这是一个没有名字的亭子。它是一个无名的亭子；不如说是一个结构，一个基础设施。它是一个特立独行的地方，拒绝以单一的方式，用一个词来称呼。一个甚至拒绝被称为亭子的地方（因为它会让人联想到那些从一朵花跳到另一朵花的五颜六色的昆虫，在平衡中稍作休息）。
This is a pavilion without a name. It is a nameless pavilion; less than a structure, an infrastructure. It is an idiosyncratic place that refuses to be called in a single manner, with a single word. A place that even declines to be called a pavilion (since it would remind those colorful insects who jump from one flower to another, resting in balance for a fleeting moment).
这是一个没有名字的物体。可能甚至不是一个物体，而是一个东西。它的形式相当基本；一个正方形的平面，立面比例为2：3。在这种形式中，似乎有一个单一的元素在重复，没有层次。这种无情的安排可以被理解为结构行为的修辞（因为它不仅抵抗自身的重量，同时将支撑天空的不受欢迎的努力转移到地面上）。它也可以被解读为一种对无法做到这一点的恐惧的证据。
This is an object without a name. Probably not even an object but a thing. Its form is rather basic; a square plan with a 2:3 ratio in elevation. Within this format, there seems to be a single element repeated without hierarchies. This relentless arrangement can be understood as the very rhetoric of structural behavior (since it not only resists its own weight while transferring to the ground the unpopular effort of supporting the sky). It might also be read as evidence of a kind of fear of not being able to do so.
在其单调的姿态中，在其乏味的规律性中，以及在其缺乏方向性中，大胆的柱子和细长的柱子侵蚀了任何其他的功能，而不是框架的其他功能。许多事件被允许在没有标记的地方进行。当然，没有人能够生活在这样一个错综复杂的领域。最突兀的墙总是给我们一个提示。
In its monotonous gesture, in its tedious regularity as much as in its lack of direction, bold columns and slender pillars erode any other function than that of framing every other function. Many events are allowed in unlabelled places. Of course, nobody could live in such an intricate domain. The mutest wall always gives us a hint.
自然，人们出于好奇进入艺术作品，然后因为怀旧、病态的无聊或无艺术的崇拜而回到它们身边。我们被告知，无标题的作品仍然是开放的。然而，无名的并不缺少作者，只是缺少一个姓氏。具有讽刺意味的是，空白页可以是任何东西。无论是永恒的物体还是无名的东西都是如此。
Naturally, one enters works of art of curiosity, then returns to them because of nostalgia, morbid boredom, or artless worship. We were told that untitled works remain open. Yet, anonymous ones do not lack an author, only a family name. Ironically enough, blank pages could be anything. Both timeless objects and nameless things are so much more.
Architects: Pezo von Ellrichshausen
Area : 330 m²
Photographs :Rory Gardiner
Authors : Mauricio Pezo, Sofía von Ellrichshausen
Client : Molonglo
Collaborators : Fabian Puller, Olga Herrenbrücks, Amelie Bès
Local Architect : Dezignteam
Structure : Northrop
Landscape : Oculus
Construction : Creative Building Services
City : Fyshwick
Country : Australia