Ilma在芬兰语中的意思是 “天气、空气”。
所有的空间显然都有和谐的空气,而我们的客户希望有那种空气的正能量在空间里萦绕。
客户在过去20年里一直从事服装生意,共经营着8家服装编辑店,根据每个场地的特点,每个店的设计和概念都不一样。清潭一马店是在名为 “一马 “的品牌发展过程中如火如荼地开张的,因此,空间的识别必须非常谨慎地表达。

Ilma means “weather, air” in the Finnish language.
All spaces clearly have harmonious air, and our client wanted to have that kind of air’s positive energy lingering in the space.
The client, who has been working in the clothing business for the past 20 years, was operating a total of 8 clothing editor stores, and the design and concept of each store is different according to the characteristics of each site. Cheongdam Ilma Store was opened in the process of developing the branding called ‘the ilma’ in full swing, so the identity of the space had to be expressed with great care.

现有的’The Ilma’的品牌和空间识别是基于现代主义的,设计师希望关注现代主义的深层起源。通过解读作为现代主义基础的建构主义者El Lissitzky的艺术作品,设计师利用重叠、排列和纹理对比等元素,将艺术作品中的几何图形引入空间,期望清晰地表达空间的身份。

The brand and space identity of the existing ‘The Ilma’ was based on modernism and the designer wanted to focus on the deeper origin of modernism. By interpreting a constructivist El Lissitzky’s artwork which served as a foundation for modernism, the designer introduced geometric figures of the artwork into the space by using the elements of overlapping, arrangement and textural contrast with an expectation to express the identity of the space clearly.

在 “The Ilma. “的设计中,有三个重要元素。
第一个设计元素是形成性和纹理对比。
这种对比通过形式和材料的对比,从入口处开始生动地揭示出来。
它试图通过独特的属性,揭示出存在于清潭洞黑色建筑中心的伊尔玛展示厅。外立面的形式通过安排圆形和直线来消除无聊,以一种抽象的、动态的风格来表达。饰面材料也以各种方式增加了空间的体积,如白橡木的圆形柱子看起来重叠在透明玻璃和粗糙的石头粉末处理的特殊涂料之间,传递出沉重的质量感。

There are three important elements in the design of ‘The Ilma.’.
The first design element is formative and textural contrast.
Such contrast is vividly revealed through the contrast of forms and materials, starting from the entrance.
It attempts to reveal the Ilma Show Room, which is existing in the center of Cheongdam-dong’s black buildings, by using a distinctive property. The form of the façade is expressed in an abstract, and dynamic style by arranging round shapes and straight lines to eliminate boredom. The finishing materials also add volume to the space in various ways as the round columns of white oak wood look overlapping between clear glass and rough stone powder-treated special paint, delivering a heavy mass feeling.

此外,外面的圆形体块的外部被处理成由冷石粉制成的粗糙饰面,而内部被整齐地处理成温暖的白橡木,以便在内部和外部之间形成对比。这种材料的对比在墙壁和家具上以一种重叠的方式不断地重复呈现。四种装饰材料–粗糙的石粉、透明的白玻璃、温暖的木材和冰冷的金属–相互联系和重叠,以极致的对比来表达各种天气状况。

In addition, the exterior of the round mass on the outside was treated with a rough finishing made of cold stone powder while the interior was finished neatly with warm white oak in order to from a contrast between the inside and the outside. Such material contrast was presented on the wall and furniture in an overlapping way continuously and repeatedly. Four finishing materials—rough stone powder, clear white glass, warm wood and cold metal—were interconnected and overlapped to express various weather conditions with ultimate contrasts.

第二个设计元素是相互拥抱。
从天花板到墙面的 “ㄱ “字形,可以感受到凹凸不平的纹理。然后,空间内的一个大圆块通过拥抱室内提供了一个温暖舒适的感觉。第三个设计元素是以不同的顺序组成的几何图形。在每个序列中,圆形、矩形、曲面、平面和线条等元素为空间提供了节奏和乐趣,因为它们在墙壁、柱子、衣架、家具、架子、椅子、柜台、试衣间和圆形墙壁等形式中相互重叠和纠缠。

The second design element is embracing each other.
A bumpy texture can be felt, starting from the ceiling to the wall in the ‘ㄱ‘-shape, and a finishing made of concrete hardener is embracing the space, starting from the floor to the wall in the ‘ㄴ‘-shape. And then, a lump made in a big round mass inside the space is providing a warm comfortable feeling by embracing the interior. The third design element is geometric figures made in different sequences. In each sequence, the elements of round shape, rectangle, curved surface, plane and lines are providing rhythm and fun to the space as they are overlapping and tangling with each other in the form of walls, columns, hangers, furniture, shelves, chairs, counter, fitting room, and round walls.

“阳光是美味的,雨是清爽的,风使我们振作起来,雪是令人振奋的;真的没有所谓的坏天气,只有不同种类的好天气。”
– 约翰-罗斯金
我们希望清潭一马的空间随时被正能量所包围,拥有不同类型的好天气。

“Sunshine is delicious, rain is refreshing, wind braces us up, snow is exhilarating; there is really no such thing as bad weather, only different kinds of good weather.“
– John Ruskin
We wish Cheongdam Ilma’s space to be surrounded with positive energy at all times and to have different types of good weather.

Architects: LABOTORY
Area: 78 m²
Year: 2018
Photographs: Choi Yong Joon
Manufacturers: A-sang Stone, Concret Doctor, Dongnam Furniture, Terracota, V art
Lead Architects:
Other Participants:Yoo Seul Gi, Ahn Jin Hee
City:Seoul
Country:South Korea