亚拉-西姆曼是一位虚构的捷克国家巨人。他在许多角色中表现出色–作为发明家、科学家、剧作家、诗人、作曲家、艺术家、教师、旅行家、哲学家、侦探、数学家、飞行员、运动员和牙医。 就他而言,你很难找到一个他没有做出根本性贡献的行业。

Jára Cimrman is a fictitious Czech national giant. He excelled in many roles – as an inventor, scientist, playwright, poet, composer, artist, teacher, traveler, philosopher, detective, mathematician, pilot, sportsman and dentist. In his case, you can hardly find a profession that he has not made a radical contribution to.

他出生于19世纪末,他的足迹在第一次世界大战后消失了。

He was born in the end of the 19th century and his footprint disappeared after the First World War.

2005年,他成为电视比赛 “最伟大的捷克人 “的冠军,但由于他不存在,他被取消了资格。比赛组织者–捷克电视台的这一决定引起了全体人民的极大愤慨。

In the 2005 he became the winner of the TV competition The Greatest Czech, but he was disqualified, due to his non-existence. This decision of the competition organizers – the Czech Television – led to a huge outrage over the whole population.

亚拉达西姆曼的灯塔和博物馆是在阿列斯-沃弗卡的推动下建成的。它们是对位于Jizera山脉Příchovice下面南坡的U Čápa设施的补充。观景塔和博物馆应该会提高夏季宾馆的游客率。投资者一直在努力用自己的资源(没有补贴)建立一个漂亮和功能良好的地方。特殊的景观框架与他们的心息息相关;他们建造牧场和人行道,照顾树线,并建造了一个观景塔。西姆尔曼时代博物馆几乎是看不见的。它完全嵌在斜坡上,用石墙覆盖,顺利地与其他墙壁连接,沿着等高线穿过场地。你可以说这是该地区的一个典型的水平元素。

Jára da Cimrman’s Lighthouse and Museum were built on an impetus from Aleš Voverka. They complement the U Čápa establishment on the southern slope below Příchovice in the Jizera Mountains. The viewing tower and the museum should increase the rates of visitors to the guesthouse in summer. The investors have been trying to build a nice and well- functioning place with their own resources (no subsidies). The exceptional landscape framework is close to their hearts; they build pastures and footpaths, take care of tree lines, and have built a viewing tower. The Museum of Cimrman’s Times is virtually invisible. It is completely embedded in the slope and covered with a stone wall, which smoothly connects to the other walls criss- crossing the site along the contour lines. You could say this is a horizontal element typical of the area.

该结构的美学概念是基于水平墙和木质灯塔结构所体现的垂直度之间的对比。石头是在挖掘现场直接开采的,木材源自吉泽拉山(框架用花旗松,楼梯用橡木)。
游客通过石墙上的一个洞进入博物馆(与真正的Cimrman团伙合作制作),并继续沿着螺旋形的楼梯,从博物馆的最中心升起,到达18米高的烽火台的观景台。烽火台的顶部装有典型的属性,如画廊、桅杆、旗杆和分段式玻璃。它包含一个全景板,上面有对景色的描述。

The aesthetic concept of the structure is based on the contrast between the horizontal walls and the verticality embodied by the wooden Beacon structure. The stone was mined directly on the excavation site, the wood originates from the Jizera Mountains (Douglas fir for framework, oak for stairs).
Visitors enter the museum (made in co- operation with the real Cimrman gang) via a hole in the stone wall and continue up the spiral staircase, rising from the very centre of the museum, to the viewing platform of the beacon 18 m high up. The top of the beacon is fitted with the typical attributes such as a gallery, a mast, a flagstaff, and segmented glazing. It contains a panorama board with descriptions of the views.

Architects: Hut Architektury Martin Rajnis
Area : 162 m²
Year : 2013
Photographs :Radka Ciglerova, Andrea Thiel Lhotakova, Josef Pour
Country:Czech Republic