我们的客户提出了一个亚洲餐厅，其中的主角将是不同版本的生鱼。他还希望有一个轻松、温暖和独特的氛围。这个地方位于桑坦德市的Sardinero区，可以看到美丽的 “La Segunda “海滩。这是这个城市最具代表性的地区之一，大海和海滩是这里的主角。
Our client proposes an Asian restaurant in which the protagonist is going to be raw fish, in its different versions. He also wants a relaxed, warm, and unique atmosphere. The place is located in the Sardinero área within the city of Santander with beautiful views of the “La Segunda” beach. One of the most emblematic areas of the city, where the sea and the beach are the main characters.
在这种情况下，我们提出了一个设计，将海底世界带到餐厅。然而，我们远离了海洋想象的陈词滥调。我们引入了一种抽象的物质化的纹理和形状，使我们想起了那个世界。所有这一切都转化为一个弯曲的几何形状，讲述了海浪，它被安排在三个不同的区域。
With this setup, we proposed a design that brings the undersea world to the restaurant. However, we stayed away from the clichés of the sea imaginary. We introduce an abstraction materialized in textures and shapes that remind us of that world. All this translates into a curved geometry that speaks about the sea swell, which is arranged in three different bands.
较低的带子容纳了所有的圆形长凳和酒吧；一个坚硬而有抵抗力的中间带子用于墙壁；而较高的带子则容纳了房间的环境照明和过道。
The lower band houses all the circular benches and the bar; a hard and resistant intermediate band for the walls; and an upper band that houses the ambient lighting of the room and the overbar.
在材料层面，我们决定采用高贵、永恒和温暖的材料，如木材和粘土，而不是显而易见的选择，这与亚洲-日本的美学有关。我们在材料上比在形式美学上更多地参考了日本（亚洲）餐厅的类型学。
On a material level, instead of the obvious option, we decided on noble, timeless, and warm materials, such as wood and clay, which refer to the Asian-Japanese aesthetic. We refer to the typology of Japanese (Asian) restaurant in the material more than in the formal aesthetic.
从下到上，我们有天然的木材和纺织品，指的是前面提到的曲线世界；粘土材料的squama几何形状，指的是鱼的皮肤；塑料圆柱体，透明和反射的表面，代表wáter闪光。
From bottom to top, we have natural wood and textiles that refer to the curvilinear world before mentioned; the squama geometry in clay material which refers to the fish skin; and the plastic cylinders, transparent and reflective surfaces that represent the wáter glitters.
最后，在平面图上，我们引入了水磨石，完美地匹配了沙地的概念，完成了这种海洋意识形态。在程序层面上，有一个有盖的户外空间，作为餐厅的过滤器，在这里突出了撒丁岛的绝佳景色。
Finally, on the floor plan, we introduced a terrazzo that perfectly matches the idea of a sandy floor, completing this marine ideology. At a programmatic level, there is a covered outdoor space that functions as a filter for the restaurant, where the excellent views of the Sardinero are highlighted.
Architects: Zooco Estudio
Year : 2021
Photographs :Imagen Subliminal (Miguel de Guzmán + Rocío Romero)
Manufacturers : AutoDesk, Arkoslight, Marset, TEJAS BORJA, TON, Adobe Systems Incorporated, Robert McNeel & Associates
Team : Miguel Crespo Picot, Javier Guzmán Benito, Sixto Martín Martínez
Collaborators : Paula Cruz, Beatriz Villahoz
Builder : Cobo Mantecón S.L.
Lightning : Zooco Estudio
Furniture : Zooco Estudio
Country：Spain