住宅是对有限资源的行使,其中空间、材料和技术解决方案的减少使得使用的灵活性最大化。为了应对我们目前作为一个社会所处的不断变化的不确定性,该项目,即对现有的85平方米的公寓进行改造,被设想为一个开放和未定义的系统,能够作为谁居住在其中的背景。一个命题的系统,而不是一个限制性的系统。

The home is an exercise of limit­ed resources, in which the reduction of spatial, material, and technological solutions allows the maximum flexibility of use. In response to the ever-changing uncertainty we currently live in as a society, the project, the renovation of an existing 85m2 apartment, is conceived as an open and undefined system capable of functioning as a backdrop to whoever inhabits it. A propositional system, not a limiting one.

该住宅通过一系列房间的连接,与固定和传统的分布保持距离,这些房间在程序上是通用的,但在空间上是具体的。这样一来,住宅就能够回应当代生活的需求,而不是市场驱动的逻辑。在空间上,该项目是通过一个不对称的网格来解决的,该网格组织和衔接给定的空间。每个房间都是矩形比例,通过一系列大型的中央开孔相互连接,创造了一个空间围墙,沟通了所有的空间,建立了一个视觉连续性,放大了空间,同时淡化了其使用限制。

The home distances itself from fixed and conventional distributions through the linkage of a series rooms that are programmatically generic but spatially specific. With this, the home is able to respond to the demands of a contempo­rary living and not market driven log­ics. Spatially, the project is resolved through an asymmetric grid that organiz­es and articulates the given space. Each room, of rectangular proportions, is connected with each other through a se­ries of large, central apertures, creat­ing a spatial enfilade that communicates all spaces and establishes a visual continuity amplifying the space whilst diluting its use limits.

该项目的材料调色板是直接和裸露的。地板由环氧树脂制成,消除了任何规模感,而天花板,粗糙而空旷,由于溅上石膏的不精确性,呈现出装饰性的巴洛克风格。覆盖在镜子上的烹饪区则完全消失了。

The project’s material palette is direct and bare. The floor, made out of epoxy resin, erases any sense of scale while the ceiling, rough and cavernous, presents itself ornamentally baroque as a result of the splashed plaster’s im­precision. The cooking area, covered in mirrors, simply disappears.

尽管这个项目的美学可以说是无菌的,让人想起科洛米纳在现代运动和20世纪大流行病之间的类比,但这个项目的内部建筑不是作为对新定义的卫生标准的回应,而是社会标准。一个模棱两可的系统能够为它所接收的居民提供服务,而不是投射固定的。

Even though the project’s aesthetics could be de­scribed as aseptic, recalling Colomina’s analogies between the Modern Movement and 20th century pandemics, the proj­ect’s interior architecture is reduced not as a response to newly defined sani­tary standards but social ones. An am­biguous system capable of serving the inhabitant it receives, without project­ing fixed.

Architects: HANGHAR
Area : 85 m²
Year : 2020
Photographs :Luis Diaz Diaz
Manufacturers : AutoDesk, Chaos Group, Adobe, Artemide, Delinia, Robert McNeel & Associates, VIVES CERAMICA
Lead Architect : Eduardo Mediero
City : Murcia
Country : Spain