该项目位于离海岸几米远的地方，面向智利中南部地区的纳维达海湾。在周围的环境中，有一片典型的横贯山谷的森林，与原本是生产性海滩的海岸交汇在一起，目前正被开发为一个度假地点。本项目满足了四个不同家庭的需求，共14人，他们决定一起建造第二个家。因此，不同业主的多种不同的偏好都集中在一个体积上，缩小到111平方米。

This project is situated a few meters from the coast, facing the bay of Navidad in the central-southern zone of Chile. In the surroundings, a forest, typical of the transversal valleys, converges with the coast that was originally a productive beach, and is currently being developed as a holiday location. The brief responds to the needs of four different families, 14 people in total, that decided to make a second home together. Therefore, multiple and divergent preferences of the different owners are congregated in one volume, reduced to 111m2.

与沿海地区的典型建筑不同的是，这个体量是在景观上垂直竖立的，目的是为了在上层的露台上获得优越的视野，避开附近房屋的阻挡。以这种方式站立，体量从地面上解放出来，使得海滩住宅的类型分布发生了变化，在垂直轴上产生了新的关系和程序性的关联。这引起了房间空间组成的变化，影响了他们的感知：极度缩小的空间为其他相当大的空间服务，符合一个小的总表面，其视觉重量被放大了。这是通过减少宽度与增加高度的对比，以及通过外墙上的窗户的规模和位置来实现的，这有助于形成这种故意无法定义的规模。

Contrary to the typical constructions of a coastal zone the volume is erected vertically over the landscape, in an aim to reach a privileged view on the upper-level terrace, dodging the obstructions of nearby houses. Standing in this way, the liberation of the volume from the ground allows for the displacement of the typological distribution of a beach house, generating new relationships and programmatic associations on the vertical axis. This provokes a change in the spatial composition of the rooms, affecting their perception: spaces that are extremely reduced serve others that are quite large, conforming a small total surface whose visual weight is magnified. This is achieved by the reduced width in contrast to an exacerbated height, and by the scale and location of the windows on the façade, that contribute to this deliberately undefinable scale.

在室内，垂直轴的拉长是通过一个中央空洞来实现的，这个空洞在整个建筑的高度上游走，包括通道，同时也扩大了房屋公共区域的空间感观。另一方面，有四个私人区域，每个家庭一个，分布在房屋两端的每一层，确保所有空间都同样靠近中心。每个房间的大小也是相等的，避免了家庭之间任何类型的排他性。

In the interior, the elongation of the vertical axis is transmitted through a central void that roams the building in its total height including the circulation, meanwhile enlarging the spatial perception of the common areas of the house. On the other hand, there are four private areas, one for each family, that are distributed on each floor at both extremes of the house, ensuring that all spaces are equally close to the centre. The size of each room is also equivalent, avoiding any type of exclusivity between families.

在外观上，该项目通过对主立面和屋顶的标准化操作进行雕刻：两者在相同的审美标准下被折叠得最小，摆脱了这些元素之间的通常划分。广场与它的一对旋转的协同作用是衔接该项目的每个元素的姿态，包括它在场地限制内的位置和填充这个空气的外部路面。室内和室外都用原木覆盖，其表面处理既暗示了它们所回应的条件，也暗示了其对应的条件：第一种是惰性和无时空的灰色，倾向于消除房子的新条件，第二种是暴露在海岸极端条件下的原始白色，就像一件盔甲或羽衣，在闪耀的同时也在保护。

On the exterior the project is sculpted by standardizing the operations of the main façade and the roof: both are folded minimally under the same aesthetic criteria, escaping the usual division between these elements. The synergy of the square with its pair rotated is the gesture articulating each element of the project, including its position within the limits of the site and the exterior pavements that fill this air. Both interior and exterior are covered in raw wood, with finishes that allude both to the condition to which they respond, as to its counterpart: the first is an inert and atemporal grey that tends to eliminate the new condition of the house, the second is a pristine white that is exposed to the extreme conditions of the coast, like a cuirass or plumage that shines while also protecting.

Architects: Iván Bravo Arquitectos
Area: 111 m²
Year: 2020
Photographs: Bruno Giliberto
Lead Architect: Iván Bravo
Collaborators:Martín Rojas, Gino León
Text:Martín Rojas
City:Navidad
Country:Chile