Hyper_工作室将一个旧的郊区车库改造成一个与自然和谐相处的工作室空间。位于英国赫特福德郡，这不是一个普通的花园办公室，而是提供了一个宁静而宽敞的环境，以一种专注而灵活的方式与精致的建筑形式一起工作。
Hyper_ Studio has transformed an old suburban garage into a studio space that works in harmony with nature. Located in Hertfordshire, UK, this is no ordinary garden office and instead offers a tranquil and spacious environment to work in a focused yet flexible way alongside refined architectural forms.
这个35平方米的工作室的简介包括需要一个补充虚拟工作的设计；有纹理的背景和各种坐着工作的地方。工作室有一个简单的长方形平面，一个角被切开形成入口，一个超宽的旋转门创造出门槛的感觉；跨入一个工作的地方。这里有窗台可以工作或沉思，自然光倾泻而入，创造出与自然的联系。
The brief for the 35m2 studio included the need for a design that complemented virtual working; with textured backgrounds and a variety of places to sit and work. The studio has a simple rectangular plan, with one corner cut away to form the entrance, and an extra wide pivoting door to create the feeling of a threshold; crossing over into a place to work. There are window stoops to work from or contemplate, and natural light pours in to create a connection with nature.
工作室的外墙被恰如其分地命名为 “黑暗物质”，其850个鳞片由烧焦的木材制成，这是一种被称为 “寿杉板 “的日本工艺，它为每个方块提供了各种微妙的烧焦图案，根据用于处理木材的热量强度而有所不同。倒角鳞片之间的缝隙是为了促进花园的生物多样性，作为一个巨大的 “昆虫旅馆”，供昆虫冬眠。
Aptly named ‘Dark Matter’, the studio’s façade has a moody, tapestry-like quality with 850 scales made of charred timber, a Japanese process called Shou Sugi Ban which provides each square with a variety of subtle charred patterns, differing depending on the intensity of the heat used to treat the wood. The gaps between the chamfered scales are designed to foster biodiversity in the garden, acting as a giant “bug hotel” for insects to hibernate in.
浅色和温暖的室内环境与黑色的外墙形成了鲜明的对比，白色的涂油木椽和苍白的杨木胶合板衬在墙上。 为了创造将自然带入室内的感觉，两个 “光烟囱 “悬挂在屋顶上，其上的穿孔图案模仿了斑驳的阳光柔和地穿过树冠的感觉。
The light and warm interior contrast with the black façade, with white oiled timber rafters and pale poplar plywood panels lining the walls. To create the feeling of bringing nature within, two ‘light chimneys’ hang from the roof with a perforated pattern that mimics the dappled sunlight that softly streams through a tree’s canopy.
创造一个可持续发展的设计对客户和建筑师来说都很重要，他们的要求是创造一个碳足迹最小、保暖性能最好的家庭工作室。令人印象深刻的是，95%的初始结构在最终设计中被重新使用，包括钢门楣、块状工程和屋顶木材，限制了送往垃圾场的废物量。
Creating a sustainable design was important to both the client and architect, with the brief to create a home studio with a minimal carbon footprint and supreme heat retention qualities. An impressive 95% of the initial structure is reused in the final design, including steel lintels, block work, and roof timbers, limiting the amount of waste being sent to landfill.
为了减少内含碳，大部分材料都是从方圆10英里范围内采购的。钢材和混凝土的使用量保持在最低水平，只有一块钢制槽板和不到1米平方米的混凝土。小心翼翼地拆除原来的木制屋顶结构，使得100%的材料被重新使用，在新的花园工作室和另一个Hyper_项目中都是如此，忠实于工作室成立时的循环经济原则。
To reduce embodied carbon, the majority of materials were procured from within a 10-mile radius. Steel and concrete use was kept to a minimum, with only one steel flitch plate and less than 1m sq of concrete. Carefully dismantling the original timber roof structure allowed the reuse of 100% of the material, both in the new garden studio and another Hyper_ project, staying true to the circular economy principles the studio was founded on.
Architects: Hyperspace
Area : 35 m²
Year : 2022
Photographs :Simon Kennedy
Manufacturers : CNC Projects London, Exterior Solutions, Garnica Plywood
Structural Engineer : Constant Structural Design
Contractor : Richard Routley
Landscaper : Thomas Ellis
Architect : Olli Andrew
Program / Use / Building Function : Garden office
Joinery : Paul Crudge Furniture Design
City : Tring
Country : United Kingdom