Lurbe的房子建于1932年,位于Cabanyal社区,是地中海沿岸的一个传统渔业区。就在100米外,作家Vicente Blasco Ibáñez的房子,其气势恢宏的爱奥尼亚壁柱和面向大海的卡利亚特,也代表了其第一任业主的愿望。1939年内战后,布拉斯科-伊巴涅斯的房子被征用,变成了法兰奇的娱乐总部,无人居住,被遗忘,70年后被拆除重建;然而,由于黑市的存在,卢尔贝的房子在战后时期幸存下来。它被居住和重新居住,被翻新,被使用而磨损。

Lurbe`s house was built in 1932 in the Cabanyal neighborhood, a traditional fishing district on the shores of the Mediterranean. Just 100 meters away, the house of the writer Vicente Blasco Ibáñez with its imposing gallery of Ionic pilasters and caryatids facing the sea, also represented the aspirations of its first owners. After the civil war in 1939, the house of Blasco Ibáñez was expropriated, transformed into a recreational headquarters for the Falange, uninhabited, forgotten, and demolished to be rebuilt 70 years later; Lurbe`s house, however, survived the postwar period thanks to the black market. It was inhabited and re-inhabited, renovated, and worn by use.

从这个理想的外部房间开始,该项目现在增加了一个额外的建筑层,交织着两座房子的历史。后面立面的拆除揭示了被发现的画廊–在其历史上某个不确定的时刻被覆盖和关闭–。它现在被改造成一个外部房间,邀请人们使用和保持,它向太阳和气流延伸,利用良性的天气条件,就像Blasco Ibáñez的餐厅一样。新的空间和元素的顺序,将当代性与过去,故意的与偶然的,然后精致的与日常的相联系。恢复的阳台窗户,重新安置的室内玻璃门,浴室天花板的丰富装饰和它的天窗,隐藏着西班牙战后时期的秘密,与曾经支撑着芦苇屋顶的现在光秃秃的横梁,入口的新桶形拱顶,或反射西方光线的陶瓷格子的强光共存,并把我们带到附近的地中海。

Starting from that desired exterior room, the project now adds an additional architectural layer, intertwining the history of both houses. The demolition of the rear façade reveals what was the discovered gallery -covered and closed at some uncertain moment in its history-. It is now transformed into an exterior room that invites use and permanence, which extends towards the sun and the currents of air, taking advantage of the benign weather conditions, as did Blasco Ibáñez’s dining room. The new sequence of spaces and elements, sews contemporaneity to the past, the deliberate to the accidental, and then refined to the everyday. The recovered balcony windows, the relocated glazed interior doors, the rich decoration of the bathroom ceiling and its skylight, which hides the secrets of the Spanish postwar period, coexist with the now bare beams that once supported a reed roof, the new barrel vault of the entrance, or the glare of the ceramic latticework that reflects the western light, and transports us to the nearby Mediterranean Sea.

该项目通过重建房子丰富的社会历史,为不完美的房子引入了不完美的品质,不仅有小的修复和修理,还有全新的作品。时间拒绝了任何全球概念的尝试。然而,缓慢的手工制作将可见和不可见的东西汇集成一个新的整体。至少现在是这样。

The project introduces an imperfect quality to an imperfect house by reconstructing the house’s rich social history, not only from small rehabilitation and repairs but also entirely new works. Time refuses any attempt of a global conception. However, a slow handmade work brings together the visible and the invisible as a new whole. At least for now.

Architects: Abalosllopis Arquitectos, Jordi Marset
Area: 101 m²
Year: 2021
Photographs: Mariela Apollonio
Manufacturers: AutoDesk, Ceràmica Ferres, Adobe, Trimble
City:VALENCIA
Country:Spain