“感觉。捕捉我们的表情并产生存在感的中断。从内到外。曲线”。这种最初的倾听被添加到湖景和巴西塞拉多的自然美景中。
这就是住宅项目的开始。
在一张白纸上，我开始画草图，并记住了我对文艺复兴的研究和意大利雕塑引起的炫目。
“Sensations. Disruptions that capture our look and produce presence. Inside-out. Curves.” Such initial listening was added to a lake view and to the natural beauty of the Brazilian Cerrado.
That was how the dwelling project began.
On a white sheet, I started the sketches and remembered my studies on the Renaissance and the dazzle caused by Italian sculptures.
一个想法满足了我的客户的要求：房子围绕着一个圆形的客厅和一组楼梯演变，作为一个上升的螺旋形的连接元素。在外部，两个隔板拥抱着一棵扭曲的塞拉多树，将我们引向两条道路：一条通往入口大厅，上面有一个屋顶花园，另一条通往休闲区。有了不同的半径，圆柱体的这种隔板将是盲目的屋檐，通过观察者的眼睛提供视角，并产生螺旋式的运动–现在在外墙上将本地植被融入新的住宅。
An idea met my client’s request: the house evolving around a circular living room and a set of stairs acting as an ascending helicoidal connecting element. Externally, two bulkheads embrace a contorted Cerrado tree leading us to two paths: one to the entrance hall, covered with a roof garden, and the other to the leisure area. With different radii, such bulkheads to the cylindrical body would be blind gables to give perspective through the eye of the beholder and to produce a spiral movement – now in the facade integrating the native vegetation into the new dwelling.
巴西的现代主义剧目加入了这个概念。尽管现代艺术周发生在90年前，但我们仍然受到结构和封闭物中暴露的材料的清晰度的影响，以及与内部内容有关的形状的清晰性。钢筋混凝土的可塑性与所设想的审美模式建立了直接的联系，允许房间有一个完全开放的面板到外面，同时仍然保持元素的纯粹和暴露，没有不必要的元素的干扰。暴露在外的混凝土的质朴性自然地插入到住宅周围的环境中，即巴西的塞拉多。
The Brazilian modernist repertoire joined this concept. Even though the Modern Art Week took place nine decades ago, we are still influenced by the clarity of the material exposed in structures and closures, and by the lucidity of the shapes in relation to the internal content. The plasticity of the reinforced concrete establishes a direct connection with the esthetic model conceived, allowing rooms to have a completely open panel to the outside while still keeping elements pure and exposed, with no interference from unnecessary elements. The rusticity of the exposed concrete naturally inserts into the environment around the home, the Brazilian Cerrado.
项目成熟了，施工方法也确定了。
同样的概念被可持续地应用于景观设计中，以保持本地的审美：各种颜色的Ipês、Buritis、Cagaitas、Cerrado马尾草及其精致的管状物和美丽的Calliandra花。这个项目的创意自由引发了对房子现在所在的地方、对我们的审美记忆以及基本上对居住的微妙性的仔细观察。
Project matured and construction method defined.
The same concept was sustainably applied in landscaping maintaining the native esthetic: various colors of Ipês, Buritis, Cagaitas, Cerrado horsetails with their delicate canaliculi and the beauty of Calliandra flowers. This project’s creative freedom triggered a careful look towards the place where the house now stands, towards our esthetic memory and, essentially, towards the subtleness of dwelling.
Architects: Alexandre Faccin
Area : 220 m²
Year : 2018
Photographs :Favaro Jr.
Arquiteto Responsável : Alexandre Faccin
Engineering : AEOLUS Engenharia
Landscaping : Alexandre Faccin
Collaborators : Construtora Aissa, Pastilhas Atlas, Stato Dell Arte Revestimentos, Pavão Revestimentos, Incepa, Roca, Franke, Gart, Escada e Cia, Perfibox
City : Itirapina
Country : Brazil