Grupo Sud是将一个旧的香水工厂改造成一个开放的工作空间，由4家公司控股，在营销、生产、设计和通信领域完全整合。该建筑位于圣地亚哥市，在 “意大利 “街区，包括设计、艺术和装饰奢侈品商店。
Grupo Sud is the conversion of an old perfume factory into an open work space for a holding of 4 companies that are fully integrated in the marketing, production, design and communication areas. The building is located in the city of Santiago, in the “Italia” neighborhood that encompasses design, art and decoration luxury stores.
场地宽20米，深75米，由一系列在不同时间点建造的仓库组成，这些仓库在同一时间内被扩大和细分。该项目需要恢复这些空间的顺序，并对其进行重组，以满足公司的需求，主要是为大约100人的工作队伍提供办公室。
The site, 20 meters wide by 75 meters deep, comprised a series of warehouses constructed at different points in time that had been expanded and subdivided throughout that same time. The project entailed the restoration of the sequence of spaces and their reorganization so as to serve the needs of the companies, mainly offices for a work force of about a hundred people.
预算非常有限，项目执行的时间也很紧，只有五个月。决策必须是谨慎和战略性的。为了实现这一目标，我们提出了两个主要行动：去除无用的东西，重新利用已有的东西。拆除和重新使用细分的元素，恢复了不同仓库之间的交流，并带来了更流畅和更明亮的空间：这是一个综合和团队工作方法的理想环境。
There was a very limited budget and a tight schedule of only five months for the project’s execution. Decisions had to be careful and strategic. In order to achieve this, two main actions were proposed: to remove what was useless and to reuse what existed. Removing and reusing the elements of subdivision restored the communication between the different warehouses and resulted in more fluid and brighter spaces: the ideal environment for an integrated and team work approach.
干预的目的是揭示和对比新旧事物。长期以来，厚重的墙壁、纹理和高高的天花板与新的较轻和透明的元素相对立，最小的比例满足用户的需求。色调是中性的，以保持安静并突出充足的空间。具有不同程度光泽的白色被用作基础，通过光线来统一和重估空间的价值。地板保持灰色，而在墙壁上通过使用颜色或通过揭示砖层纳入一些重点。
The intervention aimed to reveal and contrast the old and the new. Longstanding thick walls, textures and high ceilings are opposed to the new lighter and transparent elements, minimally scaled to satisfy the user’s needs. The color palette is neutral to maintain the quietness and to highlight the ample spaces. The white, with different levels of shine, was used as a foundation to unify and revalue the spaces through light. The floors were kept gray while some accents were incorporated on walls through the use of color or by revealing the brick layer.
新的分区是由玻璃制成的，试图淡化边界，并将这些新的元素的直线和明确的边缘与旧的不精确进行对比。新的气候和电力控制板用镀锌金属突出，在白色背景的中立性中有序地移动。家具和灯具都是由57STUDIO设计的，遵循同样的前提，即在一个回收的空间上进行识别和对比，作为背景。
The new divisions were made of glass, seeking to dilute boundaries and to contrast these new elements of straight and defined edges to the imprecisions of the old. The new climate and electricity control panels were highlighted in galvanized metal, moving in an orderly fashion through the neutrality of the white background. Both the furniture and the lamps were designed by 57STUDIO following the same premise of identity and contrast over a recycled space as a backdrop.
Architects: 57STUDIO
Area: 1500 m²
Year: 2015
Photographs: Caco Oportot
Design Team:Maurizio Angelini, Benjamín Oportot, Josefina Mendoza, Marcelo Lepín, Jérémy Délvaux
Collaborators:Inark, A-Cuadrado, Farmet, Atika, MK
City:Providencia
Country:Chile