该装置是第24届年度建筑和装饰展览CASACOR Minas的一部分，该展览于2018年8月至9月在巴西MG省贝洛奥里藏特市举行。该活动发生在一个被列入历史遗产的建筑中，那里是贝洛奥里藏特铁路网的前总部所在地。
The installation was part of the 24th annual Architecture and Decoration exhibition, CASACOR Minas, which took place in the city of Belo Horizonte, MG-Brazil, between August and September of 2018. The event happened in a building listed by the Historical Heritage where the former headquarters of the Belo Horizonte Railway Network was located.
由 “Play Arquitetura “办公室首次设计的名为 “Casa Viva”（生活之家）的项目是基于一个空间，就像一个普通的房子，它是在不断运动和转变。
这个实验的基础是建立在历史建筑三楼的一个建筑物体，这是一个用陶瓷屋顶瓦覆盖的大场地，由大型金属剪刀桁架构成。
Designed by the “Play Arquitetura” office in its first atuation in this eshibition, the project entitled “Casa Viva”(Living House) was based in a space that, like a common house, it is in constant movement and transformation.
The basis of this experiment was an architectural object built on the third floor of the historic building, wich is a large site covered in ceramic roofing tile, structured by large metallic scissor trusses.
这个小型临时亭子的设计考虑到了原来的建筑，引出了新的空间和建筑视角，突出了现有建筑和新建筑之间的关系，外部和内部，以及形状之间的光和影。
The small temporary pavilion was designed taking into account the original building, drawing out new spatial and architectural perspectives, highlighting the relationship between the existing architecture and the new one, the exterior and interior, and the light and shadow among the shapes.
除了它的建筑特点，这个装置还被赋予了表演的特点，它的内部空间每周都会发生变化，逐渐增加家具、艺术品、植物、情感物品和个人记忆。参观者被邀请在女主人Margareth Cardoso的陪伴下密切关注这些变化，她占用了这个空间，并在其特征中加入了修改。这些变化通过照片被记录下来，并在大厅里适当展示，以便所有人都能看到这个过程。
Besides its architectural characteristics, the installation has been given a performance character by proposing weekly transformations in its internal occupation, where were gradually added furniture, works of art, plants, affective objects and personal memories. The visitor was invited to follow closely these changes in the company of a hostess, the actress Margareth Cardoso, who appropriated of the space and also incorporated modifications in its character. The transformations were recorded through photos and these were properly displayed in the hall so that the process was followed by all.
该提案试图强调和面对建筑、室内建筑、设计和艺术的多种潜力，以及它们与用户的相互关系，质疑建筑作为静态和情感冷漠的东西的想法。
The proposal sought to highlight and confront the multiple potentialities of architecture, interior architecture, design and art and their interrelations with their users, questioning the idea of architecture as something static and emotionally apathetic.
“我们，在创造这个由空间（建筑）、事物（设计）和人组成的宇宙中工作的专业人员，需要意识到这些媒介和项目之间的关系寻求感情，在我们的情感和主体性中相互影响的意义上。” (Marcelo Alvarenga)
“We, professionals who work in the creation of this universe, composed by space (architecture), things (design) and people, need to be aware of the relationships between these agents and project seeking affection, in the sense of affecting each other in our emotions and subjectivities.” (Marcelo Alvarenga)
Architects: Play Arquitetura
Area: 559 ft²
Year: 2018
Photographs: Jomar Bragança, Studio Tertulia
Manufacturers: Alva Design, Bianca Barbato, Coral, Galeria Celma Albuquerque, Innere, Ladrilhos Barbacena, Líder Interiores, Marie Camille;, Pé Palito, São Romão, Templuz, Terra Tile, Topy System
Authors:Marcelo Alvarenga, Juliana Figueiró
Execution:Kraft Engenharia
Joinery:Marcenarita
City:Belo Horizonte
Country:Brazil