该项目包括对西班牙南部一栋50年代建筑中的160平方米的公寓进行改造。该建筑是该市第一座钢筋混凝土高层建筑，建造时使用了不良的建筑材料，导致不得不拆除整个公寓并从头开始重建。
The project consists of the renovation of a 160m2 apartment in a 1950s building in the south of Spain. The building, the first reinforced concrete high-rise in the city, was built with poor construction materials which lead to the decision of having to demolish the entire apartment and rebuild from scratch.
业主是一对退休夫妇，在郊区居住多年后想搬回城市，他们希望有一个既能满足日常需要又能接待朋友和家人的空间。
The owners, a retired couple who wanted to move back to the city after years of living in the suburbs, wanted a space that could accommodate everyday needs whilst simultaneously be able to host friends and family.
奇迹和伪装在这个项目中起到了关键作用。房子的储藏室，一系列的线性内置柜，组织和结构的空间，定义了一个体积的周边，承载了项目的物质性。其结果是一个精细划定的、开放的空间，拒绝表达其程序，但允许多种可能性并存。该公寓由两个主要的空间元素组成：六个白橡木衣柜，组织了通往卧室和浴室的通道；两个深绿色的金属橱柜，作为存储和定义烹饪区。这些柜子由薄薄的穿孔钢制成，模糊地掩盖和展示了主人的财产。餐具、亚麻布、衣服、清洁用品或食物被无意地摆放在一起。烹饪区被一块绿色的水磨石所突出，作为厨房的台面。
Wonder and disguise played a crucial role in this project. The house’s storage, a series of linear built-in-place cabinets, organize and structure the space, defining a volumetric perimeter that carries the materiality of the project. The result is a finely delimited, open space that refuses to express its program but allows for multiple possibilities to co-exist. The apartment consists of two main spatial elements: six white oak wardrobes that organize the access to bedrooms and bathrooms and two deep-green metallic cabinets that act as storage and define the cooking area. Made of thin, perforated steel, these cabinets ambiguously mask and showcase the owner’s possessions. Tableware, linen, clothes, cleaning supplies, or food are unintentionally staged together. The cooking area is highlighted by a green, terrazzo piece that serves as the kitchen countertop.
材料是精致的，但直接和简单。房子的地板是用一种材料解决的。10×60厘米的米白色瓷砖，被转了45度，以表达其独立性。在最末端，一个T形的空间容纳了房子的最公共区域。它由大的橡木窗界定，框住了对城市主要大道的看法，并使房间充满自然光。
The materials are refined but direct and simple. The flooring of the house is solved with one material: 10×60 cm off-white, ceramic tiles that are turned 45 degrees in order to express its independence. At the very end, a T-shaped space holds the most public area of the house. It is defined by large, oak windows, that frame the views towards the city’s main boulevard and flood the room with natural light.
Architects: HANGHAR
Area: 160 m²
Year: 2019
Photographs: Luis Diaz Diaz
Manufacturers: AutoDesk, Chaos Group, Marset, Adobe, AutoCAD, Huguet Ceramica, Robert McNeel & Associates
Lead Architect: Eduardo Mediero
City:Murcia
Country:Spain