借着 “活着的不确定性 “展览的机会。第32届圣保罗双年展之后的展览,Diogo Aguiar工作室被选中设计一个短暂的展馆,以容纳将在Serralves当代艺术博物馆花园中展出的精选电影。

By the occasion of the exhibition Live Uncertainty: An Exhibition after the 32nd Bienal de São Paulo, Diogo Aguiar Studio was selected to design one of the ephemeral pavilions to host the selected films to be displayed in the Serralves Museum of Contemporary Art gardens.

在Serralves花园中发现的临时结构是由三个不同的时刻实现的:对一个可居住的空间的认识,一个过渡路径和投影场地。这个圆形的展馆有一个抽象的外皮,一个横跨其弯曲表面的连续门面,建立在四层垂直的木板上。

The discovery of the temporary structure in the Serralves gardens is achieved by three distinct moments: the recognition of a habitable space, a transition path and the projection site. The circular pavilion features an abstract skin, a continuous facade across its curved surface, built on four levels of vertical wooden planks.

在没有假设一个主入口的情况下,外立面可以从三个不同的点进入,通过其周边划分进入展馆的入口,从而促进了不同的通道和与Serralves花园的关系。

Without assuming one main entrance, the outer façade, which may be entered from three different points, divides the entrance into the pavilion by its perimeter, thus fostering different accesses and relationships with Serralves gardens.

在阳光的照射下,建筑结构投射在自己身上,造成弯曲的阴影,蜿蜒在中央立面周围,随着时间的推移,创造出不同的阴影画。

Crossed by sunlight, the built structure projects over itself causing curved shadows that meander around the central façade, creating different shadow-drawings as the day passes by.

在圆柱形空间的基础上,也强调了展出作品的中心地位,展馆的设计侧重于建造两个具有不同功能的同心空间:中间空间和中央空间。

Building on the cylindrical spatiality, that also emphasizes the centrality of the work on display, the design of the pavilion focuses on the construction of two concentric spaces that have distinct functions: the interstitial space and the central space.

为控制内部空间的自然光,两个立面规划的并列,弯曲和平行,交替打开双曲线的弧形跨度,引导游客走过沉浸式的调解空间–作为一个前厅路径–而不显示中央核心–作为一个封闭的空间–从外面–放映影片Os humores artificiais.Abrantes的地方。

Contributing to the control of natural light in the interior space, the juxtaposition of two façade-plans, curved and parallel, which alternately open double-curved arc spans, guides the visitor to walk through the immersive space of mediation – as an antechamber-path – without revealing the central nucleus – as a space-enclosed – from the outside – the projection place where the film Os humores artificiais.Abrantes is shown.

Architects: Diogo Aguiar Studio
Area: 75 m²
Year: 2017
Photographs: Francisco Nogueira, Fernando Guerra | FG+SG
Architect In Charge:Diogo Aguiar Studio
Engineering:PENREA – Rui Nuno Salgueiro
Construction:Somaia
City:Porto
Country:Portugal