该遗址位于福冈县南部的秋叶吉井镇。从箕山地区的镇南侧丰富的水和风,它是一个宏伟的景观可以享受土地。翻新的日本房子的这个计划是建在美浓山脚下60年的土地。居民希望生活比现在的三间都丰富一点,在中年和老年的人。

The site is located in Ukiha Yoshii town in southern Fukuoka prefecture. From Minoyama areas of the south side of the town rich water and wind, it is a magnificent landscape can enjoy land. Renovation of the Japanese house of this plan is built 60 years at the foot of the Minoyama land. Residents wanted a little richer life than the current three both, in the middle-aged and elderly people.

现有的建筑流行的设计和分配材料的那个时代已经高达3倍的装修,到现在已经分散。它先进的设计和那利用天花板的各种元素,如天花板上的松木板,从完成的时候,人们就被这美丽的松木梁所吸引,这美丽的松木板成为概念的核心。

Existing buildings epidemic of design and distribution material of that era have been up 3 times renovated in up to now has been scattered. It advanced the design and that take advantage of the ceiling of the various elements like the ceiling of pine plate there from the time of completion when the person in the mix are attracted by the beauty of the beams of pine this beautiful pine plate to the core of the concept.

在这种所谓的日式房屋中,如没有隔断墙,其作用就是隔断细工的补充。当大量的人聚集在一起的时候,在节日和追悼会上的功能是非常灵活的,或者说可以用两室一厅的细木工板作为1个房间。细木工房处于被拆除状态的是横梁所在的四个角的柱子连接它。这时的横梁,已经从土墙上换成了玻璃板。已经成为明确的横梁是让我把松木板的天花板铺到整个建筑上,甚至在细木工板的封闭状态下,空间有自己的顺序,将作为一个薄的轮廓的房间,它被拿掉细木工板的功能。

In this so-called Japanese-style house, such as there is no partition wall, its role is partition joinery supplement. When a large number of people gather at the time of festivals and memorial service is functional in very flexible, or the like can use the two-chamber joinery is tought as 1 room. Joinery is shape the room in a state of being removed is the transom where the four corners of the pillars connect it. The transom this time, has been changed from the soil wall on a glass plate. Has become the clear transom is let me spread the ceiling of pine board to the entire building even in the closed state of the joinery, space with its own sequence that will function as a thin outline of the room that it is taken off the joinery.

作为一个整体,为了改变平面图和楼梯的位置,按照目前的生活方式,我正在做交换和HajimeSo打的支柱。入口处的细木家具配备了改变照明和障眼法,并把盲目的玻璃之间的打击。我做了一个新的墙部分是一个白色的硅藻土,将进行到后面的建筑,而阴影通过玻璃横梁,而滑动入口的硅藻土的光墙,这是从打击。

As a whole to change the position of the floor plan and stairs in accordance with the current of living the way, I am doing the swapping and HajimeSo beating of the pillars. Entrance joinery is equipped with changing the lighting and the blindfold and strike that put the blind in between the glass. I made a new wall portion is a diatomaceous earth of white, will be carried to the back of the building while shaded passes through the glass transom while sliding the entrance of the light wall of diatomaceous earth, which came in from the strike.

业主花园的理由还有,你从事的是景观设计行业,离开它的一切。而坐在前庭南侧的长廊上,可以很好地理解,是愿意连接家园和箕山土地的景观。我认为,在这个项目中,可以看到当地的改造发现了一点丰富的生活,而不一定要寻求一个巨大的变化。

Owner garden in the grounds there is also that you are engaged in the landscaping industry and leave it all. And sit on the veranda south side of the vestibule is understood well that is willing connects the landscape of the home and Minoyama land. I think that the possibility of local renovation found a little rich life without necessarily seek a dramatic change was visible in this project.

Architects: tatta architects
Area: 226 m²
Year: 2016
Photographs: Tetsuya Yashiro
Garden Design:Toshinori Kakuno
Construction:Sawayaka Kensetsu
Total Area:167.85 sqm
Architect In Charge:Tatsunori Kakuno
City:Ukiha Yoshii
Country:Japan