“我们相信，真正的建筑只需通过初级的建筑行动就能在我们的脑海中留下不可磨灭的痕迹”。今天，商业空间的建筑设计被期望和驱使尝试与用户进行视觉交流，或者作为一种工具，通过视觉化、摄影和社会声明不可避免地吸引人们进入空间。尤其是餐厅和咖啡馆类型的项目，经常借用建筑的其他语言来吸引顾客。但作为清迈的一名设计工作者，A市的这类企业是由需要Instagramable的建筑驱动的，是否有必要通过设计工作来质疑这种情况呢？至少为了不忽视我们职业的真正本质。

“We are convinced that real architecture will leave an indelible trace in our minds by only elementary architectural action”. Today, architectural design for commercial spaces is expected and driven to try to communicate visually with users, or as a tool to attract people to spaces through visualization, photography, and social statement inevitably. In particular, restaurant and café type programs often borrow the other language of architecture to attract customers. But as a design worker in Chiang Mai, A city in which such businesses are driven by an architecture that requires Instagramable, is it necessary to question the situation through the design work? at least in order not to overlook the true essence of our profession.

gimme庇护所是一个商业区，由咖啡馆、餐厅、办公室和车间区组成。那取代了清迈Rattanakosin酒店停车场的旧仓库 为了成为一个多功能区，建筑师最初希望在城市中的仓库区有一个停车场的标准，在探索和改造建筑时开始开发更多的空间利用。

The gimme shelter is a commercial area that consists of a cafe, restaurant, office, and workshop area. that replaced the old warehouse in the parking lot of the Chiang Mai Rattanakosin Hotel To become a multi-function area, the architect initially wanted a warehouse area in the city with the criteria of a car park and began to develop more space utilization when exploring and renovating the building.

主要项目被咖啡馆和餐厅排在第一位。设计办公室、工作室和花园隐藏在周围建筑之间的后方空间里。利用原有仓库的语言进行改造的心态，结合简单的平面来分隔空间，将光线引入建筑。它使用了常见的工业材料，但却适应了这种氛围。我们会发现，除了原有区域的解决方案的本质之外，剩余的东西没有被借用。这是一种改进建筑的方法，它被选择从适合的事物中收集痕迹。

The main program is ranked first by cafes and restaurants. The design office, workshop, and garden are hidden in a backspace between the surrounding building. The mentality of renovating using the language of the original warehouse combined with a simple plane for separating the space and bringing light into the building. It uses industrial materials that are commonly available but are adapted to the atmosphere. We will find that the surplus is not borrowed from anything other than the essence of the original area’s solution. It is a method for improving the building that has been chosen to collect traces from things that are fit.

除了建筑语言的问题建筑师打算使该地区开放和宽广。并解决建筑的原始问题，也有插入一个隐藏的程序，人们在不同的群体将成为 “空间用户 “不只是 “客户”。吧台区是开放的，可以准备膳食。

In addition to the issue of architectural language architects intended to make the area open and wide. and to solve the original problem of the building, there is also the insertion of a Hidden Program that people in various groups will become “Space users” are not the only “customers”. The bar area is open to prepare meals.

要看到食物从厨房到顾客的活动，目的是使餐厅成为一个开放的空间，人们可以在餐桌上和餐厅工作人员交谈，并有一个平等的互动。这是在这个餐厅空间中有意插入的设计语言。还有一个小的讨论区。它吸引了整个城市发展、社会和政治层面的设计的对话，欢迎公众和学生都可以来讨论，而不需要参照时间顺序和正式的学术讨论。
这些活动穿插在红木果园中，由商店后面的空间隔开。在不分离该地区的用户之后，我们确信，真正的建筑将在我们的头脑中留下不可磨灭的痕迹，只需初级的建筑行动。它也推动了建筑表达之间的思维列车。如果我们能有更多的期待，我们希望我们的城市能有一个与不同人的记忆有关的建筑。作为一个建筑师，是否可以设计一个商业空间，打开门来接待同等数量的人？创造社会重叠的维度。并在小型的、人与人之间的对话质量中留下一些记忆的痕迹。

To see the activities of the food from the kitchen to the customers with the intention of making the restaurant an open space People can talk and have an equal level of interaction both at the dining table and with the restaurant staff. It’s the design language that was intentionally inserted into this restaurant space. And there is also a small discussion area. that draws conversations throughout the design of urban development, social and political dimension that welcomes both the public and students can come and talk without referring to the chronological and formal academic discussions.
These activities are interspersed in the mahogany orchards separated by the space behind the shop. without separating the users of the area After practising the profession for a while, we were convinced that real architecture will leave an indelible trace in our minds by only elementary architectural action. It also drives the train of thought between architectural expression. And if we can expect more, we hope that our city will have an architecture that is related to the memories of diverse people. as an architect Is it possible to design a commercial space that opens the door to receive an equal number of people? Create social overlapping dimensions. and leave some traces of memory in the quality of small, person-to-person conversations.

Architects: Housescape Design Lab
Area : 200 m²
Year : 2022
Photographs :Rungkit Charoenwat
Manufacturers : BEGER, Toto, Aqualine, ORM
Design Team : Thiprada Jindatum, Wachira Pakkla, Panuwat Donthong
Engineering : Kriangsak Mutnanchai
Collaborators : C.Wiruj, C.Tuy, C.Cha, C.Funh, C.Lung Boon, C.Too
Internship Supporting Team : Siriwimon Wimonsuk, Nuttakrit Panya, Phunnathon Phrianphanich, Thanakorn Namrueang
Furniture : Studio Minimus
Clients : Gimme Shelter Co.,Ltd
City : Chiang Mai
Country : Thailand