身份和材料：Mexicano Masaryk旨在带回墨西哥烹饪传统的正宗风味，通过名为Mayoras的当地厨师的参与，恢复墨西哥某些地区的记忆。这就是为什么我们决定以最诚实的方式用新的自然材料来对抗现有建筑的材料性。通过使用火山岩地板和不同的清漆处理，以及使用黄铜，我们试图使一个已经折衷的建筑同质化。

IDENTITY AND MATERIALITY: Mexicano Masaryk aims to bring back the authentic flavors of Mexican culinary tradition, recovering the memory of certain regions in Mexico trough the participation of local cooks named Mayoras. This is why we decided to confront the materiality of an existing building with new natural materials in the most honest way. By using volcanic rock flooring with different varnish treatments, and the use of brass, we tried to homogenize an already eclectic construction.

家具、扶手和外墙被建议使用不同地区的木材，如Cumarú、Tzalam、白橡木和胡桃木；试图用触摸的感觉来补充烹饪体验。窗框的灵感来自于50年代现代墨西哥的类型，这些窗框被涂成与木质外墙颜色相似的红色。

The furniture, handrails, and façade were proposed in different regional woods, such as cumarú, tzalam, white oak and walnut; Trying to complement the culinary experience with a sense of touch. Window frames were inspired in the typologies of modern Mexico from the fifties, and these where painted in red tones similar to the color fo the wooden façade.

与存在交织。设计也来自于对一般商业建筑存在的理解，根据房东的规定，不能对其进行大幅度的修改。因此，我们决定开发一种语言，通过使用白色油漆来揭示和澄清现有的东西。之后，我们试图通过使用地板、墙裙板、亭子、酒吧柜台、窗框、遮阳板等元素来协调。

WEAVING WITH EXISTENCE: The design came also from the understanding the existence of a generic commercial building, that by rule of the landlord, could not be affected drastically. Therefore, we decided to develop a language that revealed and clarified the existent by using white paint. Afterwards, we tried to harmonize by using elements such as floors, wall skirting boards, booths, bar counters, window framing, sunscreens, etc.

马萨里克的外墙：考虑到该餐厅位于墨西哥城最昂贵的大道之一，我们提出了一个具有现代感的外墙，同时我们希望内部的一些生活气息能够透露给街对面的人，以垂直的方式看外墙，你会得到一个可渗透的屏幕，从一个角度看，你会发现一个更均匀和优雅的木制外墙。下层建筑采用了非常灵活的窗框设计，使之成为一个透明的空间，吸引行人前来观看。

THE FACADE IN MASARYK: Considering that the restaurant is located in one of the most expensive avenues in Mexico City, we proposed a façade that had a contemporary look with great presence, and the same time we wanted some of the life of the interior to be revealed to the people across the street, looking at the facade in a perpendicular way you get a permeable screen, and from an angular point of view one finds a more homogeneous and elegant wooden façade. The lower floor was solved with very flexible window framing, diaphanous, inviting the pedestrian to take a look.

颜色和植物：调色板以一种自然的方式出现，首先吸收了火山岩地板的深色，然后是Cumarú和Tzalam木制品的红色色调。然而，我们想要一种赞美，一种由植被的绿色带来的强调，首先是大道上现有的植被，然后是底层外部和内部拟议的热带植物层，最后是座椅和靠背的装饰。此外，陶罐被涂成不同的泥土颜色，试图达到墨西哥颜色的真实形象。

COLOR AND VEGETATION: The color palette emerged in a natural way, first assimilating the dark color of the volcanic rock floors, and then the red tones of the cumarú and tzalam woodworks. Yet we wanted a compliment, an accent that would be brought by the green of the vegetation, first the existing one from the avenue, then trough the proposed layers of tropical plants in the exterior and interior of the ground floor, and at last in the upholstery of the seats and backrests. Also, the clay pots were painted in different earthly colors, trying to get to an honest image of the colors of Mexico.

Arquitectos: Vrtical
Area: 600 m²
Year: 2019
Photographs: Enrique Márquez Abella
Manufacturers: Cemex, David Pompa, Fábrica Astilla, Lanza Atelier
Lead Architects: Luis Beltrán del Río, Andrew Sosa, Arelly Blass
Furniture:Lanza Atelier
Collaborators:Fábrica Astilla (wood)
City:Ciudad de México
Country:Mexico