage of the material in its one hundred percent capacity. Based on this cutting, a single module is configured, which, repeated successively, ends up giving body to CIRCUM, which works with the density of its own grouping. This module is resolved from the constructive honesty proposed by the material itself, exposing the physical mechanics that allow its construction: from the interweaving of the wood, which alludes to the vernacular stacking used in traditional drying, to the weight necessary for its foundations, which in this case is inverted, configuring an aerial foundation, which comes out of the ground to hang from the centre of gravity of the module itself.

这些石头又是与这个地方的直接联系，这些石头是从该地区的 “cantorrales “收集的，这些地方一旦土壤被清理出来用于耕种，它们就会被称重，得到40块大约8公斤的石头，最终为安装提供必要的支持。通过这种方式，CIRCUM只通过使用三种基本材料来解决：木头、绳子和石头，省去了第三个连接元素。这样一来，木材通过互锁的方式相互连接；一方面，绳子形成了模块的牵引元素，另一方面，它是将石头纳入安装的连接件。这样一来，所有使用的材料都是建筑中最原始和最基本的材料的明显寓意。最后，通过这种方式，结构-空间-表皮的基本建筑三要素被解决了，只有一个基本的和可逆的操作，使CIRCUM成为一个游牧系统，能够在自己的不同领土上重新配置和重构自己。

The stones are in turn a direct link with the place, these are collected from the “cantorrales” of the area, places where they accumulate once the soil has been cleared for cultivation, they are weighed to obtain 40 stones of approximately 8 kilos that end up providing the necessary support for the installation. In this way, CIRCUM is resolved through the use of only three elementary materials: wood, rope and stone, dispensing with third joining elements. In this way, the wood is linked to each other by means of the interlocking; on the one hand, the rope forms a traction element for the module, and on the other hand, it is the linking piece for the incorporation of the stone into the installation. In this way, all the material used is an obvious allegory of the most primitive and elementary materials used in architecture. Finally, and in this way, the elementary architectural triad of structure-space-skin is resolved with a single essential and reversible operation, making CIRCUM a nomadic system, capable of reconfiguring and reconstructing itself in the different territories of its own.

Architects: P+S Estudio de Arquitectura
Area: 136 m²
Year: 2021
Photographs: Josema Cutillas, Lucía Cortés Soltmann
Manufacturers: Garnica Plywood
Lead Architects: Francisco Parada, Laura R. Salvador
Assembly Team:Paloma Pantoja, Steffen Landwehr, Lucía Cortés, Karla Santiago, Laura R. Salvador, Francisco Parada
City:Logroño
Country:Spain