该项目位于桑坦德市的Tetuan街。它是整个城市美食活动的主要地点之一，那里有大量的传统海鲜餐厅。”La Hermosa de Alba “提出了一种不同的美食，基于土地的产品和应用不同的烹饪技术，在一个休闲、创新和新鲜的环境中。
The Project is situated in Tetuan Street in Santander. It is one of the main spots of the gastronomy activity in the whole city where the traditional seafood restaurant are abundant. “La Hermosa de Alba” proposes a different cuisine, based on the product of the land and applying different culinary techniques, in a casual, innovative and fresh environment.
这个地方很小，位于一栋盲墙之间的建筑里。它从北面的一个小门面进入，而南面的门面则面向一个院子。
The place is small and is located in a building between blind walls. It is accessed from the north with a small facade, while the south facade faces a courtyard.
建议用两种颜色处理墙壁。灰色的陶瓷地板通过垂直墙面继续形成整个空间的高底板，而其余的垂直墙面和天花板是白色的，寻找一种中性、明亮和功能性的本质。
Treatment of the walls in two colors is proposed. The gray ceramic floor continues through the vertical walls forming a high baseboard throughout the space, whereas the rest of the vertical walls and the ceiling are white, looking for a neutral, bright and functional essence.
矩形的地板空间在其纵向方向上被组织成一个平行线的情节，彼此之间的距离是相等的。这些 “线 “是通过连续穿过墙壁和天花板的木板条来实现的。
The rectangular floor space is organized with a plot of parallel lines in its longitudinal direction, equidistant from each other. These “lines” are materialized by means of wooden slats that run continuously through the walls and ceiling.
这些 “线 “被打破，以解决不同的功能需求，如长凳、高桌、存储区、瓶架等。同时，它们使元素有序化，雕塑了空间，产生了多种视角和框架的重叠，这取决于我们所处的观点。
The “lines” are broken to solve the different functional needs, such as running benches, high tables, storage areas, the bottle rack, etc. At the same time that they order elements, they sculpt the space, generating a multitude of perspectives and overlays of frames depending on the point of view in which we place ourselves.
一个大型的中央酒吧作为空间的主要元素出现，位于空间的中间，成为餐厅的运营中心。其余的元素，如金属木工和照明，继续以正式的线性为前提，加强了由木板条提出的重叠图案和几何图形的游戏。
A large central bar is presented as the main element of the space, is located in the middle of it and becoming the center of operations of the restaurant. The rest of the elements such as metal carpentry and lighting, continue with the formal linear premise, enhancing the game of overlapping patterns and geometries raised by the wooden slats.
只有在特定的地方，如外墙、厨房和厕所，瓷砖变成了鲜艳的颜色，并占据了重要地位，而不是由蒸发的山毛榉木、陶瓷颜色的水泥灰和白色的质朴单层形成的中性和平静的构成。
Only in specific places, such as the façade, the kitchen and the toilets, the ceramic tiles turned into bright colors and take importance, as opposed to the neutral and calm composition formed by the vaporized beech wood, the ceramic color cement gray and white rustic monolayer.
Architects: Zooco Estudio
Year : 2019
Photographs :Imagen Subliminal (Miguel de Guzmán + Rocío Romero)
Manufacturers : AutoDesk, Chaos Group, Arkoslight, TON, Adobe, Elekmat, Nobili, Pavigrés, Robert McNeel & Associates
Lead Architects : Miguel Crespo Picot, Javier Guzmán Benito, Sixto Martín Martínez
Construction : Nimbo Proyectos SL
Lighting : Zooco Estudio
Equipement : Zooco Estudio
City : Santander
Country : Spain