“Quinta Tetuán “是这样一个地方,项目的挑战是创造一个属于自己的景观,在这种情况下,在拉普拉塔外围的半农村地区。在这里,生活在大排的桉树之间,这些桉树分割了整个地产。这里有一些零星的建筑、果园、宠物和各种野生动物,给这里带来了生机。洛斯霍诺斯的生产区,土地被改造成砖块,在历史上被吹嘘为首都的物质支持,现在是一片肥沃的土地,注定要进行大规模的密集型水果-园艺生产,这里的直线秩序和连续的种植园塑造了它的主要建筑和随之而来的形象。

“Quinta Tetuán” is one of those places where the challenge of the project is to make a landscape of its own, in this case in the semi-rural area of the periphery of La Plata. Here, life passes among large rows of eucalyptus trees that divide the property. There are some scattered constructions, orchards, pets, and various wild animals that give life to the place. The productive area of Los Hornos, of land transformed into bricks, historically vaunted as the material support of the capital city, and presently a fertile land, doomed to intensive fruit-horticultural production of a massive scope, where the rectilinear order and the succession of plantations shape its main constructions and consequent images.

该项目旨在有意识地将建筑环境与其常见的做法、材料和类型以及环境作为拟议景观和生活方式的一部分。一个建筑作品与工业化、可重复的大规模范围相联系,是一个典型的专业化社会,希望成为一个开放的战略,在一定的尺寸、气候和背景参数下进行不同的实施。一个可以在车间里组装并可以移动的物体,这需要研究和了解案例的特殊参数,以便具体插入。

The project aims to consciously involve both the built context with its common practices, materials, and typologies and the environment as part of the proposed landscape and way of life. An architectural piece linked to the industrial, repeatable massive scope, typical of a specialized society, with aspirations of becoming an open strategy for different implementations within certain dimensional, climatic and contextual parameters. An object that can be assembled in the workshop and can be moved, which requires a study and understanding of the particular parameters of the case for its specific insertion.

材料结构是根据当地市场调整的,在其不确定的重复和操作中,支持有盖和半盖的空间。一方面,有一个封闭的内部棱镜,由7个2.40 x 6.00 x 2.90米的单元组成,以线性方式连接,给出一个6.00 x 16.80 x 2.90米的最终体积,与自然地形分开。另一方面,一个尺寸可变的屋顶,也是金属的,在材料和感知方面是独立的,尺寸为12.00 x 18.20米,在高度上与前一个体量稍有距离,它覆盖在上面,与砖块地板一起,作为自然和人工之间的风箱和缓冲器发挥作用。

The material structure is adjusted to the local market that, in its indefinite repetition and manipulation, supports covered and semi-covered spaces. On the one hand, there is a closed interior prism of seven units of 2.40 x 6.00 x 2.90m connected in a linear way, giving a final volume of 6.00 x 16.80 x 2.90m, separated from the natural terrain. On the other, a roof of variable dimensions, also metallic and independent in material and perceptual terms, measures 12.00 x 18.20m and is slightly distanced in height from the previous volume, which covers it and which, together with the brick floor, functions as a bellows and buffer between nature and artifice.

与树丛的距离、它们的主要几何形状和空地确立了房子的最终位置,并配置了最遥远的感知极限。

The distance to the arboreal masses, their dominant geometries and clearings establish the final position of the house and configure the most distant perceptual limits.

在外部,组成元素之间的间隙及其形式上的复杂性,屋顶投下的阴影,深色的颜色,以及封闭体积的一些玻璃板的反射,提议减少建筑对植物景观的影响,类似于该地区一些棚屋和金属结构的做法。

Towards the exterior, the interstices between constituent elements and their formal complexity, the shadow thrown by the roof, the dark color, and the reflections of some glazed panels of the closed volume, propose to reduce the impact of the building on the vegetal landscape, similar to the approach of some sheds and metal structures in the area.

朝向内部,差异是明显的:一个完全由浅色木头包覆的直角空间,有足够的门槛来建立一个时刻,以使内部世界与外部世界保持距离。

Towards the interior, the difference is marked: a rectilinear space entirely clad in light wood, with thresholds sufficiently defined to establish a moment, in order to distance the interior world from the exterior.

最后,由体积、地板和屋顶之间的互动产生的画廊空间的设计考虑到了气候问题、用途和感知,就像许多典型的当地和国家的历史空间一样,是一个卓越的相遇区域。宽敞、多面性和充满生命力。

Finally, the gallery-space resulting from the interaction between volume, floor and roof is designed with regard to climatological issues, uses and perceptions, as so many typologically associable locally and nationally historical spaces, is an area of encounter par excellence. Spacious, multifaceted and full of life.

Architects: BIANCHI-FUCILE
Area: 100 m²
Year: 2018
Manufacturers: AutoDesk, ACINDAR, Aluar, Fanelli, Trimble
Lead Architects: Leandro Fucile, Santiago Bianchi, Juliana Bertone
Clients:Leandro Fucile
Engineering:Agustín Venturino
Collaborators:Agustina Robles
Color And Mural:Luisina Fucile, Dario Riccardi
City:La Plata
Country:Argentina