在阅读这所房子之前，我们建议阅读阿曼多-德-霍兰达的 “Roteiro para Construir no Nordeste”（”在东北地区建造指南”）（1976年）。”让我们从充足的阴凉处开始，这是一个保护性的遮阳避雨场所”。

Before reading this house, we recommend reading the “Roteiro para Construir no Nordeste” (“Guide to Build in the Northeast”) (1976) by Armando de Holanda. “Let’s start with ample shade, a protective shelter from the sun and rain”.

坐落在一块大石板上的内布利纳之家俯瞰着迷人的风景；塞拉-内格拉（Serra Negra），位于佩尔南布卡诺的阿格雷斯特（Agreste），这是一个充满魅力的乡村，它是一个 “周末风景线”，因为它将真实的乡村生活与良好的餐馆和具有自己特色的葡萄酒厂结合在一起，一年四季气候温和，令人愉悦。

Set on a large stone slab, the Casa Neblina overlooks an enchanting landscape; Serra Negra, in Pernambucano’s Agreste, a rural village full of charm, which is a “weekend scape”, as it combines an authentic country life with good restaurants and wineries with their own identity, all in a mild and pleasant climate all year round.

名为山坡上二手房公寓中最高的地段，也许是伯南布哥州最高的地段，大约950米，也是吉罗设计的，它的名字是由于经常有雾气笼罩着一切。这座房子是有品位的客户提出的挑战性要求的结果：一个安静的地方，一个避难所，一个感情和朋友的地方，总之，一个生活中美好事物发生的地方。此外，它应该把周围的美丽风景带入室内，把质朴和精致结合起来。

Name of the highest lots in a hillside second-home condominium, perhaps the highest in Pernambuco, around 950 m, also a Jirau design, its name is due to the mist that routinely takes over everything. This house is the result of a challenging request from clients who have very good taste: a place for quietness, refuge, for affection, and friends, in short, a place for the good things in life to happen. In addition, it should bring the beautiful landscape of its surroundings inside, mixing rusticity with sophistication.

由于地形的轮廓，人们通过社会楼层到达，然后可以下降到亲密环境的楼层，这与我们在城市空间中通常遇到的逻辑相反。”让空间流动起来，使其自由、连续和无拘无束。让我们只分离那些隐私或在其中进行的活动严格建议的地方”。

Because of the silhouette of the terrain, one arrives, on level, through the social floor and then one can descend to the floor of the intimate environment, in a contrary logic to what we normally encounter in the urban space of our cities. “Let the space flow, making it free, continuous, and uninhibited. Let us separate only those places where privacy, or the activity performed in them, strictly recommends it.”

通道是由一条人行道，一半是斜坡，一半是楼梯，从一些混凝土台阶开始，与我们到达时已经居住在这块土地上的小腰果树对话，然后发展成斜坡，进入到这个社交楼层，一个单间连接着客厅、餐厅和厨房。

The access is made by a walkway, half ramp, half staircase, which begins with some concrete steps that talk to the small cashew tree that already inhabited the lot when we arrived, and then develops ramped up to the access down this social floor, a single room joins living room, dining room, and kitchen.

这个大空间的一半与美食露台和无边泳池融为一体，完全建立在平衡的基础上，另一半通过一个从地板到天花板的框架面向景观，由一个宽大的帐篷保护，几乎就像一个海边的公寓，面对前面的大海，用客户在会议期间的要求的话说，提出了第一个研究。房子的社交区是一个大平台，在这里，主要的是风景、景观和无限的地平线。

Half of this large space integrates with the gourmet terrace and the infinity pool, built entirely on balance, and the other half faces the landscape through a floor-to-ceiling frame, protected by a generous marquee, almost as a seaside flat facing the sea in front of it, in the words of the client’s request during the meeting, presenting the first study. The social area of the house is a large platform where, always, the main thing is the view, the landscape, and the infinite horizon.

在下层，除了辅助区域，如洗衣房、服务卧室和浴室、储藏室和下层水库，还有两间套房，一间是客人套房，另一间是主人套房，其地板在两层，浴室也能欣赏到迷人的风景。在主人套房里，悬空的水池下的空间形成了阳台，”在这里，人们可以参与日夜的展开，被光线、风和雨所感染：人类体验自然环境的建筑场所？”正如我们在阿曼多-德-霍兰达（Armando de Holanda）的经典作品Roteiro para Construir no Nordeste中学到的那样。

On the lower floor, in addition to the support areas, such as the laundry room, service bedroom and bathroom, storage rooms, and the lower reservoir, there are two more suites, one being a guest suite and the other, the master suite with its floor on two levels and a bathroom that also enjoys the fascinating view. In the master suite, the space under the overhanging pool forms the veranda, the “sheltered place where one can participate in the unfolding of the days and nights, animated by the light, the winds and the rains: places of an architecture of the human experience of the natural environment?” as we learn in the classic Roteiro para Construir no Nordeste, by Armando de Holanda.

在材料方面，房子的设计不依赖于使用那些可能会过期或在另一个时间段内过时的材料。这所房子赌的是材料的真实性，菜单基本上归结为天然石材、油漆灰泥和木材。正如伯南布哥学校在其热带地区建筑手册中所教导的，”让我们努力实现自由和自发的建筑，明确表达我们的文化，并显示出对我们空间的敏感占有”。

In terms of materials, the house is designed without relying on the use of materials that may come to expire or go out of fashion at another time. The house bets on the truth of materials, and the menu basically boils down to natural stone, painted plaster, and wood. As the Pernambuco School teaches in its architectural manual for building in the tropics, “Let us work towards a free and spontaneous architecture that is a clear expression of our culture and reveals a sensitive appropriation of our space”.

Architects: Jirau Arquitetura
Area : 346 m²
Year : 2021
Photographs :Antônio Preggo
Authors : Pablo Patriota e Bernardo Lopes
Construction Management : Cléber Cabral
Architects : Gabriel Matos, Renildy Gama, Renata Brito, Jailson Tavares, André Vinicius, João Nobrega, Lyllian Maria, Maviael Filho e Elisabet Lucena
Intern : Arthur Holanda
Administration : Nathalia Dias e Elis Santana
Translation : Giselle Moraes
Complementary Projects : Nobrega Engenharia
Construction : Locomotiva | Construtora Design
Landscape Design : Rosa Borborema
City : Bezerros
Country : Brazil