在阿姆斯特丹东部的绿色街区，温暖的 “pincho酒吧 “La Cervecería，已经向公众开放，将西班牙温暖的一面带到荷兰首都。这家西班牙风格的酒吧是由Modijefsky工作室设计的，它使用传统的南方色调和生动的现代图案并置，为当地人创造了一个舒适的空间，让他们感受到假期，也让南方的国际人士感受到家的温暖。室内参考了典型的 “cervecerías”：西班牙人在工作之余与同事和朋友一起去的地方，在一个非正式的环境中享受 “cañas “和 “pinchos”。当你进入这个空间时，内部立即显得友好、欢迎和充满活力。不同设置的定义创造了一种活力：无论你是想坐在吧台边过夜，还是想在高脚桌前聚会，或是想亲密地用餐，La Cervecería都是理想的场所。内部装饰让人想起传统的地中海食堂，这要归功于独特的彩色调色板，再加上现代的触摸，能够将南方的传统与当代阿姆斯特丹的接待场景联系起来。暖色的橡木、倾斜的镜子、具有老式感觉的木质型材、青铜栏杆和现代地板图案的巧妙使用，形成了一种奢侈的元素构成，最终达到了完美的平衡。
In the green neighborhood of Amsterdam east, the warm ‘pincho bar’ La Cervecería, has opened its doors to the public to bring the warm side of Spain to the Dutch capital. This Spanish-inspired bar has been designed by Studio Modijefsky, which, using a traditionally southern color palette and a lively juxtaposition of modern patterns, created a cozy space for locals to feel on holiday and for southern internationals to feel home. The interior references to typical “cervecerías”: places where Spaniards go to spend their after-work time in the company of colleagues and friends, to enjoy “cañas” and “pinchos” in an informal environment. As you enter the space, the interior immediately appears friendly, welcoming and vibrant. A dynamicity is created by the definition of different settings: whether you want to spend the night sitting at the bar, gather at a high table, or intimately dine, La Cervecería appears as the ideal place for it. The interior recalls the traditional Mediterranean canteen, thanks to a distinct colorful palette, with the addition of a modern touch which is able to link southern tradition to the contemporary Amsterdam hospitality scene. The masterly use of warm colored oak wood, inclined mirrors, wooden profiles with an old-fashioned feel, bronze railing and modern floor patterns, results in an extravagant composition of elements, which is ultimately in perfect balance.
La Cervecería的内部分为三个主要区域；当你进入空间时，你面对的是用餐区，这是一个混合的低矮和高坐，圆形和方形的桌子，放置在一个图形瓷砖地板上。在两边，一高一低的长椅，用它们看起来很温暖的黄色纺织品和皮革界定了这个空间。每件作品的设计都参考了建筑的柱子，其角落被45度的修饰磨平了。黄色阴影的木椅与用餐区的颜色相得益彰。在它们旁边，定制的平板电脑以类似纺织品的表面处理和木质格子图案使环境充满活力。空间的垂直度被带有复古灯具的软垫板所强调，这些灯具装饰着柱子直到天花板，增强了双重高度。向右看去，你会发现站在基座上的雄伟的前台酒吧。老黄铜、柔和色调的黄色瓷砖和卡拉拉大理石的使用，都丰富了木质底座，让人想起南方老式咖啡馆的优雅吧台，最后由一块红色粉末涂层钢板拥抱着它，使它变得更加清新，增加了一个特殊的层次。后面的吧台几乎像一个天顶，是一个由木头和棕色钢制成的三联画，其立体感被灯箱、镜子和深绿色的釉面砖大大地强调。这里是所有啤酒的展示和供应地点。最后一个区域是夹层，可以俯瞰底层和厨房。在背景墙上，橡木框架通过使用折叠门原理中的镜子扰乱了视觉路径，在不同的方向上反射出空间，同时又将其统一。在这里，一个时髦的角落长椅，用红色的皮革和黄蓝色的织物，以其个性主导了周围的木质环境。桌子由入口处相同的格子图案定义，在视觉上连接了两个空间。上述三个区域主要由三个元素巧妙地连接起来：栏杆、地板和图形层。
La Cervecería’s interior is divided in three main areas; as you enter the space, you face the dining area, which is a mix of low and high sitting, round and square tables, placed on a graphic tiled floor. On two sides, a high and a low bench, define the space with their warm looking yellow textiles and leathers. The design of each piece is a reference to the columns of the building, whose corners are smoothed by a 45degrees trim. Yellow-shaded wooden chairs complement the colors of the dining area. Next to them, custom made tabletops animate the environment with a textile-like finish and wooden checkered patterns. The verticality of the space is emphasized by upholstered panels featuring vintage light fixtures, which décor the columns until the ceiling, enhancing the double height. Looking to the right, you will find the majestic front bar, standing on a pedestal. The use of aged brass, softly-toned yellow tiles and Carrara marble, all enriching the wooden base, recalls elegant bar counters of old southern cafes, and it is finally freshened up by a red powder coated steel plate that embraces it, adding a special layer. The back bar stands there almost as an apse, a triptych made from wood and brown steel, whose three-dimensionality is dramatically emphasized by the lightboxes, the mirrors and the glazed dark green tiles. This is where all the beers are displayed and served. The last area is the mezzanine, overlooking the ground floor and the kitchen. On the background walls, oak frames disrupt the visual paths by using mirrors in the principle of folding doors, reflecting the space in different directions and unifying it at the same time. Here, a funky corner bench, with its red leather and yellow-blue textile, dominates the surrounding wooden environment with its character. The tables are defined by the same checkered pattern found at the entrance, visually connecting the two spaces. The three abovementioned areas are cleverly connected by mainly three elements: the railing, the flooring, and the graphic layer.
地板在空间的每一层都有变化；第一次遇到的是黑色的瓷砖表面，在一楼，它包含了几块黄色的瓷砖，灰色的火花以一种明显的随机顺序出现。这种模式自然地引导眼睛穿过空间，把你的注意力带到台阶上，台阶的材料随着你的上升而变化，从黄色瓷砖到卡拉拉大理石，最后是由橡木边缘勾勒出的木制棋盘地板。吧台区由小而优雅的黄色六边形瓷砖界定，这些瓷砖折叠成一个台阶，前面的吧台就站在上面。一个精心布置的楼梯将这三个空间连接起来，一个向三个方向开放的平台，它将游客引向楼上的夹层。木材在这里是绝对的主角。一个大的玻璃柜矗立在台阶的两侧，展示了几十种葡萄酒和西班牙产品。上楼后，一个对角线修复的木质地板与之前提到的棋盘式地板的碎片相遇。栏杆元素矗立在体积的中间。
The floor changes at each level of the space; the first encounter is a black tiled surface, on the ground floor, which contains couples of yellow tiles, and sparks of grey appear in an apparently random order. This pattern naturally directs the eye through the space, bringing your attention to the steps, whose materials change as you go up, from yellow tiles to Carrara marble, ending up on the wooden chessboard floor contoured by an oak edge. The bar area is defined by the small and elegant yellow hexagonal tiles, which fold into a step on top of which the front bar stands. A carefully placed staircase connects the three spaces, a podium opened to three directions and which directs visitors upstairs, to the mezzanine. Wood here is the absolute protagonist. A big vitrine stands at the sides of the steps, showcasing dozens of wines and Spanish products. Once up, a diagonal restored wooden floor meets patches of the chessboard floor mentioned before. The railing elements stand in the middle of the volume.
它们有一个经典的内涵，由现代的莫迪耶夫斯基触摸定义，垂直条纹的玻璃插入青铜粉末涂层的钢架中。这些细节由四十五度角和三角形形状组成，打破了垂直线条的节奏。它们创造了一个透明和不透明的游戏，影响了空间，但没有破坏它们之间的流动性。最后但并非最不重要的是，一个微妙但强大的图形层坐落在整个场景之上，带来了新鲜和有趣的触摸
They have a classic connotation defined by the modern Modijefsky touch, with vertically striped glass insertion in bronze powder coated steel frames. These are detailed by forty-five degrees corners and triangular shapes that break the rhythm of the vertical lines. They create a game of transparencies and opacities which impacts the spaces without disrupting the fluidity in between them. Last but not least, a subtle but strong graphic layer sits on top of this entire scenery, bringing a fresh and funny touch to the table. Fine illustrations of a hairy chubby guy and parts of his body, lay around the space, stealing a laugh at a first glance. Funny details, phrases, Iberic menu items and small descriptions, bring you to the world of ‘cervecerías’, and give the guests all the instruments to be teleported to the other side of Europe.
Interior Designers: Studio Modijefsky
Area : 139 m²
Year : 2019
Photographs :Maarten Willemstein
Manufacturers : Forbo Flooring Systems, TON, Brass, Ceramica Bardelli, Driessen, Fiction Factory, Finsa, Kvadrat, Massproductions, TopCer, Winckelmans
Design Team : Esther Stam, Agnese Pellino, Moene van Werven, Zahra Rajaei, Christel Willers
Clients : 3wo
Collaborators : Fiction Factory, Maverick
City : Amsterdam
Country : The Netherlands