该设计响应了适应性花园的环境,唤起了19世纪玻璃花园建筑的传统、花园在文化记忆中的作用(特别是马塞尔-普鲁斯特的作品),以及创建一个对经常去花园的儿童和家庭有吸引力和欢迎的当代艺术博物馆的愿望。

The design responds to the setting of the Jardin d’Acclimatation, evoking the tradition of 19th-century glass garden buildings, the role of the Jardin in cultural memory (especially the work of Marcel Proust) and the desire to create a contemporary art museum that will be attractive and welcoming to the children and families who frequent the Jardin.

该建筑建在一个专门为该项目创建的水景花园的边缘,包括一个由白色块状物(被称为 “冰山”)组成的集合体,该集合体由12个巨大的玻璃 “帆 “包围,由木梁支撑。这些帆使路易威登基金会具有透明度和运动感,同时使建筑能够反映出水、树林和花园,并随着光线不断变化。

Constructed on the edge of a water garden created especially for the project, the building comprises an assemblage of white blocks (known as “the icebergs”) clad in panels of fiber-reinforced concrete, surrounded by twelve immense glass “sails” supported by wooden beams. The sails give Fondation Louis Vuitton its transparency and sense of movement, while allowing the building to reflect the water, woods and garden and continually change with the light.

底层的入口大厅是博物馆和花园的入口。它被设计成一个活跃的社交空间,设有一个餐厅和书店。与入口大厅直接相邻的大型多功能空间可用作可容纳350人的礼堂、展览空间或活动场所。

The ground-level entrance hall serves as the entry to both the museum and the Jardin. It is designed as an active social space, featuring a restaurant and bookstore. The large, multi-purpose space directly adjacent to the entrance hall may be used as an auditorium accommodating 350 persons, an exhibition space, or event venue.

当参观者在建筑内从一个画廊走到另一个画廊时,大面积的玻璃提供了花园的风景,将景观融入博物馆的体验中。参观者可以在玻璃帆下爬上外部楼梯,到达屋顶花园和展览。

As visitors move from gallery to gallery within the building, the large expanses of glass provide picturesque views of the gardens, integrating the landscape into the experience of the museum. Visitors are able to climb exterior stairways underneath the glass sails to reach roof-top gardens and exhibitions.

该项目在国际上一直是数字设计和施工创新的催化剂,为先进的数字和制造技术的使用设立了新的标准。超过400人向一个共同的网络托管的三维数字模型贡献了设计模型、工程规则和装配约束,该模型智能地适应了设计要求。构成外墙的3600多块玻璃板和19000块混凝土板用数学技术进行了模拟,并使用先进的工业机器人进行了成型,所有这些都是根据共享的三维模型自动完成的。新的软件是专门为共享和处理复杂的设计而开发的。

The project has been a catalyst internationally for innovation in digital design and construction, setting a new standard for the use of advanced digital and fabrication technologies. More than 400 people contributed design models, engineering rules and assembly constraints to a common web-hosted 3D digital model, which intelligently adapted itself to design requirements. More than 3,600 glass panels and 19,000 concrete panels that form the façade were simulated using mathematical techniques and molded using advanced industrial robots, all automated from the shared 3D model. New software was developed specifically for sharing and working with the complex design.

玻璃屋顶的结构使建筑能够收集和再利用雨水,并提高其地热能。此外,基金会已经实现了其总体目标,即达到HQE(Haute Qualité Environmentale)认证,即Très Performant。为达到这个级别的认证所采取的措施可被视为相当于LEED金奖。

The structure of the glass roof allows the building to collect and reuse rain water and improves its geothermal power. Besides, the Fondation has attained its overall goal to reach HQE (Haute Qualité Environmentale) certification noted as Très Performant. The steps taken to achieve this level of certification could be considered equivalent to LEED Gold.

Architects: Gehry Partners
Area: 11700 m²
Year: 2014
Photographs: Iwan Baan , Todd Eberle
Manufacturers: Ductal®, HESS TIMBER, HASSLACHER NORICA TIMBER, Ieronimakis, Progress Profiles SpA, SADEV, Schollglas, Sonogamma, Zoontjens, Falcon Lifts
Design Partner:Frank Gehry
Consultants:Gehry Technologies
Executive Architect:Studios Architecture
Mep Engineer:Setec Batiment
Lighting:L’Observatoire International / Ingelux
Civil Engineer:Setec Bâtiment
Building Façade Consultant:RFR/TESS
Acoustical Engineer (Base Building):LAMOUREUX
Sound Designer (Auditorium):Nagata Acoustics
Landscape:Atelier Lieux Et Paysages
Theatre/Av:DUCKS SCENO
Sustainable Building Consultants:S’PACE / TERAO
Building Maintenance:TAW
General Contractor:VINCI Construction
Client:Fondation Louis Vuitton – Bernard Arnault, President
Site Area:1ha
City:Paris
Country:France