客户在第一次见到我们时说:”我喜欢你们混乱的设计”。另一点是房子可以用于大家庭的聚会祈祷,一次可以有几十个成员,或者只是和邻居们一起进行宗教诵读。有joglo屋顶的自然别墅的感觉,并试图在日常生活中应用伊斯兰价值观。顾名思义,分心是指字面上的事情或行为,让人分心。这个房子之所以被分散注意力,是因为一个动作,即旋转其中一个房间,使其能够朝向清真寺–这个设计动作是我们对居民需求的解决方案,与一个大家庭一起做礼拜的宗教活动,可以接触到很多人。 作为我们行动的结果,获得了空间的特征以及建筑形式的新特征,尽管其基本想法来自于传统的joglo房子的屋顶(一种源于印度尼西亚地区的乡土房子的屋顶)。

“I like your messy design” said the client when he first met us. Another point is the house can be used for congregational prayer with big families which can be up to dozens of members at one time or just religious recitations with neighbors. The feel of a natural villa with a joglo roof, and trying to apply Islamic values ​​in everyday life. As the name suggests, distractions are literally things or actions that distract. This house has been distracted because of one action of rotating one of the rooms so that it can face towards the qiblah – a design action that is our solution to the needs of the residents, worship religious activities together with a big family that can reach a lot of people. As a result of our actions, the character of the space that is obtained as well as the new character of the building form, although the basic idea is from the roof of a traditional joglo house (a vernacular house roof originating from a region in Indonesia).

获得的空间特征是公共区域的空间体验感,以及与现有地貌的空间错位,造成一种混乱的印象。公共区域与由于分心叙事的影响而形成的有机空间的残余物并排在一起。残余的有机空间形成的功能是绿地、干花园、通风源和自然光,与房屋内部相融合,使这个公共区域看起来像一个有阴影的外部空间。同时,这个区域也是一个被动的设计战略系统,有透气的墙和天窗。

The character of the space obtained is a sense of spatial experience in the communal area, and spatial disorientation from the existing landforms, causing a messy impression. The communal area is side by side with the remnants of organic space formed due to the effects of the distraction narrative. The remnants of the organic space created functioned as green areas, dry gardens, sources of ventilation, and natural light that blend with the inside of the house, making this communal area look like a shaded outside space. At the same time, this area is also a passive design strategic system with breathable walls and skylights.

建筑形式的特点从使用joglo屋顶(一种源自印度尼西亚某地区的乡土房屋屋顶)开始,这是居住者的梦想,我们根据空间的功能来应用和改造它。 Berunjung(传统joglo房屋屋顶的术语,即高耸的屋顶)具有高耸的体量比例,它的下面是带有夹层的港湾式房间,也是前面的服务区,而倾斜的屋顶被用来遮盖露台和车棚,以及悬挂在房屋内的屋顶。这种改造的新奇精神通过分心的叙述效果得到了加强,大多数屋顶的方向被旋转到朝向朝天门的方向,跟随下面的空间,在改造以前的形式后,给人一种更多的特征最近。

The character of the building form begins with the use of a joglo roof (a vernacular house roof originating from a region in Indonesia) which is the dream of the occupants, we apply and transform it according to the function of the space. The berunjung (the term soaring roof on the roof of a traditional joglo house) which has the proportion of towering volumes is multiplied and below it are harbourage rooms with mezzanines and also the service area at the front while the sloping roof is used to overshadow the terrace and carport as well as overhang the roof inside the house. The spirit of the novelty of this transformation is strengthened by the effect of distracted narration, the change in the orientation of most of the roofs which have been rotated towards the qiblah faced following the space below and giving an even more character recent after the transformation of the previous form.

在使用传统joglo房子的屋顶的同时,建筑外观以粘土瓦的屋顶为主,我们也选择使用印度尼西亚社会熟悉的粘土瓦屋顶材料,特别是周围的环境,那里是一个古老的定居点,一般都有一个倾斜的粘土瓦材料的屋顶。 我们为这个建筑所做的努力仍然可以与环境相融合,但由于使用了印尼本土的屋顶,所以有自己的特点,这些屋顶被改造得更加现代,但仍然让人想起原来的形式。 其他熟悉的材料有裸露的砖、裸露的水泥、天然的石头和外部的木材,然后延续到房子的内部。

At the same time as using the roof of the traditional joglo house the building appearance is dominated by the roof with clay tiles, we also chose the use of clay tile roofing material which is familiar to Indonesian society, especially the surrounding environment where is an old settlement and generally has a roof slanted with clay tile material. Our efforts for this building can still blend in with the environment but has its own character with the use of vernacular Indonesian roofs which are transformed to be more contemporary but still reminiscent of the original form. Other familiar materials used are exposed brick, exposed cement, natural stone, and wood on the exterior which is then continued into the interior of the house.

房子对居民的功能–这所房子是为了满足大户人家的聚会祈祷需要,可以在同一时间聚集很多人,针对这个问题,我们把一个公共房间(家庭室、用餐区、厨房的开放式系统)直接连接到祈祷室,所以如果需要,祈祷室可以直接扩展到公共空间的区域,这个区域是朝向朝拜台的。在这所房子里,将有7个永久居民,偶尔也会有几十个人,他们是大家庭的一员,经常会在某些时候,如周末和节假日或特殊日子留宿。有了这个不太大的场地,为了满足这些需求,我们为上层的房间做了一个夹层系统,这样房子就不会占用太多的场地,因为它在垂直方向上增加了空间体积。

The function of the house for residents – This house was made to meet the need for congregation prayer with a big family that can congregate a lot of people at one time, in response to this issue we put a communal room (family room, dining area, kitchen with an open plan system) connected directly to the prayer room, so if needed, the prayer room can expand directly to the area of ​​the communal space which is facing towards the qibla. In this house, there will be 7 permanent residents and occasionally dozens of people who are part of the big family who will often stay over at certain times, such as weekends and holidays or special days. With this not-too-large site, a mezzanine system is made for the rooms on the upper floors to accommodate these needs, so that the house doesn’t take up too much site because it increases the volume of space in the vertical direction.

客户需要的另一个特别之处是争取在日常生活中应用伊斯兰教的价值观。这包括:床垫的方向,至少脚不朝向回历,厕所不朝向回历或防御回历,厕所区域的清洁系统,准备始终保持清洁的污秽,提供的排水管可以直接浇灌壁橱地板区域,这样就可以保持壁橱区域潜在污秽的清洁度。

Another special thing that clients need is to strive for Islamic values ​​that they want to apply in their daily lives. This includes: the direction of the mattress, at least the feet do not face the Qibla, a toilet that does not face or defends the Qibla, a cleaning system in the toilet area that is prepared to always keep it clean from filth with provided drains that can directly water the closet floor area so that the cleanliness of the potential filth in area of ​​the closet is preserved.

Architects: Ismail Solehudin Architecture
Area : 420 m²
Year : 2023
Photographs :Mario Wibowo
Manufacturers : Boss, Kanmuri Roofing, Nippon Paint, Philips, Rucika
Main Contractor : Wani Build
Structural Engineering : PT DESAIN PUTRA PERSADA
Designer Team : Radhian Dwiadhyasa
Construction Manager : Ali Yazid Bustomi
Site Manager : Zainy Tamrin
Quantity Surveyor : Devina Agustin
General Contractor : Muhammad Ihsan Hadiyat
City : Jakarta
Country : Indonesia