该馆同时使用博物馆建筑和Serralves公园作为其原材料，每一个都有不同的规模。首先，展馆的设计与博物馆建筑建立了一种间接关系。展馆的设计是从博物馆的布局中提取的一个多边形，与博物馆的一个特色空间–弓形窗相对应，其经典的六边形矩阵在整个公园的不同时期重复出现，包括在人行道和景观中。
The pavilion uses both the Museum building and the Serralves Park as its raw material, each one in a different scale. Firstly, the pavilion’s design establishes an indirect relationship with the Museum building. The pavilion’s design is a polygon extracted from the Museum’s layout, corresponding to one of its characteristic spaces — the bow window — whose classic hexagonal matrix is repeated and emerges at various times throughout the Park, both in the pavements and the landscape features.
这种布局的凹形多边形配置为投影空间提供了完美的基础。其次，提取的多边形，一旦植入公园并改变了它的原始环境，包括其形状和材料的转变，就会成为新的东西，并脱离其原始来源。在这个第二阶段，展馆接近公园，与公园的纹理建立了一种亲和力，并找到了自己的物质性。它被植入湖的顶部，湖水提供了它的原则：深色玻璃反映了它的反射，也反映了周围茂密的树叶的景观。
The concave polygonal configuration of this layout provides the perfect base for a projection space. Secondly, the extracted polygon, once implanted in the Park and with its original context altered, including the transformation of its shape and materiality, becomes something new and detaches itself from its original source. In this second stage, the pavilion approaches the Park, establishing an affinity with its textures and finding its own materiality. It is implanted on top of the lake, whose water offers its principle: dark glass that mirrors its reflection and also the surrounding landscape of dense foliage.
亭子里充满了色彩、光线和回声，在它的主环境中 “伪装自己”。最后，除了博物馆和公园之间的关系外，由于其位置和迫使游客与水建立的关系，它还与它所承载的艺术品建立了一座桥梁。然而，展馆的内部是足够中立的，以创造所需的空间，以便能够发现里面投射的视频。
The pavilion is filled with colour, light and echoes, ‘camouflaging itself’ in its host environment. Finally, in addition to the relationship between the Museum and the Park, it also establishes a bridge with the artwork that it harbours, due to its location and the relationship that it obliges the visitor to establish with the water. However, the pavilion’s interior is sufficiently neutral to create the space required to be able to discover the video projected inside.
Architects : depA
Area : 35 m²
Year : 2017
Photographs :José Campos
Construction : Otiima Art Works
Engineering : Edgar Brito, Luís Oliveira
Hosted Artwork : O Peixe, Jonathas de Andrade
Commision : Fundação de Serralves
Design Team : Carlos Azevedo, João Crisóstomo, Luís Sobral, Miguel Santos, Sara Pontes, Margarida Leitão, Ângela Meireles, Hugo Sobrosa
City : Porto
Country : Portugal