对我们来说，”Khaneye Hayatdar “的经历是一次重新定义伊朗建筑灵魂的经历，它具有前卫的外观。欣赏灵魂可以采取任何形式，或者换句话说，它是独立于形式的。它是对存在的东西的发现，而不是对不存在的东西的创造。它是一个从自我到自身的旅程，不需要向任何方向迈出一步。只是存在、发现和享受，此时此地。

The experience of the ” Khaneye Hayatdar ” for us, was an experience of redefining the soul of Iranian architecture with an avant-garde appearance. Appreciating the soul can take any form, or in other words, it is independent of forms. It is the discovery of what exists, not the creation of something nonexistence. It is a journey from a self to its own, without the need for a single step in any direction. Just being, discovering, and enjoying, here and now.

虽然偏离原则总是导致痛苦，邀请人类灵魂返回其源头。
“任何远离自己本源的人将永远寻找它” 鲁米

Khaneye Hayatdar “是在一个荒凉的废弃建筑中被介绍给我们的，它有严重的安装和结构问题。雇主的意图是可爱的。 他的预算很低，也很有限，他希望能找到一个具有他的童年之家气氛的房子，这样他的孩子就不会在毫无生气的公寓里长大，让他们成为一个孩子，感受存在，并只是存在。

While deviating from the principle always causes pain that invites the human soul to return to its source.
“Anyone who stays away from his origin will always search for it ” Rumi

The “Khaneye Hayatdar” was referred to us while a desolate abandoned building with serious installation and structural problems. The intention of the employer was lovely. With a low and limited budget he had, he preferred to find a home with the atmosphere of his Childhood house so that his children would not grow up in lifeless apartments, let them be a child, feel the being, and just be.

从我们进入项目现场的那一刻起，我们就能理解这种家的感觉。设计这样一个空间并不难，一切都在那里，我们只需要稍微打磨一下，让它的精神从背景中闪现出来。我们为我们的设计过程制定了规则。我们的第一条设计规则是：”任何东西都不能增加或减少”。 旧的砖块图案被用来设计外墙与房子的布局。旧的架子被重新定义为新的功能。此外，原钢、水泥、木材、瓷砖和石膏是我们的设计工具，没有为设计师的个人品味留下任何空间。保护这个房子的简单性是我们的另一个规则，没有任何东西是为了美丽而添加的，因为裸露的东西会从思想和物质的背景中揭示空间的精神。

From the moment we entered the project site, we could understand the feeling of home. Designing such a space was not difficult, everything was there, we just had to polish it a little to make its spirit shine from the background. We made rules for our design process. Our first design rule was, “Nothing will be added or subtracted.” The old brick pattern was used to design the facade with the layout of the house. The old shelves were redefined for new functions. Also, raw steel, cement, woods, tiles, and plasters were our tools for the design that left no room for the designer’s personal taste. Preserving the simplicity of this house was our other rule, nothing was added for just beauty aspects because nudity would reveal the spirit of the space from the background of mind and matter.

挑战 – 墙，基于雇主的心态，已经成为一个过滤器，最大限度地减少与外界不平衡的联系，如果需要，这个过滤器的一部分将被打开或关闭。 砖块的图案被作为一种进入光线的方式，而不用担心邻近房屋的隐私问题。 另外，护窗板也成为立面设计的一个元素，这使得立面更有活力，为立面创造了一个很好的游戏和变化。 项目的屋顶是唯一可以无忧无虑地照射到项目核心的表面，天空可以成为我们项目屋顶的一部分。

Challenges – The wall, based on the mentality of the employer, has become a filter that minimizes the connection with out-of-home unbalances, and if desired, part of this filter would be opened or closed. The pattern of the bricks was used as a way to enter the light without worrying about the privacy of the neighboring houses. Also, the window protectors became an element for facade design, which made the facade more dynamic and created a nice play and variation for the facade. The roof of the project was the only Surface that could shed light on the heart of the project without worry, and the sky could be part of the roof of our project.

谦虚–“Khaneye Hayatdar “是那条巷子里唯一翻新的房子。它的外墙是经过精心设计的，非常敏感。 材料和设计网格都尽可能地取自邻近的房屋，这样他就可以谦虚地与他的同伴们和谐地坐在一起。

Modesty – “Khaneye Hayatdar” was the only house renovated on that alley. Its facade was designed with great care and sensitivity. The materials and the design grids were taken from the neighboring houses as much as possible so that he could sit modestly and harmoniously with his companions.

Architects: 4 Architecture Studio
Area : 163 m²
Year : 2020
Photographs :Peyman Amirghiasvand
Manufacturers : AutoDesk, Chaos Group, Barrisol, Kale, VitrA, AGT, Adobe Systems Incorporated, FadCo, Kenuf Iran, Robert McNeel & Associates
Lead Architects : Mohammad Yousef Salehi, Mohammad Sadegh Afshar Taheri, Kasra Shafieezadeh, Mohammadreza Piri
Project Manager : 4 Architecture Studio, Mohammadreza Piri
Design Team : Azin Savedoroudi, Iman Eslami, Samin Heidari
Graphics : Farshid Nasr Azadani
Drafting : Shiva Ghaffari, Helia Moradzadeh
Engineering : Farzad Barazande
Clients : Saeed Shabani
City : Tehran
Country : Iran