该建筑位于历史区Zverynas，以前是避暑胜地，最近成为维尔纽斯老城的一部分。这里有丰富的老木屋和自然植被，被认为是城市中保存最完整的历史性小规模住宅区之一。这就是主要的挑战–面对严格的建筑和城市保护要求，同时创造一个当代的、令人难忘的、开放的和吸引人的对象供公众使用。
The building is located in the historic district Zverynas, the former summer resort and recently part of an old town of Vilnius. Rich with old wooden houses and natural vegetation it is considered one of the most preserved historic small scale homesteads of the city. This is what has become the main challenge – to face the strict architectural and urban protection requirements, by the same time to create a contemporary, memorable, open and inviting object for the public use.
该建筑的结构与周围的小城市规模相呼应。该建筑由两个较小的体量组成，它们相互交叉，相互交叉。略微不规则的体量反映了地块的形状，同时也创造了一种自然移动的感觉。这就是来自于邻近的建筑–混乱的、不规则的、旧的木质和砖质结构。为了融入Zverynas的小城市建筑规模，体量是复杂的，轮廓也诠释了屋檐下的宅院类型学。狭窄的立面朝向主要街道。
The structure of the building responds to the surrounding small urban scale. The composition consists of two smaller volumes that cross and overpass each other. Slightly irregular volumes reflect the shape of the plot as well as create the sense of a natural move. This is what comes from the neighboring buildings – chaotic, irregular, old wooden and brick structures. With an intention to integrate into the small urban building scale of Zverynas the volume is complex as well as the silhouette interprets the gable homestead house typology. The narrow facades are orientated towards the main street.
美学表达的主要想法是受到城市环境和公司名称 “Linea”（拉丁语，其中一个意思是 “线”）的启发。体积的构成灵感来自于邻接的小而多变的特点，而外部表达和材料反映了公司本身的活动和解释。陶瓷板是独立的矩形陶瓷元素，被用于外墙装饰。百叶窗以及玻璃窗前的独立体积陶瓷条纹创造了优雅、轻盈和开放的感觉。通过不透明的表面与各种单一的陶瓷条交错，可以感受到动态的外墙线条图形。除了美学功能外，水平百叶窗还能保护场所不受过热影响。阴影图形成为室内的一个组成部分。目标是实现整体感–因此，陶瓷墙面装饰也连续覆盖屋顶坡度。塑料屋脊的细节强调了体积的连续性和完整性的理念。
The main idea for the aesthetic expression was inspired by the urban environment and the company’s name “Linea”(Lat. – one of the meanings is”the line”). The composition of the volumes is inspired by he small, variable character of adjacency, whereas the external expression and materiality reflects the activities and interpretation of the company itself. Ceramic plates are individual rectangular ceramic elements are used for the facade finishing. Blinds as well as separate volumetric ceramic stripes in front of the glass windows create gracefulness, lightness and the sense of openness. The dynamic facade line graphics is perceived by opaque surfaces interlacing with a variety of single ceramic strips. In addition to the aesthetic function the horizontal blinds protect the premises from overheating. The shadow graphics become an integral part of the interior. The goal was to achieve a sense of integrity – therefore, the ceramic wall finishing also continuously covers the roof slopes. The plastic roof ridge detail underlines the idea of continuity and integrity of the volumes.
紧凑的建筑结构由三层楼组成。第一层和第二层作为展览空间。三楼是办公空间。楼梯和电梯确保了二楼的商业空间的可及性。
室内设计的一个想法是最大限度地撤销多余的装饰。留下开放的、浮动的内部空间是为了一个明确的销售理念–展示和代表内部和装饰材料。裸露的混凝土表面、明显的管道系统和展示的闪电成为次要的背景元素。(室内设计与室内设计工作室-“Plazma “一起提出）。
The compact building structure consists of the three floors. The first and the second floors serve as the exposition space. The third floor shelters the office space. The stairs as well as elevator ensures the accessibility to the commercial spaces on the second floor.
An idea for the interior was a maximum withdrawal of excess decorating. Leaving open, floating interior spaces was with a clear idea for sales – to exhibit and represent the interior and finishing materials. Exposed concrete surfaces, apparent duct systems and exhibited lightning become secondary background elements. (Interior design proposed together with the interior design studio – “Plazma”).
地块上铺设了镂空的混凝土垫子，里面填充了碎石。它成为一个舒适的方式来排出表面和收集雨水。作为与宅基地周围环境的接口，建议使用草坪和绿色植物。强调的是建筑的开放性、易接近性和公共性质。
The plot is paved with openwork concrete pads filled with rubble. It becomes a comfortable way to drain the surfaces and collect the rain water. As an interface with the homestead surroundings proposed is the lawn and the greenery. Emphasized is the openness, easy accessibility and the public nature of the building.
Architects: Arches
Area : 660 m²
Year : 2015
Photographs :Leonas Garbacauskas
Manufacturers : MARAZZI, MOEDING, Sapa Building System International NV
Interior : Studio Pazma
Team : Arunas Liola, Edgaras Neniskis, Rolandas Liola, Enrika Ges tautaite, Marijus Vroblevic ius
Structural Engineers: : Arvydas Stumbras, Tomas Zvinys
City : Vilnius
Country : Lithuania