Materia是在La Condesa的一个商业店铺里开发的，这里是一个聚会点和交通枢纽，有大量的咖啡店，包含了多年来受不同艺术潮流影响的充满活力的城市形象，如装饰艺术。面包店的前提来自于以原材料为基础的食物的意图，寻求消除传统面包店是健康和有益饮食的反面的看法和倾向性。在厨房里，他们打算采用一种完全专注于原料及其加工过程的方法，通过提高其最佳品质的烹饪方法偏爱超级食物，提供的产品消除了吃美味糕点的负罪感。
Materia was developed in a commercial shop in La Condesa, a meeting point and a transit hub with a great offer of coffee shops, and contains the vibrant urban image influenced by different artistic currents through the years, such as Art Deco. The premise of the Bakery comes from the intention of feeding based on raw materials, seeking to eliminate the perception and predisposition that traditional bakery is the opposite of a healthy and beneficial diet. Inside the kitchen, they intend to work under a methodology with an approach focused entirely on the ingredients and their processes, favoring superfoods through cooking methods that enhance their best qualities, offering products that eliminate the guilt of eating a tasty pastry.
将容纳这种思想的设计方法也是以同样的方式建立的：作为原材料的原材料。建筑是由其最基本的元素组成的，表现得很粗糙，一个比一个排列得好，在某些情况下，还经过实验处理。木材、钢和混凝土是装配式建筑在适应空间方面的主角，为房间的使用和分隔提供解决方案。这些材料与两种颜色方案相辅相成：内部是棕色和赤土色，暗指泥土和火的温暖和庇护；相反，在外部，橄榄绿色通过窗户和人行道上的树木与植物调色板相配合。从外面看，立面在其水平传播中被包含在城市形象中。它使用的图案产生于对法棍形状的图形探索，被抽象化并应用于铁制品的图案中。它玩弄了该地区的法式风格的图案，然后折叠起来，打开所有的门槛，吸入那个外部，并将厨房的气味呼到外面。该图案再次出现在内部，转化为粘土砖，在展示和销售区后面创造一个视觉焦点。
The design approach that would house this thought was established in the same way: raw material as raw material. Architecture is made from its most basic elements, expressed crudely, arranged one above the other, and, in some cases, treated experimentally. Wood, steel, and concrete are the protagonists of the assembly in the adaptation of the space, providing solutions for the use and separation of rooms. Those materials are complemented by two color schemes: brown and terracotta inside, alluding to the earth, the warmth and shelter of clay and fire; in contrast, on the outside, the olive green plays with the vegetal palette through the windows and towards the trees on the sidewalk. From the outside, the façade is contained within the urban image in its horizontal spread. It uses a pattern that arises from the graphic exploration of the baguette shape, abstracted and applied to the pattern of the ironworks. It plays with the French-style motifs of the area, and then folds in, opening all the thresholds, inhaling that exterior, and exhaling the smells of the kitchen to the outside. The pattern appears again on the inside, translated into the clay tiles, creating a visual focal point behind the display and sale area.
其余的空间元素都被新的家具所饱和。墙壁成为产品的展示者和载体。一些移动和旋转，以分离或开放空间，但仍然展示商品。其余的则成为桌子或椅子，是功利性和多功能的作品。柱子也获得了其他功能，成为高脚桌、架子和展示板，或者它们保持其最初的功能：作为支撑结构，承载中央混凝土桌子的重量：缓冲元素，一个分配其周围空间的作品，驱动其周边的交通，使其流经每个空间和小店内解决的每个微环境。这个作品是与Arch. 小林，寻求一个形式上的结果作为探索过程本身的一部分，让它在重力与混凝土和灵活的模板的作用下成形。Materia最终成为其元素的自然表达，碎片被放置和叠加在一起，暴露在过程和重力下，并被安排在它们自己、空间和它们所承载的活动之间。
The rest of the spatial elements are saturated by new furniture. The walls become exhibitors and carriers of products. Some move and rotate to separate or open the space but still exhibit the merchandise. The rest become tables or chairs, utilitarian and versatile pieces. The columns acquire other functions as well, becoming high tables, racks, and display boards, or they maintain their initial function: acting as supporting structure that carries the weight of the central concrete table: the buffer element, a piece that distributes the space around it, drives the traffic around its perimeter, making it flow through each space and each microenvironment resolved within the small shop. This piece was conceived with Arch. Kobayashi, seeking a formal result as a part of the exploration process itself, allowing it to take shape by the forces of gravity in play with the concrete and the flexible formwork. Materia ends up being the natural expression of its elements, pieces placed and superimposed on each other, exposed to processes and gravity, and arranged between themselves, the spaces, and the activities which they host.
Architects: Luis Carbonell
Area: 86 m²
Year: 2021
Photographs: Camila Cossio
Manufacturers: AutoDesk, Adobe, Gastrox, McNeel, un rayito de sol
Lead Architect: Luis Carbonell
Landscape: Salmiana, Juliana de Lasse
Construction: Operadora Obra
Design Team:Jessica Young
Proyect Management:Fernanda Lecanda
Work Execution:Arturo Núñez
Concrete Furniture:Pablo Kobayashi
Lighting:Andrea Young
City:Ciudad de México
Country:Mexico