Rijksmuseum、荷兰露天博物馆、Paleis Het Loo和荷兰文化遗产机构的非永久展出的艺术和遗产作品被汇集到CC NL。Cepezed和Cepezed室内设计了这座建筑，并与ABT密切合作以保证其稳定性，与Valstar Simonis密切合作以保证其装置，与Peutz密切合作以保证其建筑物理学和可持续性。

The non-permanently exhibited art and heritage pieces of the Rijksmuseum, the Netherlands Open Air Museum, Paleis Het Loo and the Cultural Heritage Agency of the Netherlands are brought together in the CC NL. cepezed and cepezed interior designed the building, in close collaboration with ABT for the stability, Valstar Simonis for the installations and Peutz for building physics and sustainability.

50万件物品。CC NL储存了大约50万件物品。这些物品包括绘画、雕塑、珠宝、服装、钟表、家具和其他工艺品和使用的物品。它们来自荷兰历史的各个时期和各行各业。例如，皇家宝座和贵族家庭的家具，但也有旋转马、历史悠久的自行车、雪橇和一个重达7000多公斤的蒸汽机。这些藏品共同构成了 “荷兰的物质记忆”。

500,000 objects. The CC NL stores approximately half a million objects. These range from paintings to sculptures, jewellery, clothing, clocks, furniture and other objects of crafts and use. They come from all over Dutch history and from all walks of life. Examples are royal thrones and furniture from noble families, but also merry-go-round horses, historic bicycles, sleighs and a steam engine weighing more than 7,000 kilos. Together, the collections form “the physical memory of the Netherlands”.

独特的合作和设施。无论是在组织上还是在内容上，荷兰文化中心的四个机构都以一种世界上独一无二的方式紧密合作。例如，物品不是按机构进行储存和分类，而是更多地按照性质、类型和日期等进行分类。因此，这些藏品显示出惊人的联系。CC NL还为荷兰提供了独特的设施，使整个文化部门受益。例如，在荷兰第一次有了特殊的检疫室，在那里可以通过冷冻或抽氧的方式使博物馆的展品摆脱有害的昆虫和真菌。此外，该建筑还包括一个照相馆和一个X光室。它还包含两个大型修复工作室，也可以供其他文化机构使用。CC NL激发了对藏品的研究，并促进了它们的流动性。例如，欢迎其他博物馆借阅，并可通过预约进入该建筑进行研究和教育。CC NL没有公共功能。

Unique collaboration and facilities. Both organizationally and with regard to contents, the four institutions in the CC NL work closely together, in a way that is unique in the world. For example, the objects are not stored and classified per institution, but more according to, for example, nature, type, and date. The collections thus show striking connections. The CC NL also offers unique facilities for the Netherlands that benefit the entire cultural sector. For example, for the first time in the Netherlands, there are special quarantine rooms in which museum pieces can be rid of harmful insects and fungi by means of freezing cold or oxygen extraction. In addition, the building includes a photo studio and an X-ray room. It also contains two large restoration studios that can also be used by other cultural institutions. CC NL stimulates research into the collections and promotes their mobility. For example, fellow museums are welcome to borrow and the building is accessible for research and education by appointment. The CC NL has no public function.

结构分为三部分。在功能上，该建筑由三个相互联系的建筑部分组成，它们被称为 “头部”、”颈部 “和 “躯干”。头部 “是一个带有入口和办公室的透明体量。颈部 “是检查和修复物件的车间。X光室、照相馆、冷冻室、检疫和无氧区以及运输准备空间也位于这个建筑部分。最后，”后备箱 “是一个紧凑、封闭的四层楼体。这是实际的库房，具有8.1米的大跨度，以获得最大的布局灵活性。为了获得最佳的防火保护，防火隔间很小，隔断的等级也很高。主干道 “还包括一些特殊的设施，如存放视听材料的冷库，以及在底层存放大型和重物的超大空间。

Structure in three parts. Functionally, the building consists of three linked construction sections, which are called the ‘head’, the ‘neck’, and the ‘trunk’. The ‘head’ is a transparent volume with the entrance and offices. In the ‘neck’ are the workshops where objects are examined and restored. The X-ray room, photo studio, freezer room, quarantine and oxygen-free areas and space for transport preparation are also located in this building section. Finally, the ‘trunk’ is a compact, closed volume of four storeys. This is the actual depot with large spans of 8.1 meters for maximum layout flexibility. For optimal protection against fire, the fire compartments are small and the partitions of high classification. The ‘trunk’ also contains special facilities such as a cold store for audiovisual material and on the ground floor an extra-large space for large and heavy objects.

从 “头部 “到 “主干”，建筑的各个部分由两条平行的、7米宽的轴线连接，这些轴线在整个建筑的长度上打开，从而形成主要的交通干线。其中一条轴线将前面的有盖货运区与 “干线 “的仓库连接起来。外墙是用光滑的铝皮包裹的。在黑暗的时候，根据灯光艺术家Herman Kuijer的设计，该建筑被照亮。

From ‘head’ to ‘trunk’, the building sections are connected by two parallel, seven-metre-wide axes that open up the building over its full length and thus form the main traffic arteries. One of the axes connects the covered forwarding area at the front to the depots in the ‘trunk’. The facades are clad with a sleek aluminum skin. In the dark hours, the building is illuminated according to a design by light artist Herman Kuijer.

Architects: Cepezed
Area: 31500 m²
Year: 2020
Photographs: Lucas van der Wee
City：AMERSFOORT
Country：Netherlands