在伏尔塔瓦河上方的岩石坡上，古典主义的雅布隆卡城堡延伸到了布拉格。在城堡下，梯田式的葡萄园与大都市的风景如画，构成了城市北部的主要特征。

On a rocky slope above the Vltava River, the classicist château Jabloňka stretches over Prague. Under the château, terraced vineyards with picturesque views on the metropolis form the dominant feature of the northern part of the city.

布拉格曾被称为 “葡萄酒之城”，在查理四世统治的黄金时代，伏尔塔瓦河流域仍然种植着长长的葡萄园。Černý Kopec山（如今的Jabloňka）也不例外。在三十年战争的影响下，布拉格的葡萄园处于休耕和荒废状态。因此，Černý Kopec山上长满了苹果树，Jabloňka这个名字就是由此而来的。在18世纪，一个古典主义风格的城堡被建在Jabloňka山顶上，在那里可以看到伏尔塔瓦河的壮观景色。古典主义的审美态度取决于基于古典主义的古代原则。它强调形式、简单、比例和完美，唤起了人们对古希腊和罗马的地中海文化的浪漫记忆。

Prague was once called the “city of wine”, when the Vltava river basin was still planted with long belts of vineyards in the golden ages of the reign of Charles IV. Černý Kopec hill (nowadays Jabloňka) was no exception. After the influence of the Thirty Years’ War the Prague vineyards lay fallow and deserted. As a result Černý Kopec was covered with apple trees, from which the name Jabloňka comes from. In the 18th century a château in classicist style was built on top of the Jabloňka hill, which offered spectacular views on the Vltava river. Classicism in its aesthetic attitude depended on principles based on Classical antiquity. With its emphasis on form, simplicity, proportion and perfection awakened a romanticised memory of the Mediterranean cultures of ancient Greece and Rome.

在接下来的几个世纪里，雅布隆卡下的地区发生了根本性的变化。1830年，北方铁路的引入，导致了城市的急剧扩张。曾经浪漫的葡萄园景色消失了，慢慢被不断增长的大都市景色所取代。在2000年代末，该地区出现了另一个激进的变化–建造Blanka隧道群，这具有讽刺意味的是，这使得特罗亚地区的交通拥堵、噪音和二氧化碳污染更加恶化。

During the centuries to come, the area under Jabloňka changed radically. In 1830 the Northern Railway was introduced, which led to a drastic expansion of the city. The once romantic views on vineyards disappeared and were slowly replaced by views on the growing metropolis. In the late 2000s the area saw another radical modification – construction of tunnel complex Blanka which ironically worsened traffic congestion, noise and CO2 pollution in the Troja area.

曾经浪漫而美丽的城堡变成了嘈杂的道路和快速变化的中间。大约在同一时间，Jabloňka成为私人所有。出于对其过去的好奇，业主们决定延续这个地方的历史遗产，并在邻近的土地上恢复其葡萄园。2013年种植了第一批Jabloňka葡萄酒的幼苗，只提供3个品种的限量版，即Ryýnský Ryzlink、Ryýnský Ryzlink Červený、Tramín Červený。在清理旧花园时，发现了石质梯田，这决定了要建立一个品酒天井。

Once romantic and beautiful château became in the middle of the noisy roads and rapid changes. At about the same time Jabloňka became privately owned. Curious of its past, the owners decided to continue the historical legacy of the place and restored its vineyards on the adjacent land. In 2013 planted the first seedlings of the Jabloňka wine, offering only 3 varieties in limited editions, namely Ryýnský Ryzlink, Ryýnský Ryzlink Červený, Tramín Červený. While clearing the old garden, the stone terraces were discovered, which dictated the establishment of a wine tasting patio.

在历史的指引下，我们的目标是让葡萄园的花园重现浪漫的古色古香。在南欧根源的驱动下，建筑师们提议创建一个田园诗般的天井，这将使其用户失去与波西米亚首都的关系。

Guided by history the goal was to bring back the romantic antiquity of the vineyard gardens. Driven by their southern European roots, the architects proposed a creation of an idyllic patio, which would allow its users to lose the relation with the bohemian capital city.

被遗忘在梯田的葡萄园里，发现了一个带有弧形空间的石头废墟。由于该废墟与景观巧妙地结合在一起，它成为干预的基础。天才之地建议采用斐波那契螺旋运动，它与现有的废墟完全一致。通过加强螺旋形的墙壁，一个独特的安静绿洲被勾勒出来，作为对噪音污染问题的一个回答。一个简单的空间，与城市隔绝，创造了一个氛围，将用户的注意力引导到城堡和葡萄园的斜坡上。

Forgotten in the terraced vineyard, a stone ruin with a curved space was discovered. Since the ruin was subtly integrated with the landscape, it became the basis of the intervention. The genius loci suggested the Fibonacci Spiral movement which was perfectly aligned with the existing ruin. By enhancing the walls of the spiral, a unique oasis of silence was outlined, as an answer to the problems of the noise pollution. A simple space, closed from the city, creates an ambiance which directs its users’ focus back to the château and the slope of the vineyards rows.

整体干预是通过发现和保护现场的现有元素来推动的。通过对其中一个元素–一棵带门的老橡树的框架，建立了一个主要的象征意义的特征。当门关闭时，他的注意力就会集中在葡萄园上，而不会看到城市的卓越景观。另一方面，通过打开窗户，与城市的关系被建立起来，并诱发了葡萄园的未来扩张。通过在其轴线上反映门的特征，创建了另一个皮质门。后面的壁龛作为一个小酒窖，开放用于储存和供应葡萄酒。

The overall intervention was driven by discovering and preserving the existing elements found on site. By framing one of them – an old oak tree with a door, a dominant feature of symbolism was established. While the doors are closed, his attention stays focused on the vineyards without the preeminent view to the city. On the other hand by opening the window, the relation with the city is established, and induces the future expansion of the vineyard. By mirroring the door feature on its axis, another corten door was created. The latter niche serves as a small wine cellar, opening for storing and serving the wine.

Fibonacci天井被间接照明所包围，面向新的石墙，另外还分成两个不同的功能层，较低的一层用于必要的连接，较高的一层作为品酒区，由一个圆形的桌子集中，作为聚会和社交的主要空间。

The Fibonacci patio is surrounded by indirect lighting facing the new stone walls, additionally has a split in two different functional levels, the lower one intended for necessary connections and the higher one as the wine tasting area centralised by a rounded table, which serves as the main space of gathering and socialisation.

Architects: Marco Maio Architects
Area: 100 m²
Year: 2022
Photographs:BoysPlayNice
Manufacturers: Brokis, Tribu
City：TROJA
Country：CZECH REPUBLIC