位于印度尼西亚中爪哇省三宝垄市的DipoMuria商业中心，容纳了摄影棚、餐厅、咖啡馆和零售店，并以城中村的类型学为模型。一方面，这使设计更适合于低层和小规模的住宅区，另一方面，也为玩转体量提供了可能，并为探索和闲逛提供更多可体验的中间空间序列。
DipoMuria commercial center in Semarang, Central Java, Indonesia, hosts a photo studio, restaurant, café, and retail shop and is modeled after an urban village typology. On one hand, this makes the design fit better into the low rise and small-scale residential neighborhood and on the other hand, also gives the possibility to play with the volumes and provide more experienceable sequences of in-between spaces to explore and hang out.
这些体量围绕着一个中央庭院，它是整个建筑群的核心，不仅与外部相连，也与二楼的露台相连。院子里有一个供孩子们玩耍的滑梯，但也可作为行动和团体摄影的背景。村庄式的体量通过材料和颜色的变化在水平方向上被分割开来，有一个更接地气的基座层，包含了所有的外部楼梯，由粗糙的石膏制成，而更光滑和反射的上层则由聚碳酸酯外墙覆盖。
The volumes are grouped around a central courtyard, the heart of the ensemble which is connected to the outside but also to terraces on the second floor. The courtyard features a slide for kids to play but is also usable as a backdrop for action and group photo shootings. The village-like massing is split horizontally through a change in materiality and color having a more grounded plinth level containing all the outer stairs, materialized by rough plaster and a smoother and reflecting upper level in form of polycarbonate façade cladding.
大部分较大的玻璃立面开口都是朝向南北方向的，并有悬垂物遮挡，而东西方向的立面则比较封闭，开口位于聚碳酸酯立面的后面。窗墙比也保持在最低水平，以减少不必要的热增益。室外区域提供了充足的座位区。巴西蕨类植物以其纤细的外观强调了集合体的最小特征，并在一天中的某些时候以丝状叶子投下的阴影的形式为外墙提供了额外的纹理。
Most of the larger, glazed façade openings are facing North-South direction and are shaded by overhangs whereas the East-West facades are more closed, and openings are located behind the polycarbonate facades. The window to wall ratio is also kept to a minimum to reduce unnecessary heat gains. The outdoor areas provide ample seating areas. Brazilian fern trees with their slender appearance underline the minimal character of the assemble and provide an additional texture on the facades during certain times of the day in form of shadows cast by the filigree leaves.
在印度尼西亚的环境中设计和实现建筑，需要高水平的承诺和软性的沟通技巧，这一点与其他项目不同，这个项目也不例外。尽管预算有限，SHAU还是实现了优雅和精致的外观，产生了一种与文化建筑而非商业建筑更相关的氛围。
Designing and realizing architecture in an Indonesian context requires a high level of commitment and soft communication skills unlike any other- this project is no exception. Despite budget constraints, SHAU achieved an elegant and refined appearance generating an atmosphere more related to cultural architecture rather than commercial architecture.
Architects: SHAU Indonesia
Area: 1400 m²
Year: 2021
Photographs: Andreaswidi
MEP: ME db LabStudio/mustekeph
Director:Daliana Suryawinata, Florian Heinzelmann
Senior Architect:Ignatius Aditya Kusuma, Rizki M. Supratman
Architect:Aprilea S. Ariadi, Prisca Bicawasti B.
Junior Architect:Alfian Reza Almadjid, Ben Barukh Kurniawan
Arcitectural Assistant:Miftah Adisunu N. Alui
City:Semarang
Country:Indonesia