Misci来自混血儿，是巴西人身份的基础。Miscegenation是指民族之间的交叉；brazing；miscegenation；混合。巴西，是民族、文化和信仰大交汇所产生的领土。基于这样的背景，并揭示了一个非常明晰的立场，Misci的项目以一种潜移默化的方式探索巴西文化。项目以简单的设计，对乡土建筑的美学做了复杂的暗示，用泥土的颜色和纹理，”Terracal拯救了石灰的外观、透明度、染色、老化和天鹅绒般的触感”，正如Terracor所描述的。

Misci comes from miscegenation, the basis of Brazilian identity. Miscegenation is the crossing of ethnicities; brazing; miscegenation; mixture. Brazil, territory resulting from a great meeting of peoples, cultures and beliefs. Based on this context and revealing a very lucid position, Misci’s project explores Brazilian culture in a subliminal way. With a simple design, the project makes a sophisticated allusion to the aesthetics of vernacular constructions, with earthy colors and textures, “Terracal rescues the appearance, transparency, staining, aging and velvety touch of lime”, as described by Terracor.

它选择让所有的计划使用相同的颜色，并在负脚线工作的照明，我们带来了项目所要求的轻盈感，面对强烈的陈述背景。用红色，人行道和楼梯就显得很突出，我们决定保持原样，用同样的栏杆和实木地板。红色的梯子也有自己的含义：红色是血的颜色，是每个人身上共同的颜色。只有一个种族，就是拥有红色血液的种族。巴西从红色中诞生，在探索欧洲用于染布的一种特殊的巴西木材（Pau Brasil）。在植物中，我们理解了转变：我们创造了一个入口大厅，厕所变成了更衣室，宽松的墙壁带来了体积和光的游戏和盒子内的阴影，在更衣室里，直墙变成了曲线，说到曲线，有机形式然而 “固体 “巧妙地将女性在品牌创意过程中的代表转化为建筑。

It was chosen to leave all plans using the same color and working the lighting in the negative footer, we bring the lightness that the project asked for in the face of the strongly stated context. With red, the sidewalk and the staircase stood out, which we decided to keep as it was, with the same railing and solid wood floor. Red ladder also has its own meanings: red is the color of blood, the common color in everyone. There is only one race, the one with red blood. Brazil was born from red, in the exploration of a specific Brazilian wood (Pau Brasil) used for dyeing fabric in Europe. In plants we understand the transformations: we created an entrance hall, the toilet became a dressing room, loose walls bring volume and light game and shadow inside the box and in the dressing room, the straight wall turned into curve, and speaking of a curve, the organic forms however “Solid” subtly translates into the architecture the representation of women in the brand’s creative process.

在所有重视我们的土地，创造强大的根和滋养我们的文化的运动中，金刚鹦鹉形状的想法，由镀锌钢制成，与自由线，交错和投影托盘，参考我们的根。在外立面上，斜面和非标准的窗户吸引了人们的注意，混凝土的旋转台阶邀请我们进入这个巴西性为主的地方。

With all the movement of valuing our land, creating strong roots and nourishing us of our culture, the idea of the macaw-shaped macaws, made in galvanized steel, with the free line, interlaced and projected trays, makes reference to our roots. . On the facade, beveled and non-standard windows attract attention, concrete swing steps invite us to enter this place where Brazilianness dominates.

建筑师: Airon Martin , Babbie Arquitetura e Interiores
面积 : 60 m²
年份：2020年
摄影：André Klotz
制造商：AutoDesk, Chaos Group, Adobe, Brilho Luz, Edson sampaio Serralheria, NS Brazil, Terracor, Trimble
主设计师：Bárbara Becattini
室内设计及创意总监：Airon Martin
合作者：TerraCor
城市 : Pinheiros
国家：巴西
Architects: Airon Martin , Babbie Arquitetura e Interiores
Area: 60 m²
Year: 2020
Photographs: André Klotz
Manufacturers: AutoDesk, Chaos Group, Adobe, Brilho Luz, Edson sampaio Serralheria, NS Brazil, Terracor, Trimble
Lead Architect: Bárbara Becattini
Interiors Design And Creative Director:Airon Martin
Collaborators:TerraCor
City:Pinheiros
Country:Brazil